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Hyperion Records

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La belle dame sans merci by Sir Frank Dicksee (1853-1928)
© Bristol City Museum and Art Gallery / Bridgeman Art Library, London
Track(s) taken from CDA67830
Recording details: February 2010
All Saints' Church, East Finchley, London, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: June 2011
Total duration: 2 minutes 2 seconds

'Finley, who has one of those exquisite voices that could make poetry of the telephone directory, vividly characterises the words without recourse to the exaggerated enunciation … Drake uses all the colouristic forces he can command with wit (The Flea), bravura (Erlkönig and Wolf's spellbinding Der Feurreiter) and imagination (Loewe's Die wandelnde Glocke). As these pages have said before, it's a great partnership' (Gramophone)

'A new idea for the anthology disc: here is Gerald Finley, in his vocal prime, as balladeer—telling tales of misadventure and gothic horror … Finley is a fine tale-teller. In Loewe, he sounds as though he's singing just for you, the listener, so rapt and intense is his communication' (BBC Music Magazine)

'Drake's playing has successfully suited the varied repertoire. Finley has enthralled with his interpretations and delighted with his singing purely as singing, combining the two expertly. If I were a reviewer who seems to think that it is mandatory to nominate a CD as outstanding each month I might consider proposing this well-recorded issue' (International Record Review)

'Listen to these wonderfully melodramatic, mostly Victorian ballads by candlelight in a haunted house … performances full of raging fortissimos and ghoulish tremolandos from Finley and his pianist Julius Drake' (The Times)

Die wandelnde Glocke, Op 20 No 3
First line:
Es war ein Kind, das wollte nie
composer
1832
author of text

Other recordings available for download
Florian Boesch (baritone), Roger Vignoles (piano)
Introduction  EnglishFrançaisDeutsch
Goethe’s tongue-in-cheek ballad Die wandelnde Glocke tells the story of an errant schoolboy terrified into mending his ways by a roving bell. Loewe’s setting of 1832 illustrates the narrative in delightful picture-book style. The voice sings a jaunty, folksy tune, while the piano, as ever, provides piquant detail—the tolling bell, the blithely skipping child, and the hullabaloo as the bell ‘escapes’.

from notes by Richard Wigmore © 2011


Other albums featuring this work
'Loewe: Songs & Ballads' (CDA67866)
Loewe: Songs & Ballads

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