Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

Click cover art to view larger version
Track(s) taken from CDA67400

Petite suite de concert, Op 77

composer
1910

New London Orchestra, Ronald Corp (conductor)
Recording details: April 2002
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: September 2002
Total duration: 15 minutes 20 seconds

Cover artwork: Green Park by Robert Buhler (1916-1989)
Royal Academy of Arts, London
 
1
2
3
4

Reviews

'Ronald Corp has few rivals in conveying one prerequisite element of this repertoire – charm' (BBC Music Magazine)

'respectfully and meticulously played … this impeccably produced program – like its three predecessors – remains a precedent-setting endeavour that is sure to elicit grateful appreciation from many quarters' (Fanfare, USA)

'The playing struck me as even finer than in the past and the sound … first class, as before' (Hi-Fi News)

'The playing is exuberant, the recording ripe' (The Evening Standard)

'This fourth compilation, in Hyperion’s hugely successful British light music is another winner … Some eighty minutes of sheer delight' (MusicWeb International)

'infectious stuff, delivered with corresponding relish' (Yorkshire Post)

'Le travail entrepris par Corp et Hyperion est remarquable, sans concession à la qualité instrumentale ou sonore' (Répertoire, France)
Just six days younger than Ketèlbey, Samuel Coleridge-Taylor (1875–1912) was born in Holborn, London, the son of a doctor from Sierra Leone and an Englishwoman. He studied violin and piano at The Royal College of Music and was recognized as a composer of great promise after his Hiawatha’s Wedding Feast was premiered at the college in 1898. He went on to complete a Hiawatha trilogy, as well as much other vocal, chamber and orchestral music, including a violin concerto. Besides more ambitious works, he composed lighter compositions, of which the most enduring was the Petite Suite de Concert (1910), a work that set a standard for many subsequent four-movement suites. It begins with the coquettish ‘La caprice de Nanette’ and continues with its most familiar movement, ‘Demande et réponse’, a work of Elgarian grace whose ongoing popularity led to its arrangement as a song ‘Question and Answer’. The third movement, ‘Un sonnet d’amour’ (‘A Love Sonnet’) is a lyrical serenade, while the final ‘Tarantelle frétillante’ (‘Frisky Tarantella’) provides a suitably lively conclusion.

from notes by Andrew Lamb 2002

Other albums featuring this work

British Light Music Classics
CDS44261/44CDs Boxed set (at a special price)
Search

There are no matching records. Please try again.