No, Gottschalk was not attempting to cash in on writing a companion piece in a similar vein. His ‘grande valse de concert’ has more in common with ‘The Maiden’s Wish’, Liszt’s transcription of Chopin’s song (Zyczenie), though that particular Polish girl is depicted in a mazurka rhythm. Gottschalk’s maiden is a chic Parisienne as portrayed in this charming and self-confident waltz (in E flat). She’s a girl with a winning smile, as the French title suggests—far from the blushing maiden of its mistranslation.
from notes by Jeremy Nicholas © 2003
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