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Hyperion Records

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Track(s) taken from CDA67315
Recording details: December 2001
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Mark Brown
Engineered by Simon Eadon
Release date: August 2002
Total duration: 5 minutes 53 seconds

'this is singing which is always alive, interesting, and personal … a fascinating record' (Gramophone)

'[Schade] sings Strauss’s Cäcilie and a wonderfully hushed Zueignung as though he and Martineau were the first to discover their ecstasy' (BBC Music Magazine)

'A fascinating selection of songs that exploits Michael Schade's versatile tenor' (The Daily Telegraph)

'What a joy it is to listen to Michael Schade! … This consistently bold, exhilarating recording is a must-have for aficionados of art-song repertoire and confirmed romantics alike' (Opera News)

'highly accomplished technique and rare vocal artistry … ideally accompanied by pianist Malcolm Martineau' (ClassicsToday.com)

'On peut considérer ce récital comme une bonne introduction à un siècle d’art vocal et littéraire' (Répertoire, France)

Adelaide, Op 46
composer
author of text

Other recordings available for download
Stephan Genz (baritone), Roger Vignoles (piano)
Introduction  EnglishFrançaisDeutsch
In the case of Adelaide we unusually have a record of the comments made by the original poet. In fact Friedrich Matthison was decidedly underwhelmed by Beethoven’s efforts, remarking that of the several other settings his poem had so far inspired, Beethoven’s was the least sensitive!

The main problem appears to have been the piano part. With the benefit of hindsight it may appear innocent enough, especially when set beside those by, say, Rachmaninov; yet at the time, the solo-sonata style Beethoven adopts for the third verse in particular was perceived as overbalancing the text.

Similarly the dramatic outpourings of that same verse, with its sudden changes of dynamic and the Mozartian Allegro molto final verse, were considered more suited to the opera house than the drawing room. This uncharacteristic outburst of theatricals may have been inspired by Beethoven’s studies with opera maestro Salieri (the legendary Mozart poisoner), although the songs of his old teacher, Christian Neefe (1748-1798), also leant in this direction.

from notes by Julian Haylock © 1999


Other albums featuring this work
'Beethoven: Songs' (CDA67055)
Beethoven: Songs
'Beethoven: Songs' (GAW21055)
Beethoven: Songs
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