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Track(s) taken from CDA67380

Salve regina

composer
5vv; chant verses from Luys de Villafranca (1565)
author of text
Antiphon to the Virgin Mary from Trinity until Advent

Ex Cathedra, Jeffrey Skidmore (conductor)
Recording details: October 2002
All Saints, Tooting, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: April 2003
Total duration: 12 minutes 25 seconds

Cover artwork: Aztec shield (detail) (c1500).
Museum für Völkerkunde, Vienna
 
1
Salve regina  [12'25]

Other recordings available for download

Westminster Cathedral Choir, James O'Donnell (conductor)

Reviews

'This wonderfully colourful collection puts the vivid vocal qualities of Jeffrey Skidmore's virtuoso choir Ex Cathedra into the foreground … sumptuously realised with a varied—but historically appropriate—panoply of voices and instruments … a richly rewarding CD … I have been driving around with it in my car and my 11-year old son now prefers it to David Bowie … thoroughly recommended' (Gramophone)

'fascinatingly varied in idiom and influence, and Skidmore has unearthed some real gems' (Choir & Organ)

'The expressive range is astonishing … a delight to commend' (BBC Music Magazine)

'Ex Cathedra has unearthed some magnificent music here; there are plenty of fascinating discoveries, performed with great feeling and panache, and with potent seasoning from the period instruments. The disc has the markings of a bestseller, and certainly deserves to be' (The Daily Telegraph)

'Jeffrey Skidmore unearths some scintillating examples of the Old World meeting the New, with Renaissance polyphony underpinned by African-Latin drums. The result is only a few beats removed from modern examples of Catholic worship. A fascinating disc' (The Independent)

'immaculately performed … fascinating' (The Guardian)

'This is one of the most exciting releases I've seen in awhile … The performance is flawless, with a wide range of emotional expression; the sound is excellent' (American Record Guide)

'this really is an irresistible recording, offering a wealth of styles and colours and plenty of South American sunshine. Buy it and discover the New World for yourself' (International Record Review)

'Hypnotically good … this is one of the most eye-opening CDs—or should I say ear-opening—that I have heard this year. What a magical concoction of sounds—and what brilliant playing!' (Classic FM)

'terrific music, terrific singing' (The Times)

'This is arguably the most original CD of the year, and it's generated a huge number of enquiries from Classic FM listeners. Jeffrey Skidmore and Ex Cathedra have tapped a rich seam of baroque choral music … Do not be put off by the unfamiliarity of the composers; this is wonderful music' (Classic FM Magazine)

'extremely rewarding, bringing yet further evidence of the richness of Latin American Baroque music … the performances are very accomplished indeed … splendid disc' (Fanfare, USA)

'this recording is highly recommended … These are polished, emotionally engaged performances, brightly recorded, of fascinating, exciting repertoire' (Early Music Today)

'stunning … choral music of the most vibrant quality imaginable, performed by Ex Cathedra with equally vigorous zeal … the whole background is fascinatingly documented in Skidmore's own invaluable insert-note … all vocalists display the group's customary virtuosity in a range of languages … unmissable' (Birmingham Post)

'Ex Cathedra and Jeffrey Skidmore are first-rate ambassadors for this music … the overall sound is beautiful and the performance, from instrumentalists and singers, has great conviction and energy … An album of unexpectedly wicked delight' (BBCi)
It is the Salve regina in the version for five voices (two tiple or treble parts) that is performed here. The plainchant verses are taken from Luys de Villafranca’s tutor published in Seville in 1565. Franco set ‘Et Jesum benedictum’ in two versions and we have used the second, which is for the high voices while the basses rest. Franco is expansive, one might say diffuse; he takes twenty-five bars of modern score to set the last three words, but his music is expressive and very singable.

from notes by Bruno Turner © 1990

C’est son Salve regina à cinq voix (deux tiple ou parties de dessus) qui est interprété ici. Les versets en plain-chant proviennent du manuel de Luys de Villafranca publié à Séville en 1565. Franco réalisa deux versions d’«Et Jesum benedictum»; nous avons choisi la seconde, destinée aux voix aiguës (les basses se taisent). Franco est expansif, diffus pourrait-on dire: il lui faut vingt-cinq mesures d’une partition moderne pour mettre en musique les trois derniers mots, mais sa musique est expressive et fort chantable.

extrait des notes rédigées par Bruno Turner © 1990
Français: Hypérion

Hier wird das Salve regina in der Fassung für fünf Stimmen (mit zwei tiple oder Sopranstimmen) aufgeführt. Die Choralverse sind dem Lehrbuch von Luys de Villafranca entnommen, das 1565 in Sevilla veröffentlicht wurde. Franco vertonte „Et Jesum benedictum“ in zwei Fassungen, von denen wir die zweite für die Oberstimmen, in denen die Bässe schweigen, verwendet haben. Franco ist expansiv, fast langatmig—für die letzten drei Worte braucht er 25 Takte in der modernen Notation—aber seine Musik ist expressiv und sehr sangbar.

aus dem Begleittext von Bruno Turner © 1990
Deutsch: Renate Wendel

Other albums featuring this work

Masterpieces of Mexican Polyphony
CDH55317Archive Service
New World Symphonies – Baroque Music from Latin America
CDA30030Hyperion 30th Anniversary series
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