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Hyperion Records

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The Flute Player by Jean-Louis-Ernest Meissonier (1815-1891)
Château de Compiegne, Oise / Giraudon / Lauros / Bridgeman Art Library, London
Track(s) taken from CDD22077
Recording details: January 2001
Walcot Hall, Shropshire, United Kingdom
Produced by Annette Isserlis
Engineered by Ben Connellan
Release date: April 2002
Total duration: 8 minutes 12 seconds

'An outstanding achievement' (BBC Music Magazine)

'The playing of the accompanying ensemble shares the distinction of the flautist … congratulations are well deserved all round' (Early Music Review)

'Nicholson, Tunnicliffe, and Kenny engage with Beznosiuk and her musical ideas, creating excellent chamber music' (American Record Guide)

'These are performances I am going to be returning to again and again' (International Record Review)

'Beautifully executed … a perfect example of Beznosiuk’s dark, sweet tone and understated musicianship. Delicious’ (The Independent on Sunday)

'Beznosiuk plays accurately, with a huge dark sound and an easy-going fluency that makes these difficult pieces sound as easy as the first lessons in a Suzuki method class … this is a good, solid version of these fundamental works' (Fanfare, USA)

'Constant pleasure throughout … among the many recordings of these works, this stands high on the list' (Goldberg)

'In virtually every way—flute playing, sonics, and accompaniment—this new original-instrument version of the Sonatas bests my former original-instrument reference … Beznosiuk and her accompanists really feel this music as well' (ClassicsToday.com)

'Lisa Beznosiuk sait prendre le temps de respirer, de suspendre la phrase, de ménager les traits virtuoses' (Répertoire, France)

Sonata in C major, BWV1033
composer
early 1730s; doubtful attribution

Andante  [1'30]
Allegro  [2'41]
Adagio  [1'50]

Other recordings available for download
Andrea Oliva (flute), Angela Hewitt (piano)
Introduction  EnglishFrançaisDeutsch
The Sonata in C major for flute and continuo, BWV1033, is preserved in a manuscript in the hand of C P E Bach, dating from the early 1730s, and in which he attributes the piece to his father. Its origins are obscure and disparate, perhaps since its first two movements, at least, are arguably more convincing as pieces for an unaccompanied melody instrument. Yet, in spite of sequential and cadential crudities, the music is not without either merit or charm and is, by and large, satisfying to play. There is a shapely nobility to the opening ‘Andante’, and a far from displeasing virtuosity, however simply conceived, in the ensuing ‘Allegro’. The music of greatest substance, though, is to be found in the ‘Adagio’ which, like the concluding Minuets, ‘alternativement’, is not devoid of Bachian character. Bach’s hand can surely be sensed, too, in the fully written-out parts of the first Minuet which bears relationship to a movement of a concerto by Bach’s Merseburg contemporary, Christoph Förster; but, be that as it may, the sonata is uneven in quality and inconsistent in technique. It has been suggested that the harpsichord accompaniment was added later, perhaps by one of Bach’s pupils.

from notes by Nicholas Anderson © 2002


Other albums featuring this work
'Bach: Flute Sonatas' (CDA67897)
Bach: Flute Sonatas
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 Studio Master: FLAC 24-bit 44.1 kHz £9.00ALAC 24-bit 44.1 kHz £9.00 CDA67897  Studio Master FLAC & ALAC downloads available

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