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Leda and the Swan.
in the style of Pier Francesco Mola (1612-1666) / National Gallery, London
Track(s) taken from CDH55404

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Sonata VI opens with a Preludio that is the most spacious of any so far. Its striking inital motive begins with an ascending broken chord that continues by retracing its steps downwards, accelerating as it goes. Of such simple materials are Vivaldi’s best movements fashioned. Another telling yet simple effect to look out for is the syncopation in the phrase that ends both sections of the final Giga.

from notes by Michael Talbot © 2004

View sleeve notes/artwork (PDF)
Recording details: November 2003
St Michael's Church, Highgate, London, United Kingdom
Produced by Martin Compton
Engineered by Julian Millard
Release date: May 2004
Total duration: 8 minutes 26 seconds

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