31 May 2017
Audiophile Audition, USA, Gary Lemco
Stanford: Preludes‘Light, dexterous, and skillful’ (Audiophile Audition, USA)
28 May 2017
The Observer, Stephen Pritchard
Stanford: Preludes‘Sam Haywood plays these intensely rewarding miniatures with just the right amount of swagger and flair. This is typical Stanford: much of it full-blooded, resolutely four-square, clear-eyed and wonderfully positive in its outlook’ (The Observer)
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27 May 2017
Early Music Review, D. James Ross
Guyot: Te Deum laudamus & other sacred music‘These are works of exquisite beauty and striking originality … beautiful music, superb singing, a vibrantly clear recording, fascinating and beautifully written programme notes—it doesn’t get much better than this!’ (Early Music Review)
» More26 May 2017
The Times, Richard Morrison
Gough: The world encompassed'Like nearly all Orlando Gough projects, this one treads a fine line between eccentricity and madness, but I loved it. And how exciting to hear viols playing virtuosic new music after being consigned to the museum, literally and metaphorically, for centuries' (The Times)
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26 May 2017
Klassik.com, Germany, Hartmut Hein
Mozart: Violin Sonatas K296, 306, 454 & 547„Alina Ibragimova, Violine, und Cédric Tiberghien am modernen Konzertflügel beherrschen die Kunst einer persönlichen, ganz eigenen Klanggebung“ (Klassik.com, Germany)
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