Please wait...

Hyperion Records

Click cover art to view larger version
The Fisherman and the Syren: From a ballad by Goethe (1857) by Frederic Leighton (1830-1896)
© Bristol City Museum and Art Gallery / Bridgeman Art Library, London
Track(s) taken from CDA67866
Recording details: May 2010
All Saints' Church, East Finchley, London, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: May 2011
Total duration: 5 minutes 15 seconds

'As for the singing, I cannot praise it too highly. Florian Boesch has a warmly attractive baritone voice and his diction is first class, as is his response to the word meanings. Roger Vignoles's accompaniments, too, give great pleasure in themselves, especially in the pictorial devices which Loewe so relishes. The recording, as we expect from Hyperion, is first-class … if you are new to Loewe's music, I do urge you to try this richly rewarding CD. You won't be disappointed' (Gramophone)

'Boesch's performance demonstrates huge imaginative variety in characterisation … in such ways, Boesch emulates Loewe's own reputation, singing to his own accompaniment, as an 'actor-singer'. Vignoles matches him in playing of perception in what is pretty well an ideal introduction to a fascinating figure' (BBC Music Magazine)

'There is no better introduction to this great song composer; there are scarcely any more perfect song recitals on disc' (Classical Music)

Edward, Op 1 No 1
First line:
Dein Schwert, wie ist's von Blut so rot?
composer
1818
author of text
traditional Scottish; Bishop Percy's 1765 collection Reliques of Ancient English Poetry
translator of text

Other recordings available for download
Gerald Finley (baritone), Julius Drake (piano)
Introduction  EnglishFrançaisDeutsch
The text of 'Edward' is a translation of a grisly Scottish folk ballad from Bishop Percy’s 1765 collection Reliques of Ancient English Poetry. Wagner greatly admired Loewe’s setting, in the ‘extreme’ key of E flat minor, and far more powerful than Schubert’s surprisingly plain, muted treatment. Loewe gives each recurring cry of ‘Oh’ a psychologically revealing new twist, and reinforces the two most dramatic moments with a chilling harmonic coup: at Edward’s confession of murder (‘Ich hab’ geschlagen meinen Vater tot’), and at the hysterical final curse, where the turbulent piano conjures up a Wagnerian orchestra.

from notes by Richard Wigmore © 2011


Other albums featuring this work
'The Ballad Singer' (CDA67830)
The Ballad Singer

Show: MP3 FLAC ALAC
   English   Français   Deutsch