;)
A Lake Landscape at Sunset by John Atkinson Grimshaw (1836-1893)
Christie's, London / Bridgeman Art Library, London
Track(s) taken from CDH55456
Recording details: June 2004
Wells Cathedral, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: June 2005
Total duration: 3 minutes 17 seconds
Wells Cathedral, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: June 2005
Total duration: 3 minutes 17 seconds
'The phrasing of Malcolm Archer's Wells Cathedral Choir is unobtrusively intelligent, Howells' long, powerfully expanding crescendos emerging as naturally evolving arcs in the ongoing argument. Tonal blend is excellent, and there is no superficial straining for effect whatsoever. This is genuinely devotional singing, technique placed at the disposal of the music's spiritual message. Rupert Gough's organ accompaniments are exemplary' (BBC Music Magazine)
'Rupert Gough's accompaniments are tastefully executed and help make this portrait of the range and diversity of a side to Howells all too often taken for granted a highly worthwhile release' (International Record Review)
'The sound is focused and radiant, the ensemble immaculate, and Rupert Gough provides charismatic organ accompaniment' (The Scotsman)
A Hymn for St Cecilia
First line:
Sing for the morning's joy, Cecilia, sing
composer
for the Livery Club of the Worshipful Company of Musicians; first performed on 22 November 1961 in St Paul's Cathedral; SATB with organ
author of text
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Other recordings available for download |
Trinity College Choir Cambridge, Stephen Layton (conductor), Simon Bland (organ)
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St Paul's Cathedral Choir, John Scott (conductor), Andrew Lucas (organ)
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Introduction |
A Hymn for St Cecilia, commissioned by the Livery Club of the Worshipful Company of Musicians to mark Howells’s Mastership of the Company in 1959–60, sets a poem in praise of the Patron Saint of music by Ursula Vaughan Williams as a three-verse hymn. The wonderful dancing-on-tiptoe nature of this piece takes its cue from the syncopated first vocal entry and each phrase finds increasingly high notes as the verse goes on. It is a classic ‘cumulative’ tune which carries the singer along on a tide of increasing emotional energy and leaves an impression of being a piece much bigger than its constituent parts.
from notes by Paul Spicer © 2005 |
Other albums featuring this work
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The English Anthem, Vol. 4
CDA66678
Archive Service
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Hyperion monthly sampler – February 2014
HYP201402
Download-only monthly sampler
No longer available
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