Please wait...

Hyperion Records

Click cover art to view larger version
Track(s) taken from CDA67288
Recording details: April 2001
Concert Hall of the Royal Northern College of Music, Manchester, United Kingdom
Produced by Andrew Keener
Engineered by Tony Faulkner
Release date: January 2002
Total duration: 7 minutes 18 seconds

'A delightful and generous collection' (Gramophone)

'Dazzling. Hyperion's perceptive talent-spotting has produced a charming disc from performers virtually new to the catalogue – unreservedly recommended' (BBC Music Magazine)

'The performances are all sophisticated … a pleasure to listen to' (American Record Guide)

'a recording of airy clarity … a most recommendable disc, with much to enjoy' (International Record Review)

'Perkins brings out the fun in much of the inspiration as well as the lyrical beauty, warmly accompanied by the Camerata' (The Guardian)

'Dynamic and expressive contrasts are carefully and adroitly created and the orchestra meticulously managed. The result is a lovely and technically superior recording, not to mention another star in the crown of the folks at Hyperion' (Fanfare, USA)

'The playing of the Manchester Camerata (on modern instruments) is excellent throughout … They and their oboist conductor support their principal bassoonist with such care and attention that it is fair to call this a labour of love all round. Enjoy' (MusicWeb International)

'La Manchester Camerata propose un excellent encadrement orchestral, spirituel, avec des tutti aux contours finement dessinés, une articulation franche et une pulsation énergique' (Répertoire, France)

Bassoon Concertino in B flat major, Perger 52/5
composer
early 1760s

Introduction  EnglishFrançaisDeutsch
The Concertino by Michael Haydn is in fact a concertante movement from an orchestral serenade. Although he never achieved the lasting fame of his older brother Franz Joseph, he was a powerful influence in his time (his pupils included Weber) and a skilful and prolific composer, producing thirty symphonies, numerous concertos, operas and a great deal of church music. The history of this work is slightly confusing, as it was one of a number of movements that were recycled and re-grouped into different works at different times, but it appears to have been written during the early 1760s. In this concertante movement the bassoon takes a very prominent solo line (including the opportunity for a cadenza), exploring—as Mozart did just a few years later—the instrument’s lyrical qualities over a wide range of notes.

from notes by Laurence Perkins © 2002

Show: MP3 FLAC ALAC
   English   Français   Deutsch