Please wait...

Hyperion Records

Click cover art to view larger version
Track(s) taken from CDA67536
Recording details: December 2004
All Saints' Church, East Finchley, London, United Kingdom
Produced by Martin Compton
Engineered by Julian Millard
Release date: September 2005
Total duration: 11 minutes 42 seconds

'Quite early in the 14-year period that covers these eight volumes the Dublin-born pianist matured into becoming the pre-eminent Gottschalk interpreter. He understands exactly his stylistic range, from the mellifluous Italianate melody of the salon to sheer virtuosity, but without any exaggeration' (Gramophone)

'These are sympathetic performances, glowingly recorded' (BBC Music Magazine)

'another neglected area of the 19th-century repertoire has been thoroughly explored and superbly championed by Martin' (The Guardian)

'Effective performance of this music requires striking a series of delicate balances: between the learned and the popular, between the progressive and the traditional, between the sensual and the self-conscious. And if you've been following this series, you'll know that no current Gottschalkian catches these special ambiguities more consistently than Philip Martin' (International Record Review)

'A beautifully produced disc that is impossible to play without smiling' (The Times)

'This is one of the great piano recordings of recent years. Not since the exquisitely chiseled, delicately nuanced playing of such past greats as Wilhelm Kempff, Stefan Askenase, and Walter Gieseking have I heard anything so hypnotically well performed. This release leaves no doubt that Martin is one of today's finest keyboard artists' (Fanfare, USA)

'Martin plays every piece with such conviction that value judgements on this music's qualities seem almost churlish … the recording itself is of the very highest standards with superb presence, as we expect from Hyperion' (International Piano)

Variations de concert sur l'hymne portugais, RO290 Op 91
composer
1869; published in Rio de Janeiro in 1869; arr. A Napoleão
arranger

Introduction  EnglishFrançaisDeutsch
Among a plethora of new works that appeared in the last few months of Gottschalk’s life while he was living in Rio de Janeiro, two stand out: the Grande Fantaisie Triomphale sur l’Hymne National Brésilien (see CD 3) and the present work, originally for piano and orchestra (RO289). The reigning Emperor of Brazil, Pedro II, was the last of the Braganza emperors to rule the country (1831–1889). It was in fact his father, Pedro I (IV of Portugal), who had composed the somewhat four-square Portuguese anthem, and these variations also served the useful purpose of paying homage to Pedro II’s relative, the present King of Portugal, Luis (1861–1889). Napoleão’s arrangement for solo piano was published posthumously.

from notes by Jeremy Nicholas © 2005

Other albums featuring this work
'Gottschalk: The Complete Solo Piano Music' (CDS44451/8)
Gottschalk: The Complete Solo Piano Music
MP3 £35.00FLAC £35.00ALAC £35.00Buy by post £38.50 CDS44451/8  8CDs Boxed set (at a special price)  
Show: MP3 FLAC ALAC
   English   Français   Deutsch