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Track(s) taken from CDA66323

L'invitation au voyage

First line:
Mon enfant, ma sur
composer
circa 1870
author of text
second stanza omitted; from Les Fleurs du Mal

Sarah Walker (mezzo-soprano), Roger Vignoles (piano)
Recording details: August 1988
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Mark Brown
Engineered by Antony Howell
Release date: June 1989
Total duration: 4 minutes 40 seconds
 
1

Other recordings available for download

John Mark Ainsley (tenor), Graham Johnson (piano)

Reviews

'Roger Vignoles is a most sympathetic accompanist, and virtuosic where virtuosity is called for, and the whole set is at one with Duparc's own evaluation of these magnificent songs' (Gramophone)

'For a disc of all 17 of Duparc's melodies, the clear first choice is Sarah Walker and Thomas Allen' (BBC Music Magazine)

'Another impressive first for Hyperion. There are few singers in Britain today more at home in the French language, and both are well attuned to Duparc's subtle and refined musical world! (BBC Record Review)

'The Hyperion issue is as near an ideal Duparc record as could be' (The Penguin Guide to Compact Discs)
This is one of the most famous mélodies of all time, composed around 1870. It was Duparc’s special role in the history of French song to introduce a note of depth and seriousness into a genre that had been notably lacking such qualities during the Second Empire. The inspiration with this composer was Wagnerian (Duparc heard Rheingold in 1869) but his music distils Wagner’s visionary qualities into works of art of great concision and translucence. In this unquestionably French music there is no trace of the megalomania and pomposity that repelled Godard and other French anti-Wagnerians. Duparc embraced the Christian ideals typical of the César Franck circle as a whole; perhaps that is why the pagan resonances of Baudelaire’s ‘Luxe, calme et volupté’ are turned into music of unbelievable refinement—here is purity as well as decadence, rigour and sensuality. With Baudelaire and Duparc we traverse the landscapes of the Dutch East Indies; as in all such journeys, where imagination plays the largest part, we find ourselves flying beyond operatic sets of wood and canvas towards realms previously inaccessible to the French duo of singer and pianist. Decades earlier Schubert and Schumann had discovered those regions where the intimate fusion of great words and music worthy of them represents a special flowering of creative opportunity; with L’invitation au voyage French song comes of age and joins the German lied as something separate yet equal.

from notes by Graham Johnson 2006
English: Richard Stokes

Other albums featuring this work

L'invitation au voyage – Mélodies from La belle époque
CDA67523
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