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Hyperion Records

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Track(s) taken from CDA67349
Recording details: May 2002
All Saints' Church, East Finchley, London, United Kingdom
Produced by Martin Compton
Engineered by Julian Millard
Release date: January 2003
Total duration: 3 minutes 40 seconds

'Brilliant and technically awesome … Philip Martin is never less than an extremely able and charming guide to this curious repertoire' (BBC Music Magazine)

'There is a poignant period flavour to this music, which Martin captures with the utmost sensibility' (The Daily Telegraph)

'It's impossible to listen to this disc and not beam with pleasure … real melodic charm, surprising harmonic progressions, and enough sensuality and humour to put a kick in the greyest of January days. The recorded sound is gorgeous' (The Times)

'Martin once again reveals his mastery of Gottschalk’s special brand of refined sensuality … for Gottschalk’s growing band of admirers, this is an essential purchase' (Fanfare, USA)

'Philip Martin has the technical resources to do [Gottschalk] justice with straight-faced ease' (The Irish Times)

'finely played and beautifully recorded' (Pianist)

'Volume 6 maintains the same impressive standards set in Philip Martin’s five previous Gottschalk releases on Hyperion … If you’ve been collecting this series, don’t stop now. A delectable disc' (ClassicsToday.com)

'Philip Lane is perfectly suited to Gottschalk's music and his interpretations are well nigh unsurpassable. The recording is firm and very realist with a touch of brittleness at the top. In sum, this is another gorgeous piano music collection from the underrated American composer' (Classical.net)

Danse ossianique, RO64 Op 12
composer
? 1850; published in Paris in 1851: alternative catalogue number: RO63

Introduction  EnglishFrançaisDeutsch
This is a revised and retitled version of Gottschalk’s Op 1, his Polka de salon, composed in 1844 and published in Paris two years later (featured on CD 5 of this series). For notes on Ossian, the ‘legendary Gallic poet’ (in reality, the eighteenth-century Scottish poet James Macpherson), the reader is referred to CD 4 of this series where Gottschalk’s two Ossian Ballades are discussed. Many of Gottschalk’s idiomatic harmonies and figurations are already present, albeit modestly, in the Danse ossianique, a slight but pretty nod to Chopin—the favoured key of A flat, a merry triplet motif, brilliant runs in octaves and repeated-note passages. There is little Caledonian about it and indeed, as noted in CD 5 by Gottschalk’s biographer S Frederick Starr, ‘if the bass line were changed to a habanera rhythm, the piece as a whole would be transformed into a jaunty Caribbean dance’.

from notes by Jeremy Nicholas © 2003

Other albums featuring this work
'Gottschalk: The Complete Solo Piano Music' (CDS44451/8)
Gottschalk: The Complete Solo Piano Music
MP3 £35.00FLAC £35.00ALAC £35.00Buy by post £38.50 CDS44451/8  8CDs Boxed set (at a special price)  
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