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The third concert in the Dodsworth’s Hall series on 25 January included works by Weber, Beethoven, Liszt—and a string of Gottschalk premieres including a fantasy on the finale of Lucrezia Borgia, Solitude and Sospiro, a typically graceful waltz in D flat. Gottschalk himself proudly drew attention to its ‘exquisite details of harmony’.
from notes by Jeremy Nicholas © 2001
Le troisième concert au Dodsworth’s Hall le 25 janvier, comprend des œuvres de Weber, Beethoven, Liszt et une série de premières par Gottschalk, y compris une fantaisie sur le finale de Lucrezia Borgia, Solitude et Sospiro, valse gracieuse typique en ré bémol. Gottschalk lui-même attirera l’attention sur ses «détails exquis de l’harmonie».
extrait des notes rédigées par Jeremy Nicholas © 2001
Français: Marie Luccheta
Beim dritten Konzert der Reihe in der Dodsworth Hall am 25. Januar standen Werke von Weber, Beethoven und Liszt auf dem Programm—und mehrere Uraufführungen von Gottschalk, darunter eine Fantasie über das Finale von Lucrezia Borgia, Solitude und Sospiro, ein typisch anmutiger Walzer in Des-Dur. Gottschalk selbst hat voller Stolz auf dessen „erlesene harmonische Details“ hingewiesen.
aus dem Begleittext von Jeremy Nicholas © 2001
Deutsch: Anne Steeb/Bernd Müller
Gottschalk: The Complete Solo Piano Music With his idiomatic and graceful style, pianist Philip Martin has established himself as the foremost exponent of Gottschalk. The composer had a unique spontaneity and individuality which Martin’s performances bring vividly to the fore. The complet ...» More |