'The intimate forces of Voces8 and Les Inventions are completely at home in this repertoire' (Choir & Organ)» More

‘Throughout, the artistry of James O'Donnell with his excellent choir, sub-organist Daniel Cook and Onyx Brass make an indelible impression, and Cook's virtuosic performance of the Fantasia & Fugue in G shows that he is at one with the Abbey's magnificent instrument’ (Choir & Organ)» More

«Cette version superbement enregistrée [est] l'une des plus recommandables de la discographie récente» (Classica, France)» More

«D'une réelle beauté, délicatement raffinée, l'interprétation des Impromptus D935 gravit un sommet dans le passage central du premier, rêve infini dont rien ne vient briser l'impression de quiétude et de sérénité» (Diapason, France)» More

‘The Tallis Scholars celebrated their 2,000th concert this autumn and were justly praised for bringing sacred polyphony out of church and library and on to the world’s concert platforms. Here they present one of the repertoire’s most challenging works, John Taverner’s mass for the Feast of the Crown of Thorns, probably commissioned by Cardinal Wolsey to show off his chapel choir’s particularly fine trebles’ (The Guardian)» More

„Das ihn begleitende Ensemble ‘Arcangelo’ unter Jonathan Cohen verdient viel Lob für sein höchst lebendiges und regelrecht prickelndes Spiel. Allein die Transparenz und die Klangbildschärfe sind phänomenal“ (Pizzicato, Luxembourg)» More

‘Simple, tender, pure magic’ (Financial Times)» More

'De bas Matthew Rose en het ensemble Arcangelo onder leiding van Jonathan Cohen brengen aria's die voor de man geschreven werden, zowel door Salieri als Mozart' (Kerk & Leven, Belgium)» More

‘The ever-reliable English cellist Steven Isserlis is back with yet another delightful CD … the result is playing of grace, lightness and warmth’ (The Whole Note, Canada)» More

«Le style très articulé de la pianiste anglaise, hérité de sa longue fréquentation de Bach, sied assez bien à ces quatre œuvres, et les amateurs d'un piano clair et vif y trouveront leur bonheur» (La Libre Culture, Belgium)» More

‘As we have come to expect over the years the standard of performance achieved by Ex Cathedra is very high indeed’ (MusicWeb International)» More

‘The performances of both works here are all that you could want them to be’ (The Whole Note, Canada)» More