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Hyperion Records

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Track(s) taken from CDA67349
Recording details: May 2002
All Saints' Church, East Finchley, London, United Kingdom
Produced by Martin Compton
Engineered by Julian Millard
Release date: January 2003
Total duration: 3 minutes 11 seconds

'Brilliant and technically awesome … Philip Martin is never less than an extremely able and charming guide to this curious repertoire' (BBC Music Magazine)

'There is a poignant period flavour to this music, which Martin captures with the utmost sensibility' (The Daily Telegraph)

'It's impossible to listen to this disc and not beam with pleasure … real melodic charm, surprising harmonic progressions, and enough sensuality and humour to put a kick in the greyest of January days. The recorded sound is gorgeous' (The Times)

'Martin once again reveals his mastery of Gottschalk’s special brand of refined sensuality … for Gottschalk’s growing band of admirers, this is an essential purchase' (Fanfare, USA)

'Philip Martin has the technical resources to do [Gottschalk] justice with straight-faced ease' (The Irish Times)

'finely played and beautifully recorded' (Pianist)

'Volume 6 maintains the same impressive standards set in Philip Martin’s five previous Gottschalk releases on Hyperion … If you’ve been collecting this series, don’t stop now. A delectable disc' (

'Philip Lane is perfectly suited to Gottschalk's music and his interpretations are well nigh unsurpassable. The recording is firm and very realist with a touch of brittleness at the top. In sum, this is another gorgeous piano music collection from the underrated American composer' (

The maiden's blush 'Grande valse de concert', RO141
? 1863/4; published in Boston in 1865; alternative title: Le sourire d'une jeune fille; under pseud. Seven Octaves

Introduction  EnglishFrançaisDeutsch
Et tu quoque, O California! exclaims Gottschalk in his diary (April 1865) when, after admiring the Chickering grand piano in his hotel, he discovers a copy of The Maiden’s Prayer in the piano stool. This piece by the short-lived Polish composer Thekla Baderzewska (1838–1861), perhaps the most ubiquitous piece of sentimental tosh ever written for the piano, stalked Gottschalk across America: ‘A piano groans in an adjoining room! It is The Maiden’s Prayer’, he writes in Chicago, December 1863. ‘How far will this virginal prayer pursue me?’. He arrives in Bethlehem, Pennsylvania, the following year and is enchanted for, ‘although I have walked all over town, I have not even heard once The Maiden’s Prayer’.

No, Gottschalk was not attempting to cash in on writing a companion piece in a similar vein. His ‘grande valse de concert’ has more in common with ‘The Maiden’s Wish’, Liszt’s transcription of Chopin’s song (Zyczenie), though that particular Polish girl is depicted in a mazurka rhythm. Gottschalk’s maiden is a chic Parisienne as portrayed in this charming and self-confident waltz (in E flat). She’s a girl with a winning smile, as the French title suggests—far from the blushing maiden of its mistranslation.

from notes by Jeremy Nicholas © 2003

Other albums featuring this work
'Gottschalk: The Complete Solo Piano Music' (CDS44451/8)
Gottschalk: The Complete Solo Piano Music
MP3 £35.00FLAC £35.00ALAC £35.00Buy by post £38.50 CDS44451/8  8CDs Boxed set (at a special price)  
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