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Gustav Holst (1874-1934)

Choral Ballets

Guildford Choral Society, Philharmonia Orchestra, Hilary Davan Wetton (conductor)
Archive Service
Recording details: March 1995
Blackheath Concert Halls, London, United Kingdom
Produced by Martin Compton
Engineered by Tryggvi Tryggvason
Release date: January 1996
Total duration: 71 minutes 55 seconds
 
The Archive service is for CDs which have been deleted and where the musical content is not otherwise available.

(If a CD is scheduled for re-issue within the next 3-4 months, the message 'To be reissued on …' will replace the 'Buy Archive CD' button.)

This service offers a production-quality CDR with printed label, inlay (tray) card and, at the minimum, a 2pp booklet (including cover artwork and complete track listing), packaged in a normal jewel case.

In many instances we will provide complete printed booklets, but please note that this is not always the case. Pricing is £13.99 per CD, regardless of the original sale price of the disc(s).

1
Prelude  [1'13]
2
3
A mummers' play  [0'47]
4
5
6
7
Execution  [0'50]
8
Sleep  [2'04]
9
10
The Goose Dance  [2'18]
11
Love, sweet love  [2'53]
12
13
Introduction  [1'47]
14
15
16
17
18
19
The Mating Dance  [1'38]
20
Spring is here  [1'32]
21
O dance of love  [1'12]
22
23
King Estmere, H70  [26'33]
24
25
26
27
28
29
30
31
32
33
34

The Golden Goose and The Morning of the Year are examples of a form called the 'choral ballet' and were written in the mid 1920s. Within the umbrella term of 'Tudor-revivalism' there was a new interest in masques and Elizabethan 'dumb' shows and after the Great War such outdoor entertainments provided a focus for a celebration of national culture.

The Golden Goose tells the story of the princess who could not laugh (adapted in verse from Grimm's Fairy Tales). The 'Morning of the Year' is the spring equinox and was traditionally celebrated in Britain by morris dancers and other forms of music and dancing. The challenge that faced Holst was how to develop a modern celebration of a traditional event.

King Estmere was written some twenty years earlier and sets an old English ballad, a Romantic fantasy of love and magic. At its first performance the work won great praise for its 'very remarkable originality' (Daily Graphic) and its 'imagination and cleverness' (The Musical Times).

Reviews

'An immensely charming, tuneful collection, orchestrated with much wit and delicacy … As usual from this particular company, presentation is absolutely first-class, and the recording is ripe and realistic to match' (Gramophone)

'No one interested in Holst should be without it' (British Music Society Journal)

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