'This clarity, combined with the live nature of these performances, shows the choir (and its chapel’s famous acoustic) in a different light … a certain exuberance and spontaneity add to the choir’s customary technical precision' (Limelight, Australia)» More

„Howard Shelley spielt mit Vitalität, Schwung und bestechender Leichtigkeit. Seine Klangkaskaden werden vom Ulster Orchestra elegant und mit federnd-bewegungsreichem Klang eingekleidet“ (Pizzicato, Luxembourg)» More

‘Light-footed, witty and intelligent … pure joy’ (The Observer)» More

‘Howard Shelley and the London Mozart Players make a persuasive case for his Piano Concertos Nos 1, 5 and 6, where classical refinement and ebullience go hand in hand’ (Financial Times)» More

‘What wonderful music! … handsomely delivered by Liebeck’ (Classical Source)» More

‘To explore the tracks on this recording is to explore Rostropovich himself, and Gerhardt’s performances themselves approach this mission in different ways … Gerhardt mostly eschew Rostropovich’s own deliberate roughness in favour of an equally grabbing fluttering, puck-like finesse’ (Gramophone)

‘The excellent singing is full-bodied and lustrous throughout, with just the right sense of momentum’ (The Observer)» More

‘Liebeck combines a beguiling silvery sound with tantalising interpretative restraint, free of heart-on-the-sleeve rhetoric’ (BBC Music Magazine)» More

'His Majestys Sagbutts and Cornetts (yes that is a 'g') are well known for their expert playing of the fiercely difficult Renaissance cornett and the more easily handled trombone-like sackbutt. Within the spacious acoustic of Kings College Chapel they sound both lyrical and grand as required and when joining the voices the resultant polyphony is quite glorious to hear' (MusicWeb International)

‘Lane and friends make a great case for these Australian Romantic concertos. Hill's Concerto in A (a reworking of the Sonata) is particularly enjoyable with its plentiful tunes’ (BBC Music Magazine)

‘The suavity of playing is [a] key factor in lending all three trios the polish and panache that they merit’ (Gramophone)

«Parmi les rares versions de ces concertos, la nouvelle venue a le mérite de souscrire à leur caractère romantique (parfois échevelé) en divisant le travail: par la qualité des vents et la souplesse de cordes, le BBC Scottish Symphony, placé sous la direction du Polonais Michal Dworzynski, cligne de l'œil vers Mendelssohn, Brahms ou Strauss; par sa virtuosité incandescente et l'intensité de son discours, le jeune Russe Eugene Ugorski pactise plutôt avec Tchaïkovski. Et de mouvement en mouvement, tous débordant de vie et d'engagement, la jonction s'opère dans une entente artistique réjouissante» (Diapason, France)» More