Please wait...

Hyperion Records

Click cover art to view larger version
A young woman in a Russian hat, holding a book (detail) by Pietro Antonio Rotari (1707-1762)
Sotheby’s Picture Library
Track(s) taken from CDA67897
Recording details: December 2011
Jesus-Christus-Kirche, Berlin, Germany
Produced by Ludger Böckenhoff
Engineered by Ludger Böckenhoff
Release date: February 2013
Total duration: 9 minutes 3 seconds

'Oliva's modern silver flute has a glorious shimmering quality and an even tone … the combination of these two sensitive artists creates some memorable moments. Best is the Sonata No 1 in B minor with its meditative opening, each part drifting in, its harmony wandering as if at will, duplets gently merging into triplets and back again. The simplicity of the slow movement is entrancing … Oliva's breath-control is astonishing, Hewitt's clean articulation exemplary … this is an inspired modern-instrument take on Bach' (BBC Music Magazine)

'Beyond doubt … are the taste and poise of these performances by Angela Hewitt and Andrea Oliva. The cream of the crop is perhaps Bach's B minor Sonata BWV1030, but the entire set is a cornucopia of lithe invention' (The Daily Telegraph)

'Oliva … is evidently an outstanding player … Hewitt is a model of discretion and elegance' (The Guardian)

'Andrea Oliva and Angela Hewitt relish the flowing nature of such delightful pieces, always bringing a gentle lilt and lift to the proceedings … devotees of counterpoint will not be disappointed either, and will relish Hewitt's ability to point up canons and imitative effects in the keyboard parts, as well as her always refined use of staccato … Oliva's elegance of phrasing and breath control are everywhere exemplary' (International Record Review)

Sonata in C major, BWV1033
composer
early 1730s; doubtful attribution

Andante  [1'40]
Allegro  [2'37]
Adagio  [1'49]

Other recordings available for download
Lisa Beznosiuk (flute), Paul Nicholson (harpsichord/virginals), Richard Tunnicliffe (cello)
Introduction  EnglishFrançaisDeutsch
The Sonata in C major for flute and continuo, BWV1033, is preserved in a manuscript in the hand of C P E Bach, dating from the early 1730s, and in which he attributes the piece to his father. Its origins are obscure and disparate, perhaps since its first two movements, at least, are arguably more convincing as pieces for an unaccompanied melody instrument. Yet, in spite of sequential and cadential crudities, the music is not without either merit or charm and is, by and large, satisfying to play. There is a shapely nobility to the opening ‘Andante’, and a far from displeasing virtuosity, however simply conceived, in the ensuing ‘Allegro’. The music of greatest substance, though, is to be found in the ‘Adagio’ which, like the concluding Minuets, ‘alternativement’, is not devoid of Bachian character. Bach’s hand can surely be sensed, too, in the fully written-out parts of the first Minuet which bears relationship to a movement of a concerto by Bach’s Merseburg contemporary, Christoph Förster; but, be that as it may, the sonata is uneven in quality and inconsistent in technique. It has been suggested that the harpsichord accompaniment was added later, perhaps by one of Bach’s pupils.

from notes by Nicholas Anderson © 2002


Other albums featuring this work
'Bach: The Complete Flute Sonatas & the attributions' (CDD22077)
Bach: The Complete Flute Sonatas & the attributions
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 CDD22077  2CDs Dyad (2 for the price of 1)  

Show: MP3 FLAC ALAC
   English   Français   Deutsch