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Hyperion Records

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Alby, Norfolk by John Middleton (1827-1856)
Norwich Castle Museum and Art Gallery
Track(s) taken from CDD22071
Recording details: January 1997
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Arthur Johnson
Engineered by Julian Millard
Release date: June 1997
Total duration: 1 minutes 38 seconds

'These two CDs, finely recorded and thoughtfully presented, are a most timely and valuable addition to the catalogue' (Gramophone)

'This fine collection of settings by poets as diverse as Herrick, Heine and Tagore is full of surprises and beautifully performed by all, especially pianist Roger Vignoles' (The Observer)

'Prepared and performed with the care and conviction for which Hyperion is famous. Those who simply love vocal recitals will find plenty of enjoyment in these well-documented discs, as well as a further revelation of the wealth of 'English Renaissance' contributions to art song. Distinguished performances of little-known but substantial, and often impressive, repertoire' (Classic CD)

'Another superb collection of songs' (Financial Times)

All things that we clasp and cherish
composer
21 January 1907
author of text
Was wir leiblich fest besessen, from Schattenküsse, Schattenliebe
translator of text

Introduction
The Heine solo setting All things that we clasp and cherish is concerned with one of the composer’s perennial subjects: the inevitable decay of beauty. The first verse is, perhaps wisely, omitted by Bridge:

Shadow-love and shadow kisses,
Life of shadows, wondrous strange!
Shall all hours be sweet as this is,
Silly darling, safe from change?

As a result he is forced to set the second verse twice, one four-line stanza being somewhat short for a whole song; the music is so arranged that the repetition is not immediately obvious.

from notes by Michael Pilkington © 1997

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