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Hyperion Records

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Frédéric Chopin in concert at the Hotel Lambert, Paris (1840) by Antar Teofil Kwiatowski (1809-1891)
Bibliothèque Polonaise, Paris / Archives Charmet / Bridgeman Art Library, London
Track(s) taken from CDS44351/66
Recording details: November 1995
Performing Arts Center, Purchase College, State University of New York, USA
Produced by Adam Abeshouse
Engineered by Adam Abeshouse
Release date: November 2008
Total duration: 4 minutes 2 seconds

'Hyperion's big deal … Ohlsson is a powerful and committed player, and is afforded very good sound by the engineers … this is almost certainly how these pieces were played in Chopin's time' (The Mail on Sunday)

'This is an oustanding achievement, which any genuine Chopin lover and student of Romantic music should own … a landmark in the recording of Chopin's music … Garrick Ohlsson and Hyperion deserve the greatest success in bringing this important undertaking to such a consistently impressive conclusion' (International Record Review)

'An attractively priced box set … Ohlsson is in a class of his own' (Pianist)

'The collaborative works receive particularly rewarding performances … Ohlsson arguably offers more consistent artistry than Biret, Ashkenazy, Magaloff, and Harasiewicz' (ClassicsToday.com)

'Garrick Ohlsson’s complete survey of everything Chopin wrote for piano (including chamber music, songs, and for piano and orchestra) will delight the completist and the Chopin connoisseur. Ohlsson (who won the Chopin International Piano Competition in 1970) gives us accounts of this wondrous repertoire in weighty and commanding style, aristocratic and impulsive (but not lacking light and shade or contemplative contrasts) and, at times, very sensitive and searching. These vivid recordings were made in the second half of the 1990s and have previously appeared on the Arabesque label. They now sit very well in Hyperion’s catalogue' (ClassicalSource.com)

Waltz in C sharp minor, Op 64 No 2
composer
published in 1847

Other recordings available for download
Stephen Hough (piano)
Stephen Hough (piano)
Ignacy Jan Paderewski (piano)
Michael Zadora (piano)
Michael Zadora (piano)
Ignacy Jan Paderewski (piano)
Moriz Rosenthal (piano)
Moriz Rosenthal (piano)
Moriz Rosenthal (piano)
Moriz Rosenthal (piano)
Alfred Cortot (piano)
Vladimir de Pachmann (piano)
Aleksander Michalowski (piano)
Aleksander Michalowski (piano)
Introduction  EnglishFrançaisDeutsch
Where Chopin excels is in his creation of what Schumann described as ‘waltzes for souls much more than waltzes for bodies’. There is no better example than one of his very last works, the Waltz in C sharp minor Op 64 No 2. If it is still a waltz for the body it is for a soulful and solitary one that moves with a pathetic little skip between the sighing parallel sixths of its main theme and then twists away in a nostalgic pirouette. The melodiously expressive middle section—approached by a run of quavers that has the function of a recurring refrain—is harmonized in D flat major but is scarcely less poignant than the C sharp minor episodes on either side of it.

from notes by Gerald Larner © 2009


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