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Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
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Herbert Howells was for a short time in 1917 the sub-organist of Salisbury Cathedral, and this may be remembered in the name of this tune. Thereafter he turned to composition and to teaching, both at St Paul’s Girls’ School in Hammersmith and at the Royal College of Music. Towards the end of his life he concentrated on church music, in particular writing a remarkable series of settings of the Magnificat and Nunc dimittis for cathedral evensong. In the 1930s he contributed a number of tunes for use initially in public school chapels. This is a distinguished example of such a tune. It may not be taken up easily in those situations that do not have the congregational rehearsals which were part of the life of such schools. Timothy Rees was a monk of the Community of the Resurrection and later Bishop of Llandaff. He wrote a small number of very useful hymns. This one first appeared in 1922, and has been a welcome addition to the repertoire of hymns on the Holy Spirit.