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Hyperion Records

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Track(s) taken from CDH55244
Britten’s five Canticles were composed across a period of some twenty-five years and each is concerned, to a varying extent, with religious themes. Their extended, multi-sectional form derives from the dramatic songs and Divine Hymns of Purcell, many realizations of which Britten had made before writing his first Canticle, My beloved is mine, in September 1947. It is a setting of a text by Francis Quarles, characteristic of much mystical poetry since The Song of Songs in its quasi-erotic imagery, which is beautifully caught in Britten’s cantata-like setting – a sequence of barcarolle, recitative, scherzo and lento coda. Writing in 1952, Peter Pears was of the opinion that Canticle I was ‘Britten’s finest piece of vocal music to date’ and it still compares well with almost anything he wrote later. Much of its quality derives from the expressive and sometimes highly melismatic freedom of vocal writing.

from notes by John Evans © 1986

Recording details: April 1991
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Mark Brown
Engineered by Antony Howell
Release date: March 1992
Total duration: 7 minutes 58 seconds

Canticle I 'My beloved is mine and I am his', Op 40
First line:
Ev'n like two little bank divided brooks
composer
1947; for the memorial service for Dick Sheppard
author of text
A Divine Rapture, quoting from The Song of Songs
Other recordings available for download
Anthony Rolfe Johnson (tenor), Graham Johnson (piano)

Other albums featuring this work
'Britten: Winter Words' (CDH55067)
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