[Cover graphic]

Compact Disc CDJ33101

£13.99


This superlative disc is the first in a series which will include all the vocal music of Robert Schumann for voice and piano. It contains a majority of Lieder from the later years of the composer's life. As we have come to expect from Graham Johnson, the CD comes with comprehensive notes on the songs, along with biographical sketches of the many poets set by Schumann.

Christine Schäfer's singing is faultless.


Recorded on 11, 12, 13 September 1995
Recording Engineer
ANTONY HOWELL
JULIAN MILLARD
Recording Producer
MARK BROWN
Photography
MALCOLM CROWTHERS
Design
TERRY SHANNON
Executive Producers
JOANNA GAMBLE
EDWARD PERRY
© Hyperion Records Ltd, London, MCMXCVI

Duration: 75'11
DDD

ROBERT SCHUMANN (1810-1856)

The Songs of
Robert Schumann - 1

The Later Songs

CHRISTINE SCHÄFER soprano
GRAHAM JOHNSON piano

Contents:

  1. Röselein, Röselein! Op 89 No 6 ('Wielfried von der Neun') [2'16]
  2. Mädchen-Schwermut Op 142 No 3 (Lily Bernhard) [2'39]
  3. Die Blume der Ergebung Op 83 No 2 (Friedrich Rückert) [2'57]
  4. Melancholie Op 74 No 6 (Francisco Saa de Miranda / Emanuel Geibel) [2'17]
  5. Zigeunerliedchen I Op 79 No 7a (anonymous / Emanuel Geibel) [1'03]
  6. Zigeunerliedchen II Op 79 No 7b (anonymous / Emanuel Geibel) [1'37]
  7. Die Meerfee Op 125 No 1 (Julius Buddeus) [1'08]

    SECHS GESÄNGE Op 107 (1851/2)

  8. Herzeleid No 1 (Titus Ulrich) [1'47]
  9. Die Fensterscheibe No 2 (Titus Ulrich) [1'56]
  10. Der Gärtner No 3 (Eduard Mörike) [1'21]
  11. Die Spinnerin No 4 (Paul Heyse) [1'18]
  12. Im Wald No 5 (Wolfgang Müller) [1'55]
  13. Abendlied No 6 (Gottfried Kinkel) [2'14]

  14. Ihre Stimme Op 96 No 3 (August von Platen) [2'21]
  15. Nachtlied Op 96 No 1 (Johann Wolfgang von Goethe) [2'23]
  16. Singet nicht In Trauertönen Op 98a No 7 (Johann Wolfgang von Goethe) [2'30]
  17. Nur wer die Sehnsucht kennt Op 98a No 3 (Johann Wolfgang von Goethe) [2'13]
  18. Heiss' mich nicht reden Op 98a No 5 (Johann Wolfgang von Goethe) [3'14]
  19. So lasst mich scheinen Op 98a No 9 (Johann Wolfgang von Goethe) [3'09]
  20. Mignon (Kennst du das Land?) Op 98a No 1 (Johann Wolfgang von Goethe) [3'58]

    SECHS GEDICHTE UND REQUIEM Op 90 (1850)

  21. Lied eines Schmiedes No 1 (Nikolaus Lenau) [1'34]
  22. Meine Rose No 2 (Nikolaus Lenau) [3'20]
  23. Kommen und Scheiden No 3 (Nikolaus Lenau) [1'16]
  24. Die Sennin No 4 (Nikolaus Lenau) [2'17]
  25. Einsamkeit No 5 (Nikolaus Lenau) [3'04]
  26. Der schwere Abend No 6 (Nikolaus Lenau) [2'03]
  27. Requiem No 7 (Latin text / anonymous translator) [3'55]

  28. Das verlassene Mägdlein Op 64 No 2 (Eduard Mörike) [l'57]
  29. Er ist's! Op 79 No 23 (Eduard Mörike) [1'19]
  30. Warnung Op 119 No 2 (Gustav Pfarrius) [2'07]
  31. Sängers Trost Op 127 No 1 (Justinus Kerner) [2'25]
  32. Aufträge Op 77 No 5 (Christian L'Egru) [2'17]

GRAMOPHONE AWARD WINNER
GRAMOPHONE CRITICS' CHOICE
CANNES CLASSIQUE SOLO VOCAL AWARD


'A young singer on the threshold of a potentially great career ... A born Lieder singer ... her fresh bright tone is a consistent joy' (The Sunday Times)

'Ah, l'heureuse surprise! Mlle Schäfer, par la toute simple éloquence du moindre mot, du moindre son, ignore l'obstacle purement et simple. Eblouissant' (Diapason, France)

'Schäfer evokes comparison with Elisabeth Schumann and with the young Elly Ameling, whom in tone and freshness of response she often resembles. In sum, a delectable, often revelatory recital' (Gramophone)

'Her voice combines ethereal radiance and clarity with resolute, unwavering focus. Johnson's account of the piano parts is superlative [and] his booklet notes are also exemplary - comprehensive, erudite, instructive - and deserve publication in their own right' (BBC Music Magazine)

'Son premier enregistrement de Lieder de Schumann est d'emblée une réussie absolue. Avec le timbre à la fois le plus pur et le plus coloré, une ligne d'une souplesse parfaite et un contrôle idéal du souffle, de la nuance et de la mezza voce elle a d'emblée toutes les qualités d'une grande chanteuse de Lieder. Tout dans ce programme très varié est superlatif. N'oublions pas Graham Johnson dont on se demande s'il faut louer le plus son d'accompagnement constamment musical et passionnant ou ses notes de programmes sur le Lieder' (Répertoire, France)

'It is hard to think of a more eloquent, dedicated partnership than Johnson's with the young German soprano Christine Schäfer here: pure, unaffected singing, in partnership with pianism of rare insight and beauty of tone and phrasing' (Hi-Fi News)

'A delectable debut recital from a born Lieder singer' (Gramophone)

'There is much beauty in these songs and if they need first-class performers to reveal their glories they certainly have them here, with Schäfer's beautifully clear, shining, radiant voice, Johnson's warm and sensitive accompaniment, all wrapped in the wonderfully intimate acoustic that Hyperion always manages for its vocal discs. As with the Schubert series, Johnson's notes are a work of art in themselves, with deeply-thought insights on every page. He is truly a peerless representative of song' (The Singer)

'All now stand and salute! ... In fine sonics and a most complete booklet in English plus the original German poems and translations, Hyperion deserve our thanks' (In Tune, Japan)

`This is one of the finest Lieder recordings I've ever heard ... imaginatively and intelligently conceived, and superlatively achieved' (Fanfare, USA)


See also:
Schumann: The Songs - 10
Schumann: The Songs - 2
Schumann: The Songs - 3
Schumann: The Songs - 4
Schumann: The Songs - 5
Schumann: The Songs - 6
Schumann: The Songs - 7
Schumann: The Songs - 8
Schumann: The Songs - 9

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