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Hyperion Records

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Exotic Landscape (1910) by Henri Rousseau (1844-1910)
Track(s) taken from CDA67118
Recording details: May 1999
All Saints' Church, East Finchley, London, United Kingdom
Produced by Martin Compton
Engineered by Antony Howell & Julian Millard
Release date: February 2000
Total duration: 2 minutes 27 seconds

'Immaculately delivered, recorded and presented in every way … every track is a delight. A joy to listen to' (Gramophone)

'Gottschalk's elegant sensuality has surely had its most gracious advocate in Philip Martin … this is Gottschalk playing at its most refined.' (International Record Review)

'Played with refinement and elegance' (Classic CD)

'The shining brilliance of Gottschalk is superbly captured by Martin’s wonderful pianism. This musician’s personality, intelligent, technically transparent, and subtly colored, matches those traits in Gottschalk with unerring sympathy. I can only join the chorus of critical praise for previous instalments in this series' (Fanfare, USA)

'Maintains the high standards of playing and recording that we have come to expect' (Hi-Fi News)

La gitanella 'Caprice caractéristique', RO103 Op 35
? 1858; published in Paris in 1861

Introduction  EnglishFrançaisDeutsch
After his first sojourn on Cuba (1854/55), Gottschalk returned in 1857 and, having subsequently spent two years meandering round the Caribbean, lived there for two years from November 1859. Among his many friends, the most talented and cosmopolitan was the reclusive pianist Nicolás Ruiz Espadero (1832–1890). A substantial inheritance enabled the eccentric Cuban to survive in the family home for forty years with nothing but a piano, piles of manuscript paper and innumerable cats. Gottschalk and he became inseparable and realising that many of Gottschalk’s compositions had never been written down, Espadero took upon himself the role of amanuensis, resolving to commit them to paper and preserve them for posterity. It was a conscious re-enactment of the role Julian Fontana had performed for Chopin when he looked after the affairs of the great composer between 1836 and 1841, becoming his copyist, secretary and factotum. (In a further example of trans-continental pianistic cross-pollination, Fontana (1810–1869), the dedicatee of Chopin’s two Polonaises Op 40, and himself a Polish pianist and composer, lived in Havana and New York from 1842 to 1852.) At Espadero’s suggestion, Gottschalk began a correspondence with Fontana in Paris and it was to Fontana that Gottschalk dedicated two new pieces, La Gitanella, Op 35 and Fantôme De bonheur, Op 36. ‘The Gypsy Dance’ is indeed ‘characteristic’ Gottschalk, its attractive G minor opening subject (in 68) framing a more languid section in G major.

from notes by Jeremy Nicholas © 2000

Other albums featuring this work
'Gottschalk: The Complete Solo Piano Music' (CDS44451/8)
Gottschalk: The Complete Solo Piano Music
MP3 £35.00FLAC £35.00ALAC £35.00Buy by post £38.50 CDS44451/8  8CDs Boxed set (at a special price)  
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