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Hyperion Records

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The Ballad (c1885) by Gustave Moreau (1826-1898)
Track(s) taken from CDH55182
Recording details: January 1993
Snape Maltings, Suffolk, United Kingdom
Release date: September 1993
Total duration: 9 minutes 1 seconds

'Lovely playing which I enjoyed from first note to last for its poetry and passion as well as seemingly effortless keyboard fluency and command' (Gramophone)

'The Scherzo is as light as gossamer and the finale has both a heroic sense of struggle and passages of the most delicate filigree. Demidenko keeps you on the edge of your seat' (BBC Music Magazine)

'Poise, control, and utterly magical' (Classic CD)

Ballade No 1 in G minor, Op 23
composer
1831/5

Other recordings available for download
Stephen Hough (piano)
Garrick Ohlsson (piano)
Simon Barere (piano)
Eileen Joyce (piano)
Introduction  EnglishFrançaisDeutsch
According to Schumann at least two of the Ballades (Nos 2 and 3) were inspired by the nationalist poetry of Chopin’s compatriot Adam Mickiewicz. But Schumann’s assumption that the Ballades are programmatic is misleading. Chopin was patriotic but he was hardly a conscious propagandist, and whatever relation the Third Ballade, for example, has to Mickiewicz’s ‘Undine’ is general rather than exact. Chopin’s genius could be prompted but hardly contained by such a specific source.

The limitation of such literary parallels is immediately apparent at the start of the First Ballade. Remarkable when first written, the opening musical arch seems scarcely less original today. The rapid loss of confidence after such a resplendent introduction and the transformation of the subdued first and second subjects into outbursts of passionate declamation and song could never be reduced to a satisfying verbal equivalent, however subtle or distinguished. The cadences which conclude each phrase of the first subject are left unresolved and it takes a lengthy and agitated elaboration to resolve such unease in the assuaging second subject in E flat major. However, the music remains pensive and wistful, and only a further and triumphant shift into A major fully erases all doubts and questions. Blazing octaves lead to a capricious waltz-like variation, mischievously spiced and syncopated before a sudden descent returns us to both the principal subjects. These culminate in a coda introduced Il più forte possibile and marked Presto con fuoco. Ricocheting figuration leads to boiling scales and dramatic, recitative-like interjections before a plunge reinforced with grace notes and a mixture of contrary motion and unison octaves.

from notes by Bryce Morrison İ 2004


Other albums featuring this work
'Simon Barere – His celebrated live recordings at Carnegie Hall, Vol. 3 – 11 November 1947' (APR5623)
Simon Barere – His celebrated live recordings at Carnegie Hall, Vol. 3 – 11 November 1947
MP3 £6.99FLAC £6.99ALAC £6.99 APR5623  Download only  
'Chopin: Four Ballades & Four Scherzos' (CDA67456)
Chopin: Four Ballades & Four Scherzos
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 Studio Master: FLAC 24-bit 44.1 kHz £9.00ALAC 24-bit 44.1 kHz £9.00 CDA67456  Studio Master FLAC & ALAC downloads available
'Chopin: The Complete Works' (CDS44351/66)
Chopin: The Complete Works
MP3 £45.00FLAC £45.00ALAC £45.00Buy by post £50.00 CDS44351/66  16CDs Boxed set (at a special price)  
'Eileen Joyce – The complete Parlophone & Columbia solo recordings' (APR7502)
Eileen Joyce – The complete Parlophone & Columbia solo recordings
MP3 £16.49FLAC £16.49ALAC £16.49 APR7502  5CDs Download only  

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