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Track(s) taken from CDA67392

Nicht wiedersehen!

First line:
Und nun ade, mein herzallerliebster Schatz!
composer
No 4 of Book III of Lieder und Gesänge 'aus der Jugendzeit'
author of text
Des Knaben Wunderhorn

Stephan Genz (baritone), Roger Vignoles (piano)
Recording details: January 2003
Tonstudio Teije van Geest, Sandhausen, Germany
Release date: October 2004
Total duration: 3 minutes 34 seconds

Cover artwork: The Tomb of Böcklin (1901/2, detail). Ferdinand Keller (1842-1922)
Staatliche Kunsthalle, Karlsruhe / akg-images
 

Other recordings available for download

Dame Janet Baker (mezzo-soprano), Geoffrey Parsons (piano)

Reviews

‘This disc shows Stephan Genz entering his fourth decade with all the light suppleness and ardour of his youthful recordings, but now with darker colours and firmer bass ballast folding into his baritone. His intuitive musical partnership with Roger Vignoles is as sentient and perceptive as ever; and together they uncover the dark, sensual mysteries of the late-Rommantic response to the natural world’ (BBC Music Magazine)

‘A rich sonorous eloquence from Genz, while Vignoles musters a full range of orchestral colours. Piano accompaniment lends these works a more personal, intimate feel, turning this generous disc into a pensive, rewarding journey through the many complex moods of Mahler's inner life’ (The Observer)

‘Even in this golden age of Lieder singers, Stephan Genz has few rivals for easeful beauty of tone and acuteness of insight’ (The Daily Telegraph)

‘Stephen Genz is an excellent light baritone whose timbre reminds me sometimes of one of his teachers, Dietrich Fischer-Diskau, and whose interpretations are like Fischer-Diskau's earlier ones,before he began to over-interpret … highly recommended’ (American Record Guide)

‘This is an extremely enjoyable disc, which casts a lot of light on even those songs of Mahler which were written to be accompanied orchestrally … Genz is singing a cycle to which he is utterly suited, and the effect is magical’ (International Record Review)

‘Stephen Genz relies on subtle shading, verbal refinement and a lightness of touch to interpret a generous selection of Mahlerian masterpieces’ (Classic FM Magazine)

‘What surpassingly magnificent music this is, and what a superbly intelligent display of Western high-art at its most poignant from Genz and Vignoles. I just can't stop playing the disc. Endless pleasure, endless sorrow, endless beauty’ (Fanfare, USA)
A grief-stricken tread pervades Nicht Wiedersehen!, which describes the situation, common to many folksong traditions, where a lover returns from a journey to find his sweetheart has died in his absence. Here again the mature Mahler is foreshadowed, in the poignant major-minor shifts and melody in parallel thirds as well as the dissonant and agonized repetitions of ‘Ade!’.

from notes by Roger Vignoles © 2004

Une démarche frappée de douleur envahit Nicht Wiedersehen!, histoire d’un amant qui, de retour de voyage, découvre que sa bien-aimée est morte en son absence—un thème récurrent dans maintes traditions de chansons populaires. De nouveau, nous entrevoyons ici le Mahler de la maturité, perceptible dans les poignantes transitions majeur-mineur, dans la mélodie en tierces parallèles, mais aussi dans les dissonants et déchirants «Ade!» répétés.

extrait des notes rédigées par Roger Vignoles © 2004
Français: Hypérion

Ein tieftrauriger Grundton durchzieht Nicht Wiedersehen!, in dem die vielen Volksliedtraditionen gemeinsame Situation eines Liebenden beschrieben wird, der von einer Reise zurückkehrt, um zu erfahren, daß die Geliebte in seiner Abwesenheit gestorben ist. Auch hier wirft in den wehmütigen Dur-Moll-Wechseln, der von Terzparallelen begleiteten Melodie sowie den dissonanten und qualvollen Wiederholungen von „Ade!“ der reife Stil Mahlers seine Schatten voraus.

aus dem Begleittext von Roger Vignoles © 2004
Deutsch: Bettina Reinke-Welsh

Other albums featuring this work

Mahler: Songs of Youth
CDH55160
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