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Hyperion Records

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Frédéric Chopin in concert at the Hotel Lambert, Paris (1840) by Antar Teofil Kwiatowski (1809-1891)
Bibliothèque Polonaise, Paris / Archives Charmet / Bridgeman Art Library, London
Track(s) taken from CDS44351/66
Recording details: June 1992
Performing Arts Center, Purchase College, State University of New York, USA
Produced by Adam Abeshouse
Engineered by Adam Abeshouse
Release date: November 2008
Total duration: 9 minutes 14 seconds

'Hyperion's big deal … Ohlsson is a powerful and committed player, and is afforded very good sound by the engineers … this is almost certainly how these pieces were played in Chopin's time' (The Mail on Sunday)

'This is an oustanding achievement, which any genuine Chopin lover and student of Romantic music should own … a landmark in the recording of Chopin's music … Garrick Ohlsson and Hyperion deserve the greatest success in bringing this important undertaking to such a consistently impressive conclusion' (International Record Review)

'An attractively priced box set … Ohlsson is in a class of his own' (Pianist)

'The collaborative works receive particularly rewarding performances … Ohlsson arguably offers more consistent artistry than Biret, Ashkenazy, Magaloff, and Harasiewicz' (ClassicsToday.com)

'Garrick Ohlsson’s complete survey of everything Chopin wrote for piano (including chamber music, songs, and for piano and orchestra) will delight the completist and the Chopin connoisseur. Ohlsson (who won the Chopin International Piano Competition in 1970) gives us accounts of this wondrous repertoire in weighty and commanding style, aristocratic and impulsive (but not lacking light and shade or contemplative contrasts) and, at times, very sensitive and searching. These vivid recordings were made in the second half of the 1990s and have previously appeared on the Arabesque label. They now sit very well in Hyperion’s catalogue' (ClassicalSource.com)

Scherzo No 3 in C sharp minor, Op 39
composer
1839, begun in Majorca, completed in Nohant; dedicated to Adolf Gutmann

Other recordings available for download
Stephen Hough (piano)
Nikolai Demidenko (piano)
Simon Barere (piano)
Simon Barere (piano)
Simon Barere (piano)
Jorge Bolet (piano)
Introduction  EnglishFrançaisDeutsch
Dissonance is again at the heart of the Third Scherzo, and even today the opening octaves can seem harshly novel and uncompromising. The principle theme was inspired by Adolf Gutmann, Chopin’s pupil who could – with a taste of karate – apparently punch a hole in a table. The contrasting chorale with its cascading reply may well echo a liturgical chant heard at the monastery in Valdemosa (where Chopin was a guest in 1842) and its final transformation and expansion in the coda is among Chopin’s most daring masterstrokes.

from notes by Bryce Morrison © 2004


Other albums featuring this work
'Simon Barere – His celebrated live recordings at Carnegie Hall, Vol. 4 – 1949' (APR5624)
Simon Barere – His celebrated live recordings at Carnegie Hall, Vol. 4 – 1949
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'Simon Barere – His celebrated live recordings at Carnegie Hall, Vol. 5 – Rachmaninov's Piano Concerto No 2 & appendices' (APR5625)
Simon Barere – His celebrated live recordings at Carnegie Hall, Vol. 5 – Rachmaninov's Piano Concerto No 2 & appendices
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'Simon Barere – The complete HMV recordings 1934–1936' (APR6002)
Simon Barere – The complete HMV recordings 1934–1936
MP3 £7.99FLAC £7.99ALAC £7.99 APR6002  for the price of 1 — Download only  
'Chopin: Four Ballades & Four Scherzos' (CDA67456)
Chopin: Four Ballades & Four Scherzos
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 Studio Master: FLAC 24-bit 44.1 kHz £9.00ALAC 24-bit 44.1 kHz £9.00 CDA67456  Studio Master FLAC & ALAC downloads available
'Chopin: The Four Scherzi' (CDH55181)
Chopin: The Four Scherzi
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55181  Helios (Hyperion's budget label)  
'Jorge Bolet – His earliest recordings' (APR6009)
Jorge Bolet – His earliest recordings
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