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Hyperion Records

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Track(s) taken from CDA67453
Recording details: July 2003
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Andrew Keener
Engineered by Will Brown & Simon Eadon
Release date: November 2004
Total duration: 4 minutes 12 seconds

'… one of the jolliest CDs to have crossed my desk in ages … the indefatigable Perkins has assembled some genuine rarities for our delight' (The Mail on Sunday)

'Perkins is a compelling advocate of the instrument, not only in his painstaking work as orchestrator and arranger, and his enthusiastic and well-researched booklet notes, but most of all in his playing … This is a delightful disc which will be of interest to a much wider audience than merely the bassoon-crazy' (International Record Review)

'Perkins is an excellent bassoonist who managed to collect some interesting and unusual pieces for his instrument, arranging others himself. His enthusiasm for the repertoire and the bassoon itself are immediately apparent. He plays with a spontaneity that makes us entirely forget technique, so that we never feel like we are witnessing a feat of bravura. His beautiful sound and effortless dexterity all work towards making the music gently caress the ear' (Fanfare, USA)

'I admire Perkins' playing very much; it is expressive and highly polished' (Classical Music Web)

'The playing here is not just comical (where required), it's also very beautiful—a lovely example of music-making' (Manchester Evening News)

Mist-covered mountains
composer
traditional Scottish folk melody
arranger

Introduction
The traditional music of Scotland offers a wealth of magnificent melodies, of which Mist-covered Mountains is one of the best known. This tune, with its numerous versions each with their own subtle differences, has also been known as Hoping to see Ballachulish (Duil ri Baile Chaolais fhaicinn) and Johnny stays long at the fair. It has words written by John Cameron of Ballachulish (Glen Coe) in 1856, and was included in Archibald Sinclair’s The Gaelic Songster (An t-Oranaiche), published in Glasgow in 1879. Cameron’s gaelic words are those of the traveller looking forward to his return to the mist-covered mountains of his homeland, to see again the sunset over the woodlands, the glens and the people he knows. My arrangement was partly inspired by the magnificent clarsach playing of Catriona McKay, who joins me here – the distinctive sound of the Scottish folk-harp has a haunting quality heard at the very beginning in the musical creation of swirling mists. After a wild, stormy central section (such weather conditions are not uncommon in that part of the world!) the music subsides into a gentle stillness – yet another reflection of the captivating beauty of the Scottish highlands.

from notes by Laurence Perkins 2004

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