'L'ensemble garde une belle souplesse dans les phrasés. Le grand spectacle berliozien n'est pas loin' (Diapason, France)

‘If I hear a finer recording of 14th-century music this year I’ll be very surprised’ (Gramophone)

«Jurowski est à son affaire: il tranche dans la matière orchestrale avec netteté … articule clairement, soutient le soliste dans ses emportements, montre une détermination assez sidérante … Hamelin n'a aucune limite pianistique, il plie l'instrument à ses désirs et se montre d'une littéralité réconfortante si on considère les déboires de la partition» (Diapason, France)

‘Hamelin could hardly have made a more persuasive case for Medtner. Orchestra and conductor do the soloist proud, and Hyperion's sound is as immaculate as ever with flawless balance between pianist and orchestra. This could easily become my record of the year’ (International Piano)» More

«D'esthétique et de précocupation proches, [les compositrices] laissent percevoir un métier des plus solides, une grande finesse de plume» (Diapason, France)

‘It's unlike anything else you've heard, guaranteed … highly recommended’ (AllMusic, USA)» More

‘Colourful and spicy rather than avant-garde … [an] excellent new recording’ (BBC Music Magazine)» More

'[Sophie Bevan] is hugely experienced in the music of this period and brings a characteristically vivid intensity to each piece, tempered by an endearing touch of breathiness in the voice' (Gramophone)

'The Litany in particular is beautifully sung, and is one of many moments which make this imaginative, informatively annotated programme worth investigating' (BBC Music Magazine)» More

‘Recordings of Stanford’s great choral anthems are not short on the ground, but if any choir has justification to return to them it’s Trinity Cambridge … by taking the music seriously, treating it with respect but not reverence, [Layton] gives it a freshness calculated to disarm even the staunchest of musical non-believers’ (Gramophone)

‘This is a continually fascinating and diverse selection of 46 songs (from over 600) which recitalists and Lieder lovers will lap up, for there are many buried treasures here’ (Gramophone)

'Daniela Barcellona, a veteran of innumerable performances, impressively [leads] the way. The chorus is on great form, and all told there is little to complain about if what you want to do is enjoy a first-rate musical thriller' (BBC Music Magazine)» More