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Track(s) taken from CDA67290

The Lost Chord

First line:
Seated one day at the organ
composer
early 1877
author of text

Sir Thomas Allen (baritone), Malcolm Martineau (piano)
Recording details: January 2001
Champs Hill, West Sussex, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: February 2002
Total duration: 3 minutes 44 seconds

Cover artwork: Psyche Entering Cupidís Garden (1903) by John William Waterhouse (1849-1917)
Harris Museum and Art Gallery, Preston, Lancashire / Bridgeman Art Library, London
 
1

Other recordings available for download

Gerald Finley (baritone), Julius Drake (piano)
Robert White (tenor), Stephen Hough (piano)

Reviews

'A persuasive case for the often sublime artistry of the humble parlour song … I found no trouble at all in listening to in continuously from start to finish. That no doubt has also much to do with the great gifts and skills of both artists' (Gramophone)

'Thomas Allen recalls happy evenings round the family piano and offers this well sung collection, which will strike a lost chord with many' (BBC Music Magazine)

'done stylishly … by a great singer with a gorgeous voice' (American Record Guide)

'I was amazed, listening to the rich warmth of Thomas Allen's voice, just how many of these songs I knew … Popular, enduring tunes encapsulating a golden era, honestly performed by one of the great baritones of our age' (Classic FM Magazine)

'recording and presentation are first rate … Strongly recommended' (MusicWeb International)

'There is a warm and intimate feeling about Allen’s treatment of these songs … Malcolm Martineau’s accompaniments are exemplary' (Opera News)

'our focus is on Allen’s strong, full-voiced renditions that rarely fail to ingratiate and impress … this is music for everyone' (ClassicsToday.com)
Arthur Sullivan composed this moving example of Victorian faith after being confined to the bedside of his elder brother Frederic during his last illness. The words were by the poetess Adelaide Anne Procter, and the song was carried to popularity in Victorian Britain by the singer Antoinette Stirling. Its huge popularity is demonstrated by the fact that it was even sung by Caruso, who wrote out the words in Italian phonetics for the purpose.

from notes by Andrew Lamb © 2002

Other albums featuring this work

Bird Songs at Eventide
CDH55156Composers of World War I
The Ballad Singer
CDA67830
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