Please wait...

Hyperion Records

Click cover art to view larger version
The Flute Player by Jean-Louis-Ernest Meissonier (1815-1891)
Château de Compiegne, Oise / Giraudon / Lauros / Bridgeman Art Library, London
Track(s) taken from CDD22077
Recording details: January 2001
Walcot Hall, Shropshire, United Kingdom
Produced by Annette Isserlis
Engineered by Ben Connellan
Release date: April 2002
Total duration: 12 minutes 12 seconds

'An outstanding achievement' (BBC Music Magazine)

'The playing of the accompanying ensemble shares the distinction of the flautist … congratulations are well deserved all round' (Early Music Review)

'Nicholson, Tunnicliffe, and Kenny engage with Beznosiuk and her musical ideas, creating excellent chamber music' (American Record Guide)

'These are performances I am going to be returning to again and again' (International Record Review)

'Beautifully executed … a perfect example of Beznosiuk’s dark, sweet tone and understated musicianship. Delicious’ (The Independent on Sunday)

'Beznosiuk plays accurately, with a huge dark sound and an easy-going fluency that makes these difficult pieces sound as easy as the first lessons in a Suzuki method class … this is a good, solid version of these fundamental works' (Fanfare, USA)

'Constant pleasure throughout … among the many recordings of these works, this stands high on the list' (Goldberg)

'In virtually every way—flute playing, sonics, and accompaniment—this new original-instrument version of the Sonatas bests my former original-instrument reference … Beznosiuk and her accompanists really feel this music as well' (ClassicsToday.com)

'Lisa Beznosiuk sait prendre le temps de respirer, de suspendre la phrase, de ménager les traits virtuoses' (Répertoire, France)

Sonata in G minor, BWV1020
composer
doubtful attribution; probably by C P E Bach
composer
probably the real composer

[Allegro]  [3'46]
Adagio  [3'31]
Allegro  [4'55]

Other recordings available for download
Andrea Oliva (flute), Angela Hewitt (piano)
Introduction  EnglishFrançaisDeutsch
Like the Sonatas in E flat (BWV1031) and C major (BWV1033) the Sonata in G minor, BWV1020, is unlikely to be a product solely, if at all, of Bach’s pen. The equal partnership of flute and obbligato harpsichord and the galant gestures, especially of the fast movements, call to mind not only the E flat major Sonata (BWV1031), which may well have served as the model, but also the flute sonatas of Quantz and of other Berlin composers. Stylistically, it is the least ‘Bach-like’ of the three ‘doubtful’ sonatas and the present consensus of opinion inclines towards C P E Bach as its composer. One of the three surviving manuscripts is in his hand, while the other two simply carry the name ‘Bach’ at their head. Further doubt arises over the intended instrumentation for the G minor Sonata. The sources call for violin and harpsichord, yet the absence of any double-stopping has led musicians to believe it to have been a work for flute. Equally, though, an oboe qualifies for consideration on grounds of key, compass and apparent similarities between this piece and C P E Bach’s authentic Oboe Sonata in G minor (H566/Wq135).

from notes by Nicholas Anderson © 2002


Other albums featuring this work
'Bach: Flute Sonatas' (CDA67897)
Bach: Flute Sonatas
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 Studio Master: FLAC 24-bit 44.1 kHz £9.00ALAC 24-bit 44.1 kHz £9.00 CDA67897  Studio Master FLAC & ALAC downloads available

Show: MP3 FLAC ALAC
   English   Français   Deutsch