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Hyperion Records

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Mosaic of Christ Resurrected, St Mark’s, Venice.
Photographed by Malcolm Crowthers
Track(s) taken from CDA66114
Recording details: November 1983
Westminster Cathedral, London, United Kingdom
Produced by Mark Brown
Engineered by Antony Howell
Release date: April 1986
Total duration: 21 minutes 49 seconds

'One of my most cherished records … such poise and sensitivity … one of the best choral records of its kind currently available. I can recommend it without reservation' (Gramophone)

'gloriously performed … The Westminster Cathedral Choir sing with a fervour and passion that puts their Anglican colleagues in the shade in this repertoire' (The Good CD Guide)

'David Hill's direction breathes commitment and sheer love of this music' (The Times)

'My single most satisfying choral disc of the year … I cannot be dispassionate about this record: marvellous, natural, throaty, vivid singing … a must' (The Sunday Times)

'Exemplary' (Hi-Fi News)

Missa O quam gloriosum
author of text
Ordinary of the Mass

Introduction  EnglishFrançaisDeutsch
Despite the splendour of his publications and despite the early date at which Victoria got his music into print, he was not by the standards of his time prolific. Just twenty Masses have come down to us. Fifteen are ‘parodies’ (Masses based on a pre-existing work), one is freely composed, and four (including two Requiems) are ‘paraphrase’ Masses, that is to say they are based on plainchant. The Missa O quam gloriosum is based on Victoria’s own joyful motet of 1572. Tovey called it one of the most perfect ever written. The Mass is concise; it frequently takes over whole portions of the motet and somehow balances great simplicity with a marvellous controlled fervour that is typical of Victoria. It has become the most loved and performed of all his Masses in modern times. It is written in the G mixolydian mode which, in Victoria’s hands, is frequently straight G major. One magical moment of reverent simplicity is the section ‘et incarnatus est’ in the Credo. It is difficult to imagine anything else so brief and effective. Even the Agnus Dei of this Mass is short and just a single setting (here repeated by custom to the final words ‘dona nobis pacem’).

from notes by Bruno Turner © 1984

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