'Gallicantus are singers of the highest order and, concept or no concept, we should be grateful to them for creating a programme of such wonderful music and drawing it to our attention' (MusicWeb International)

‘At times in the more explosive and quickfire numbers, especially in the unstoppable forward momentum of Popper's 'Elfentanz' and Sinding's Presto, if one closed one's eyes one could almost imagine it were Rostropovich playing’ (The Strad)» More

«Couplage logique et généreux entre deux grands trios russes, par la nationalité sinon par le style … le Leonore Piano Trio en donne une lecture [d'une] très belle tenue instrumentale» (Diapason, France)» More

‘The Piano Quintet (1862), with its very Russian five-bar opening theme, is engaging and skilfully crafted … and Piers Lane and the excellent Goldners make the most of it, as they do of the attractively tuneful second quartet’ (The Sunday Times)» More

«[Un] disque très réussi, qui devrait désormais faire figure de référence en la matière» (ResMusica.com, France)» More

«Cédric Tiberghien porte une attention constante à la sonorité et à la résonance, de sorte que le discours n’est jamais abstrait … avec un matériau musical moins évident à faire passer à l’auditeur, Cédric Tiberghien transmet tout autant» (www.le-babillard.fr, France)» More

‘Natalie Clein is a magnificent player’ (MusicWeb International)» More

‘In the 'Magnificat sexti toni' De la Rue skilfully deploys an array of techniques to produce a vibrant, engaging setting of the words in which the singers shine’ (Limelight, Australia)» More

'The three pieces do share extra-musical associations  …but what links them more importantly is the sheer mastery of their orchestral writing, as this recording from the Barbican shows so vividly' (The Guardian)

‘[This worldes joie] is a chromatic piece and its complexity must make it ferociously difficult to sing. Indeed I can only wonder at the sheer technique of these singers … the singing is splendid with superb impact en masse … recording in the very ample, highly reverberant acoustic of Westminster Abbey must present significant challenges to performers and engineers alike … Hyperion's engineers have recorded the choir in this acoustic several times in the past to much acclaim. They succeed here as well … a pleasant listening experience’ (MusicWeb International)

'Zo zing je Bach!' (Zing Magazine, Netherlands)» More

‘Expressive and sharp-witted performances’ (The Guardian)» More