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Westminster Abbey Choir  
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Westminster Abbey Choir

The Choir of Westminster Abbey is renowned worldwide as one of the finest choirs of its type. The Abbey traces its history back to the foundation, in 960, of a community of Benedictine monks on the present site. King Edward (subsequently canonised as Saint Edward the Confessor) later enlarged and richly endowed the Abbey and built a new church which was dedicated in 1065. It is thought that boys first began to sing in the Abbey’s Lady Chapel during the 1380s, which coincided with the appointments of the first professional choir master and lay adult singers. Over the following centuries the Lady Chapel choir became known as one of the finest in the land, and it was this choir of boys and men that became the Choir for the new Collegiate Church established after the Reformation by Queen Elizabeth I in 1560. Today the Choir consists of some 30 boys (all of whom attend the Abbey’s dedicated residential Choir School in the precincts) and 12 professional adult singers known as Lay Vicars. Since January 2000 the Organist and Master of the Choristers has been James O’Donnell.

At the heart of the Abbey Choir’s life are the daily choral services, which provide a link with the Abbey’s monastic heritage. The Choir also plays an important role in the many royal, state and national occasions which take place in the Abbey. Over the centuries some of England’s most illustrious musical figures have been closely associated with Westminster Abbey, among whom Orlando Gibbons (Organist, 1623-5), Henry Purcell (1680-95), and John Blow (1669-80 and 1695-1708) stand out. The Abbey has been the setting for every coronation but two since 1066, and on these and other significant occasions many important musical works have received their first performance. This tradition continues to the present day: recent commissions include works by Sir Peter Maxwell Davies, Jonathan Harvey and Francis Grier, and most recently the anthem The King and the Robin by Philip Moore, to a text by Andrew Motion.

In additional to fulfilling its many responsibilities in Westminster, the Choir undertakes an extensive programme of concerts and tours, travelling in recent years to the United States, the Far East, Spain, France, Poland, and Russia. The Choir appears every year at the Lufthansa Festival of Baroque Music in London and has been invited to participate in other major festivals, including the BBC Proms, the South Bank Centre’s World Voice and Birtwistle Games festivals, the Aarhus International Organ Festival (Denmark), and the opening concert of the Nuremberg International Organ Festival (Germany) in 2004. The Choir broadcasts frequently on national radio and television.

Albums
Cover of 'A Christmas Caroll from Westminster Abbey' (CDA67716)
Cover of 'Byrd: The Great Service & other works' (CDA67533)
Cover of 'Dreamland' (HYP41)
Dreamland
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HYP41  Super-budget price sampler  
Cover of 'Elgar: Great is the Lord & other works' (CDA67593)
Cover of 'Mary & Elizabeth at Westminster Abbey' (CDA67704)
Cover of 'Music from the reign of King James I' (CDA67858)
Cover of 'O praise the Lord' (CDA67792)
Cover of 'The Feast of Ascension at Westminster Abbey' (CDA67680)
Cover of 'The Feast of Michaelmas at Westminster Abbey' (CDA67643)
Cover of 'The Feast of St Edward at Westminster Abbey' (CDA67586)
Cover of 'The Feast of St Peter at Westminster Abbey' (CDA67770)
Cover of 'Trinity Sunday at Westminster Abbey' (CDA67557)
Cover of 'Tye: Missa Euge bone & Western Wynde Mass' (CDA67928)
Alphabetical listing of all musical works
A Christmas Caroll, Op 21 (Leighton)
A Sequence for St Michael (Howells)
All this time (Walton)
Almighty and everlasting God (Gibbons)
Ascendit Deus (Philips)
Ave Maria, Op 2 No 2 (Elgar)
Ave Rex, Op 45 (Mathias)
Ave verum corpus, Op 2 No 1 (Elgar)
Be strong and of a good courage (Tomkins)
Chichester Service (Walton)
Christ rising (Tye)
Christ rising again from the dead (Byrd)
Complete Service in B flat, Z230 (Purcell)
Der 100. Psalm, SWV36 (Schütz)
Dormi, Jesu (Rutter)
Ecce sacerdos magnus (Elgar)
Evening Service in G minor, Z231 (Purcell)
Exaudiat te Dominus (White)
Factum est silentium (Dering)
Festival Te Deum in E, Op 32 (Britten)
Give almes of thy goods (Tye)
Give unto the Lord, Op 74 (Elgar)
God is gone up, Op 27 No 2 (Finzi)
God is our hope and strength (Blow)
Great is the Lord, Op 67 (Elgar)
Great king of gods (Gibbons)
Great Service (Hooper)
Hear my prayer, O Lord, Z15 (Purcell)
Hosanna to the Son of David (Gibbons)
How are the mighty fallen (Ramsey)
How long shall mine enemies? (Byrd)
I saw the Lord (Stainer)
I saw three ships (Anon/O'Donnell)
In dulci iubilo (Anon/Pearsall)
Jehova, quam multi sunt hostes mei, Z135 (Purcell)
Joys Seven (Anon/Cleobury)
Jubilate (Walton)
Jubilate in C (Britten)
Laudes Regiae (Anon)
Libera nos, salva nos I (Sheppard)
Lord, how long wilt thou be angry?, Z25 (Purcell)
Magnificat and Nunc dimittis 'Collegium Sancti Johannis Cantabrigiense' (Tippett)
Mass for five voices (Byrd)
Messe solennelle (Langlais)
Missa brevis (Harvey)
Missa brevis (Walton)
Missa Euge bone (Tye)
Missa Trinitatis Sanctae (Grier)
Nativity (Lavino)
Ne irascaris, Domine (Byrd)
Nunc dimittis (Tye)
O all true faithful hearts (Gibbons)
O clap your hands 'Psalm 47' (Vaughan Williams)
O clap your hands (Gibbons)
O God, thou art my God, Z35 (Purcell)
O hearken thou, Op 64 (Elgar)
O Lord God of hosts, Z37 (Purcell)
O Lord, in thy wrath rebuke me not (Gibbons)
O Lord, make thy servant Elizabeth (Byrd)
O praise the Lord (Child)
O salutaris hostia (Elgar)
O sing unto the Lord a new song (Tomkins)
Omnes gentes, plaudite manibus (Tye)
Os iusti meditabitur (Bruckner)
Out of the deep (Byrd)
Peccavimus cum patribus nostris (Tye)
Plebs angelica (Tippett)
Prevent us, O Lord (Byrd)
Psalm 107 'Confitemini Domino' (Bairstow)
Psalm 113 (Turner)
Psalm 115 (Elvey)
Psalm 124 'Nisi quia Dominus' (Crotch)
Psalm 132 (Crotch)
Psalm 138 'Confitebor tibi' (Ley)
Psalm 148 'Laudate Dominum' (Stanford)
Psalm 24 'Domini est terra' (Barnby)
Psalm 54 (Turner)
Psalm 91 'Qui habitat' (Alcock)
Psalm 93 'Dominus regnavit' (Macfarren)
Psalm 99 (Morley)
Quaesumus omnipotens et misericors Deus (Tye)
Quatre Motets pour le temps de Noël (Poulenc)
Quatre Motets sur des thèmes grégoriens, Op 1 (Duruflé)
Queen Alexandra Memorial Ode (Elgar)
Salvator mundi, salva nos (Blow)
Second Service (Sheppard)
See, see, the Word is incarnate (Gibbons)
Service in B flat, Op 10 (Stanford)
Service in C major, Op 115 (Stanford)
Sing joyfully (Byrd)
Stille Nacht (Grüber/Bowers-Broadbent)
Te Deum and Benedictus, Op 34 (Elgar)
Te Deum in C (Britten)
Te Deum in G (Vaughan Williams)
Teach me, O Lord (Byrd)
The Apostles, Op 49 (Elgar)
The Great Service (Byrd)
The King and the Robin (Moore)
The little road to Bethlehem (Head)
The Preces (Smith)
The Preces (Tomkins)
The Preces and Responses (Leighton)
The Preces and Responses (Radcliffe)
The Preces and Responses (Rose)
The Responses (Smith/Stone)
The Responses (Tomkins/Farmer)
The Shepherd's Carol (Chilcott)
The Three Kings (Dove)
The Twelve (Walton)
Then David mourned (Tomkins)
They are at rest (Elgar)
Three Motets, Op 38 (Stanford)
Tu es Petrus a 6 (Palestrina)
Venite (Blow)
Videte miraculum (Tallis)
Viri Galilaei (Gowers)
Vox Patris caelestis (Mundy)
Western Wynde Mass (Tye)
Westminster Service (Howells)
When David heard (Tomkins)
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