Please wait...

Hyperion Records

Click cover art to view larger version
Track(s) taken from CDA67392
Recording details: January 2003
Tonstudio Teije van Geest, Sandhausen, Germany
Release date: October 2004
Total duration: 5 minutes 45 seconds

'This disc shows Stephan Genz entering his fourth decade with all the light suppleness and ardour of his youthful recordings, but now with darker colours and firmer bass ballast folding into his baritone. His intuitive musical partnership with Roger Vignoles is as sentient and perceptive as ever; and together they uncover the dark, sensual mysteries of the late-Rommantic response to the natural world' (BBC Music Magazine)

'A rich sonorous eloquence from Genz, while Vignoles musters a full range of orchestral colours. Piano accompaniment lends these works a more personal, intimate feel, turning this generous disc into a pensive, rewarding journey through the many complex moods of Mahler's inner life' (The Observer)

'Even in this golden age of Lieder singers, Stephan Genz has few rivals for easeful beauty of tone and acuteness of insight' (The Daily Telegraph)

'Stephen Genz is an excellent light baritone whose timbre reminds me sometimes of one of his teachers, Dietrich Fischer-Diskau, and whose interpretations are like Fischer-Diskau's earlier ones,before he began to over-interpret … highly recommended' (American Record Guide)

'This is an extremely enjoyable disc, which casts a lot of light on even those songs of Mahler which were written to be accompanied orchestrally … Genz is singing a cycle to which he is utterly suited, and the effect is magical' (International Record Review)

'Stephen Genz relies on subtle shading, verbal refinement and a lightness of touch to interpret a generous selection of Mahlerian masterpieces' (Classic FM Magazine)

'What surpassingly magnificent music this is, and what a superbly intelligent display of Western high-art at its most poignant from Genz and Vignoles. I just can't stop playing the disc. Endless pleasure, endless sorrow, endless beauty' (Fanfare, USA)

Ich bin der Welt abhanden gekommen
composer
author of text

Other recordings available for download
Karen Cargill (mezzo-soprano), Simon Lepper (piano)
Introduction  EnglishFrançaisDeutsch
Mahler’s personal identification with Rückert was profound. When he wrote ‘Only when I experience do I compose, and only when I compose do I experience’ he was echoing Rückert’s own statement that ‘I never think without poetizing and never poetize without thinking’. And in these songs he has finally abandoned the stock characters of the Wunderhorn, with their generalized if intense emotional expression, for a poetic world that could express his own feelings with uncanny accuracy and sensitivity. Thus of Ich bin der Welt abhanden gekommen he wrote ‘It is my very self’, and there is no doubt that in this song he created if not his all-out masterpiece, certainly one of the greatest and most profoundly spiritual songs in the German language. The mood of the song is one of rapt withdrawal from the concerns of the world – one may imagine how the middle-aged symphonic composer and director of the Vienna State Opera must often have longed for such a retreat.

from notes by Roger Vignoles © 2004


Other albums featuring this work
'Mahler & Mahler: Lieder' (CKD453)
Mahler & Mahler: Lieder
MP3 £8.00FLAC £10.00ALAC £10.00 Studio Master: FLAC 24-bit 96 kHz £18.00ALAC 24-bit 96 kHz £18.00 CKD453  Download only   Studio Master FLAC & ALAC downloads available

Show: MP3 FLAC ALAC
   English   Français   Deutsch