‘Both these scores call for considerable virtuosity, energy and generosity, fully met here in performances that are truly inside the music and which share it vividly and with dedication. The sound-quality is outstanding in its immediacy and clarity, and the balance in the Piano Quintet is spot-on. In short, this is a superb release of impressive music in top-class accounts’ (Classical Source)» More

«[Alina Ibragimova] déploie une imagination sonore continue au service de textes dépeignant des climats constamment varies. Son jeu protéiforme se fait tour à tour délicatement impressionniste, vigoureux parfois jusqu'a la brutalité contrôlée, lyrique, grinçant, humoristique, souvent diaboliquement virtuose mais jamais creux, rehausse d'un formidable travail de la sonorité. S'y ajoute une impression d'élan naturel comme si elle improvisait la musique avec une passion communicative» (Classica, France)» More

‘It's hard not to be impressed, emotionally as well as intellectually, especially when it's all so clearly and intimately recorded’ (BBC Music Magazine)» More

‘This seems to me a highly rewarding release of the highest quality, deserving investigation by all interested in cathedral music. It’s a testament to the long experience and fine music-making James O’Donnell has brought to London audiences, from Westminster Abbey, Westminster Cathedral and the Proms, and from his recitals around the UK and the rest of the world. It has certainly given me enormous pleasure over the past three weeks’ (Audiophile Audition, USA)» More

‘Steven Osborne is perhaps the outstanding British pianist of his generation, certainly one of the most versatile and adventurous … these performances rank with the finest’ (BBC Music Magazine)» More

„Alban Gerhardt, einer der besten Cellisten unserer Zeit, spielt diese Version so elegant wie geistreich. Dass Fitzenhagen ein versierter Komponist war, zeigen zwei Cellokonzerte und Konzerstücke, die Alban Gerhardt wunderbar leichtfürßig und charmant in Szene setzt: Romantisch virtuose Musik“ (Süddeutsche Zeitung, Germany)» More

‘This latest recording provides a thoughtful addition to the ever-growing body of Beethoven solo piano recordings courtesy of one of the world's greatest living pianists today’ (Winnipeg Free Press, Canada)» More

‘Rose [is] a high bass, ideal for Benucci’s roles … his words are clear and his singing is full of character’ (The Sunday Times)» More

'Goerner gaf een uitgekiende selectie van de Etudes en zijn spel is enorm verfijnd. Ohlsson daarentegen is bont en krach' (Luister, Netherlands)» More

‘Superb collection of Czech masterpieces from premier ensemble’ (The New Zealand Herald)» More

'Voor mij is zijn vertolking meer dan sensationeel' (Luister, Netherlands)» More

‘Steven Isserlis makes no attempt to make his cello imitate the wispy resonance of the gamba, instead claiming the music for his instrument with vigorously articulated lines, robust technical athleticism and ravishing cantabile … wondrous singing quality’ (Gramophone)