Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDA66801/2

Beware!

First line:
I know a maiden fair to see
composer
1871; also set to French words as Prends garde!
author of text
translated from Hüt du dich in Des Knaben Wunderhorn

Dame Felicity Lott (soprano), Graham Johnson (piano)
Recording details: May 1993
St Paul's Church, New Southgate, London, United Kingdom
Produced by Arthur Johnson
Engineered by Keith Warren
Release date: October 1993
Total duration: 1 minutes 54 seconds

Cover artwork: Lord Byron and the maid of Athens by Sir William Allen (1782-1850)
Roy Miles Gallery, 29 Bruton Steet, London W1
 
Gounod in England
1

Reviews

'Exemplary … enchanting … ravishingly sung' (The Daily Telegraph)

'Superb … perfection … Best of the year' (The Sunday Times)

'Uniformement exquis' (Répertoire, France)

'C'est remarquable. Un coffret qui devient un événement' (Compact, France)

'Un stupendo doble compacto' (CD Compact, Spain)
Gounod seems to have been very taken by the poetry of the American Henry Wadsworth Longfellow. Following their legal tussle with the composer the publishers Novello allowed Gounod’s one such setting, Beware!, a translation from the German, to go out of print; it re-surfaced as Prends garde! in the third Choudens collection and has there remained. The miniature warning fanfares and the subtlety of the word-setting (which is more obvious in the original English than in Barbier’s translation) make a good case for the song’s rescue and repatriation.

from notes by Graham Johnson © 1993

Search

There are no matching records. Please try again.