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Hyperion Records

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Frédéric Chopin in concert at the Hotel Lambert, Paris (1840) by Antar Teofil Kwiatowski (1809-1891)
Bibliothèque Polonaise, Paris / Archives Charmet / Bridgeman Art Library, London
Track(s) taken from CDS44351/66
Recording details: June 1992
Performing Arts Center, Purchase College, State University of New York, USA
Produced by Adam Abeshouse
Engineered by Adam Abeshouse
Release date: November 2008
Total duration: 8 minutes 41 seconds

'Hyperion's big deal … Ohlsson is a powerful and committed player, and is afforded very good sound by the engineers … this is almost certainly how these pieces were played in Chopin's time' (The Mail on Sunday)

'This is an oustanding achievement, which any genuine Chopin lover and student of Romantic music should own … a landmark in the recording of Chopin's music … Garrick Ohlsson and Hyperion deserve the greatest success in bringing this important undertaking to such a consistently impressive conclusion' (International Record Review)

'An attractively priced box set … Ohlsson is in a class of his own' (Pianist)

'The collaborative works receive particularly rewarding performances … Ohlsson arguably offers more consistent artistry than Biret, Ashkenazy, Magaloff, and Harasiewicz' (ClassicsToday.com)

'Garrick Ohlsson’s complete survey of everything Chopin wrote for piano (including chamber music, songs, and for piano and orchestra) will delight the completist and the Chopin connoisseur. Ohlsson (who won the Chopin International Piano Competition in 1970) gives us accounts of this wondrous repertoire in weighty and commanding style, aristocratic and impulsive (but not lacking light and shade or contemplative contrasts) and, at times, very sensitive and searching. These vivid recordings were made in the second half of the 1990s and have previously appeared on the Arabesque label. They now sit very well in Hyperion’s catalogue' (ClassicalSource.com)

Introduction and Variations on a German national air in E major 'Der Schweizerbub', KkIVa/4
composer
1824

Other recordings available for download
Nikolai Demidenko (piano)
Introduction  EnglishFrançaisDeutsch
Innocent and harmless, born of childhood and untroubled times, the variations on a German national air (1826) – actually not so much German as Tyrolean Austrian – can be seen as a preparation, in kind and method, for the larger scale canvas of the Là ci darem variations, Op 2 (1827).

from notes by Ates Orga © 1991


Other albums featuring this work
'Chopin: The Four Scherzi' (CDH55181)
Chopin: The Four Scherzi
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55181  Helios (Hyperion's budget label)  

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