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Track(s) taken from CDA67453

Four Studies in English Folk-song

composer
arranger

Laurence Perkins (bassoon), New London Orchestra, Ronald Corp (conductor)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: July 2003
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Andrew Keener
Engineered by Will Brown & Simon Eadon
Release date: November 2004
Total duration: 5 minutes 10 seconds
 
1
Spurn Point  [1'18]
2
3
4

Reviews

'… one of the jolliest CDs to have crossed my desk in ages … the indefatigable Perkins has assembled some genuine rarities for our delight' (The Mail on Sunday)

'Perkins is a compelling advocate of the instrument, not only in his painstaking work as orchestrator and arranger, and his enthusiastic and well-researched booklet notes, but most of all in his playing … This is a delightful disc which will be of interest to a much wider audience than merely the bassoon-crazy' (International Record Review)

'Perkins is an excellent bassoonist who managed to collect some interesting and unusual pieces for his instrument, arranging others himself. His enthusiasm for the repertoire and the bassoon itself are immediately apparent. He plays with a spontaneity that makes us entirely forget technique, so that we never feel like we are witnessing a feat of bravura. His beautiful sound and effortless dexterity all work towards making the music gently caress the ear' (Fanfare, USA)

'I admire Perkins' playing very much; it is expressive and highly polished' (Classical Music Web)

'The playing here is not just comical (where required), it's also very beautiful—a lovely example of music-making' (Manchester Evening News)
By the time Ralph Vaughan Williams had created his Studies in English Folk-song in 1926 (there are six studies in all) he had been travelling around the country collecting English folk songs for a quarter of a century. Along with Cecil Sharp, he preserved for posterity many examples of an English musical tradition that was already dying out, and now is almost totally non-existent except within specialist societies and groups of enthusiasts. These studies were originally written for the cellist May Mukle, who gave the first performance at the Scala Theatre in London on 4 June 1926.

from notes by Laurence Perkins 2004

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