‘This is a spirited, exciting, idiomatic and by and large technically very persuasive collection of vocal and instrumental music by the near-contemporary (1649–1708) of Purcell, John Blow … both Zoë Brookshaw and Emma Walshe have sweet and airy, yet satisfyingly substantial, styles that are just right for the repertoire’ (MusicWeb International)

‘Vivacious and assured readings by Howard Shelley and the Tasmanian Symphony Orchestra. Shelley’s pianistic technique rings with glistening clarity, and the balance and placement of instruments is excellent. The recording is warm, intimate and clear, bristling with excitement and exuding a sophistication that is completely assured.’ (Limelight, Australia)

‘The singing is splendid. The baritone soloist Edmund Milly has just the cantor-like voice Fauré specified, with no boom or bluster, and the top choral parts are clear and bell-like … Hill’s instrumentally expanded version of the Cantique de Jean Racine is equally effective’ (BBC Music Magazine)» More

‘Martyn Brabbins conducts the work with a sense of purposeful directness, likeably enhanced by the expressive warmth of the BBC Symphony Orchestra’s response. The supporting items in this all-Vaughan Williams programme offer interest too’ (BBC Music Magazine)» More

‘I've nothing but praise for the performances. Simon Callaghan['s] … impressive pianism is wholeheartedly supported by Martyn Brabbins and the BBC Scottish Symphony Orchestra, all hearts on sleeves’ (BBC Record Review)

‘In Samuel Boden and Thomas Walker, director Jonathan Cohen has harnessed a quintessentially English sound whose lyricism fits the vocal writing like a glove … throughout, the instrumental contribution is a joy; Cohen’s direction a model of stylish empathy and suavely-negotiated gear changes’ (BBC Music Magazine)» More

‘A Chopin player of real class … Tiberghien’s Second Sonata is impressive … the final two movements are particularly fine … this disc as a whole is a potent new addition to the Chopin library’ (Gramophone)

‘Their attention to detail produces constantly arresting textures and the recorded balance allows the all-important viola lines full prominence’ (BBC Music Magazine)» More

‘What hits you first and leaves you last when listening to this project is the astonishing, exhilarating musicianship of these singers … looking back over 50 years of performances and recordings by The King’s Singers, it’s hard to think of a group whose music-making has aged so well. The joy, the generosity and the eclecticism of their earliest recordings are all still the defining qualities in their latest … here’s to 50 more years’ (Gramophone)

‘My 'best of the month' accolade goes to [Vaughan Williams's] London Symphony … great music, heard on Hyperion in its intermediary version, VW very close to being definitive. Martyn Brabbins and the BBC Symphony Orchestra do a wonderful job with it and the fillers are no less enticing … and also it’s the beginning of what promises to be an inspired VW Symphony Cycle’ (Classical Source)

‘This recording confirms that Osborne is a Debussy interpreter to be reckoned with and it stands comparison with the very best Debussy piano recordings to emerge in recent years’ (MusicWeb International)» More

‘This recording confirms that Osborne is a Debussy interpreter to be reckoned with and it stands comparison with the very best Debussy piano recordings to emerge in recent years’ (MusicWeb International)» More