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Track(s) taken from CDA67374

A Perfect Day

First line:
When you come to the end of a perfect day
composer
1910
author of text

Sir Thomas Allen (baritone), Malcolm Martineau (piano)
Recording details: January 2002
Champs Hill, West Sussex, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: June 2003
Total duration: 2 minutes 17 seconds

Cover artwork: At the Piano by Robert Beyschlag (1838-1903)
Anthony Mitchell Paintings, Nottingham / Fine Art Photographic Library, London
 
1

Reviews

'Other singers over recent decades have given the songs an airing from time to time, but Thomas Allen is the very man to do it' (Gramophone)

'With piano-playing by that most sensitive of accompanists, Malcolm Martineau, Sir Thomas Allen brings high art to these songs … with an affectionate regard to mood and feeling, and with a touching lyrical sincerity' (The Daily Telegraph)

'A fitting tribute to this repertory that one of the finest operatic voices of our day has chosen to record it' (Classic FM Magazine)

'I must confess that, what with the beauty of Thomas Allen’s voice and the lovely accompaniment of Malcolm Martineau at the piano, a tear welled in my eye more than once. Another distinguished release from Hyperion' (Liverpool Daily Post)

'Hyperion here brings us Sir Thomas Allen caressing 29 well-loved parlour songs with his warm, expressive baritone … Malcolm Martineau provides his usual sympathetic and well-etched pianistic support' (Birmingham Post)

'what quality of nostalgia, and what depth of conviction … Superb performances … Martineau’s carefully moulded accompaniments enhance a glorious enterprise' (Yorkshire Post)
As well as composing ‘Just a-wearyin’ for you’, Carrie Jacobs-Bond wrote both words and music of this enduring favourite. She first set a large part of the text to a different melody, titled ‘A Memory’. Then, just weeks later, came this classic version, composed at the Mission Inn, Riverdale, California, in 1909. It was first sung by the American baritone David Bispham.

from notes by Andrew Lamb 2003

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