'Taking the Old testament as his inspiration, Classic FM's former composer in residence has come up with a new choral disc of mystery and beauty' (Classic FM)

'Tim Travers-Brown sings with a sinewy grace throughout and Jeremy Filsell accompanies with mercurial charm' (The Observer)

'Charivari Agreable's accomplished performances prove that Torelli's music doesn't deserve to remain neglected. The Oxford-based ensemble has a distinctly international make-up, and expertly conjures the appropriate tautness, melancholic depth, athleticism and amiableness of the mosty short movements' (Gramophone)

‘In such an interpretation this mass of forty minutes' duration will offer much to ravish the ears for many years to come’ (Diapason, France)» More

‘As we expect by now, The Tallis Scholars offer first-class ensemble-work … in characteristically ingratiating performances that always leave us satisfied that we've just heard the most exacting and sincerely 'authentic' rendition possible by modern singers’ (Classics Today)» More

'From the outset, it is evident that Rhodes is a thoughtful and attentive pianist: Bach’s Fifth French Suite evinces an effortless sense of follow-through and clarity of line' (International Piano)

'This is a rewarding glimpse of the early history of the concerto, explained in wonderfully Baroque booklet notes by Ng' (International Record Review)» More

'This sweetshop full of lollipops offers some favorites from the King’s Singers’ vast repertoire of melodious part songs, sung with their trademark lustrous tone and precise, yet unforced, clarity' (The Observer)» More

'As a member of the King’s Singers and subsequently as a freelance composer, Chilcott has forged a convincing, unashamedly accessible synthesis of musical languages, drawing freely on jazz, folk and classical elements in his choral pieces' (Classic FM Magazine)» More

'The dance pulse of Bach, declamory drama of Beethoven and cantabile texture of Chopin are conveyed with conviction and dazzling technique' (Classical Music)

‘Poised, intelligent and remarkably pure of intonation for a live performance, Janine Jansen's Tchaikovsky certainly knows its own mind. What's truly memorable? From Jansen, the powerful high register and full-toned harmonics of the cadenza; from Daniel Harding and his Mahler Chamber Orchestra, nicely balanced in relation to the soloist, the airborne quality of the Polonaise and the oboe solo in the finale's one reflective sequence’ (BBC Music Magazine)

‘The Tallis Scholars are releasing these two two-disc sets to celebrate [the 500th anniversary of the coronation of King Henry VIII], full of some of the finest Tudor music ever composed, though each and every one is a re-release of previous material … well worth the investment if you don't already have the duplications’ (Audiophile Audition, USA)» More