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Hyperion Records

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The Annunciation with two saints and four prophets (1333) by Simone Martini (1284-1344)
& Lippo Memmi (fl1317-1347). Galleria degli Uffizi, Florence / Giraudon / Bridgeman Art Library, London
Track(s) taken from CDA67938
Recording details: October 2011
Westminster Cathedral, London, United Kingdom
Produced by Adrian Peacock
Engineered by David Hinitt
Release date: January 2013
Total duration: 2 minutes 7 seconds

'The choir is on excellent form and the recorded sound seems perfectly to capture a sense of place, of atmosphere' (Gramophone)

'This is an album for those who love the acoustic, the atmosphere and the traditions of the Roman Catholic Cathedral in London … the pacing and cohesion of the Agnus Dei of Paelstrina's Missa Emendemus in Melius is accomplished and moving, and their singing of plainsong with organ second-to-none' (BBC Music Magazine)

'The true musical spirit of the Lenten season … is to be found in the ancient antiphons, psalms and motets which have been part of the liturgical fabric of the season for centuries. This is what we have here, and an intensely beautiful CD it makes too … nobody could remain untouched by the profound beauty and timelessness of this music, and given these unaffected, sensitive and fluent performances from a choir which has been singing Lenten music in a liturgical context for decades, the result is something very special indeed … this is a beautifully devised programme, sung with ineffable perceptiveness by the Westminster choristers and recorded with utterly natural atmosphere by the Hyperion team' (International Record Review)

Te lucis ante terminum I
composer
5vv ATTBarB; Festal tone; Cantiones, quae ab argumento sacrae vocantur, 1575
author of text
Hymn at Compline

Other recordings available for download
The Cardinall's Musick, Andrew Carwood (conductor)   January 2015 Release
Winchester Cathedral Choir, David Hill (conductor)
Magnificat, Philip Cave (conductor)
Introduction  EnglishFrançaisDeutsch
Thomas Tallis wrote two settings of the compline hymn Te lucis ante terminum, both of which were published in the 1575 Cantiones sacrae. This first setting—like the second—sets only the middle of the three verses in polyphony. The treble part replicates the pitches of the pre-existent chant melody note for note (with the addition of a single ornamental leading note at the final cadence) in a lilting triple-time rhythm, and the accompanying harmonization is a model of economy and placid beauty, nowhere more so than at the delicately handled Picardian cadence at the end of the third phrase.

from notes by Jeremy Summerly © 2013


Other albums featuring this work
'Tallis: Ave, rosa sine spinis & other sacred music' (CDA68076)
Tallis: Ave, rosa sine spinis & other sacred music
CDA68076  5 January 2015 Release  
'Tallis: Spem in alium & other sacred music' (CKD233)
Tallis: Spem in alium & other sacred music
MP3 £8.00FLAC £10.00ALAC £10.00 Studio Master: FLAC 24-bit 96 kHz £18.00ALAC 24-bit 96 kHz £18.00 CKD233  Download only   Studio Master FLAC & ALAC downloads available
'Tallis: Spem in alium & other choral works' (CDA30024)
Tallis: Spem in alium & other choral works
MP3 £6.99FLAC £6.99ALAC £6.99Buy by post £8.50 CDA30024  Hyperion 30th Anniversary series  

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