Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDA67704

Omnes gentes, plaudite manibus

composer
author of text
Psalm 46 (47)

Westminster Abbey Choir, James O'Donnell (conductor)
Recording details: June 2008
All Hallows, Gospel Oak, London, United Kingdom
Produced by Jeremy Summerly
Engineered by Simon Eadon
Release date: October 2008
Total duration: 4 minutes 15 seconds

Cover artwork: Portrait of Elizabeth I.
The Deanery, Westminster Abbey / Copyright Dean and Chapter of Westminster
 
1
Omnes gentes, plaudite manibus  [4'15]

Other recordings available for download

Westminster Cathedral Choir, James O'Donnell (conductor)

Reviews

'The beauties of this disc of 16th century choral music are many and various. The repertoire's selection and arrangement is inspired, the singing some of the best I've heard on CD … as a showcase for English choral singing at its most charismatic, this deserves to be widely heard' (Gramophone)

'The Choir of Westminster Abbey sings fresh, committed and emotionally compelling accounts. Many overpowering moments take place during Mundy's Vox Patris Caelestis … James O'Donnell shapes vocal lines with a keen sense of drama … the brilliance of the programming matches that of the singing' (BBC Music Magazine)

'Sheppard's sublime Libera nos unfolds like a hothouse flower amid other blooms from Tye, Tallis, Mundy and White' (The Observer)

'This latest addition to Hyperion's excellent Westminster Abbey series presents a fascinating snapshot of the musical upheavals created by Queen Mary's death and Elizabeth I's accession in 1558. Sheppard's Second Evening Service, composed in that year in a syllabic yet sonorously polyphonic style, marks the watershed between richly textured and highly elaborated Latin pieces, such as Mundy's Vox Patris caelestis, and the beautiful simplicity of Byrd's Teach me, O Lord. Recusant musical activity is also represented by Byrd's profoundly moving Ne irascaris' (The Daily Telegraph)

'The energy in the boys' voices is thrilling: they sear through the complex texture with evangelical zeal … this recording showcases the contrasts of style which made the 16th century such a fertile period of composition, and shows how the tradition of singing services at Westminster Abbey has continued unbroken for so many centuries' (Early Music Review)

'This is spectacularly fine singing, with James O'Donnell's obvious affection for the repertoire drawing from both boys and men some exquisite performances … the Westminster choir's most beautiful release to date' (International Record Review)

'In this brilliantly conceived programme … O'Donnell's superlative choir are peerless' (The Sunday Times)
Like Sheppard, Christopher Tye’s career straddles the reigns of Henry, Edward, and Mary; and he survived until the early 1570s, spending most of the final, Elizabethan portion of his life as a priest in the Diocese of Ely. His psalm motet Omnes gentes, plaudite manibus may be either Henrician or Marian, though its concision and tightly wound rhythmic drive, and the fact that it remains in duple metre throughout, perhaps suggest the latter reign. The voices—especially the treble and contratenor—maintain a high tessitura throughout; this produces a brilliant sound entirely appropriate to the text, which was associated with the Feast of the Ascension in both Catholic and reformed liturgies.

from notes by Robert Quinney 2008

Other albums featuring this work

Exultate Deo
CDA66850
The Music of Westminster Cathedral
This album is not yet available for downloadWCC100Super-budget price sampler
Waiting for content to load...
Waiting for content to load...
Search

There are no matching records. Please try again.