Hyperion Records

Anonymous - Baroque

country: Unknown

Albums
'Handel: Arias' (CDA67979)
Handel: Arias
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 Studio Master: FLAC 24-bit 96 kHz £12.00ALAC 24-bit 96 kHz £12.00 CDA67979  NEW   Studio Master FLAC & ALAC downloads available
'A Bach Album' (CDA67247)
A Bach Album
'A Musicall Dreame' (CDA66335)
A Musicall Dreame
'Adeste fideles' (CDA66668)
Adeste fideles
'Advent at St Paul's' (CDH55463)
Advent at St Paul's
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55463  Helios (Hyperion's budget label)  
'Amner: Cathedral Music' (CDA66768)
Amner: Cathedral Music
'An Englishman Abroad' (CDA66435)
An Englishman Abroad
'Bach: Cantatas Nos 54, 169 & 170' (CDH55312)
Bach: Cantatas Nos 54, 169 & 170
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55312  Helios (Hyperion's budget label)  
'Bach: Christmas Oratorio' (CDA68031/2)
Bach: Christmas Oratorio
MP3 £15.49FLAC £15.49ALAC £15.49Buy by post £20.00 Studio Master: FLAC 24-bit 88.2 kHz £23.25ALAC 24-bit 88.2 kHz £23.25 CDA68031/2  2CDs   Studio Master FLAC & ALAC downloads available
'Bach: The Four Orchestral Suites' (CDD22002)
Bach: The Four Orchestral Suites
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 CDD22002  2CDs Dyad (2 for the price of 1)  
'Bach: Wedding Cantata & Hunt Cantata' (CDD22041)
Bach: Wedding Cantata & Hunt Cantata
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'Blow & Purcell: Countertenor duets' (CDH55447)
Blow & Purcell: Countertenor duets
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55447  Helios (Hyperion's budget label)  
'Blow: Awake my lyre' (CDA66658)
Blow: Awake my lyre
'Blow: Fairest Work of happy Nature' (CDA66646)
Blow: Fairest Work of happy Nature
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'Boyce: Peleus and Thetis & other theatre music' (CDA66935)
Boyce: Peleus and Thetis & other theatre music
'Britten: A Boy was Born & other choral works' (CDH55307)
Britten: A Boy was Born & other choral works
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55307  Helios (Hyperion's budget label)  
'Britten: Christ's Nativity & other choral works' (CDA66825)
Britten: Christ's Nativity & other choral works
'Britten: Complete Purcell Realizations' (CDD22058)
Britten: Complete Purcell Realizations
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 CDD22058  2CDs Dyad (2 for the price of 1)  
'Britten: The Red Cockatoo & other songs' (CDA66823)
Britten: The Red Cockatoo & other songs
'Clerk: The Lion of Scotland' (CDA67007)
Clerk: The Lion of Scotland
MP3 £5.25FLAC £5.25ALAC £5.25Buy by post £5.25 CDA67007  Please, someone, buy me …  
'Corelli: La Folia & other works' (CDH55240)
Corelli: La Folia & other works
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'Couperin: Livre de Tablature de Clavescin' (CDA67164)
Couperin: Livre de Tablature de Clavescin
'Dowland: Awake, sweet love' (CDH55241)
Dowland: Awake, sweet love
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55241  Helios (Hyperion's budget label)  
'Enchanting Harmonist' (CDA66698)
Enchanting Harmonist
'English Lute Songs' (CDH55249)
English Lute Songs
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55249  Helios (Hyperion's budget label)  
'English Virginal Music of the 17th Century' (CDA66067)
English Virginal Music of the 17th Century
'Essential Purcell' (KING2)
Essential Purcell
Buy by post £4.50 This album is not yet available for download KING2  Super-budget price sampler  
'Favourite Baroque Classics' (CDH55020)
Favourite Baroque Classics
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'Fire burning in snow' (CDA67600)
Fire burning in snow
'Fire burning in snow – Baroque Music from Latin America' (SACDA67600)
Fire burning in snow – Baroque Music from Latin America
Buy by post £10.50 This album is not yet available for download SACDA67600  Super-Audio CD  
'German 17th-Century Church Music' (CDH55230)
German 17th-Century Church Music
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'Gibbons: Anthems' (CDH55228)
Gibbons: Anthems
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55228  Helios (Hyperion's budget label)  
'Handel: Heroic Arias' (CDH55370)
Handel: Heroic Arias
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'Handel: Italian Duets' (CDA66440)
Handel: Italian Duets
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'Handel: Opera Arias' (CDS44271/3)
Handel: Opera Arias
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'Handel: Opera Arias and Overtures, Vol. 2' (CDA67128)
Handel: Opera Arias and Overtures, Vol. 2
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'Handel: Parnasso in Festa' (CDA67701/2)
Handel: Parnasso in Festa
'Handel: Six Concerti Grossi Op 3' (CDH55075)
Handel: Six Concerti Grossi Op 3
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'Hark! hark! the lark' (CDA66836)
Hark! hark! the lark
'Hasse & Scarlatti: Salve regina, Cantatas & Motets' (CDH55354)
Hasse & Scarlatti: Salve regina, Cantatas & Motets
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55354  Helios (Hyperion's budget label)  
'Haydn and his English Friends' (CDA67150)
Haydn and his English Friends
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'His Majestys Sagbutts and Cornetts Grand Tour' (CDH55344)
His Majestys Sagbutts and Cornetts Grand Tour
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'Holy Week at the Chapel of the Dukes of Braganza' (CDA66867)
Holy Week at the Chapel of the Dukes of Braganza
'How the world wags – Social Music for a 17th-century Englishman' (CDH55013)
How the world wags – Social Music for a 17th-century Englishman
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55013  Helios (Hyperion's budget label)  
'Ikon, Vol. 1' (CDA66928)
Ikon, Vol. 1
'Knüpfer: Sacred Music' (CDH55393)
Knüpfer: Sacred Music
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'Lawes & Lawes: Songs' (CDA67589)
Lawes & Lawes: Songs
'Lawes: Sitting by the streams' (CDA66135)
Lawes: Sitting by the streams
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'Moon, sun & all things' (CDA67524)
Moon, sun & all things
'Music from the reign of King James I' (CDA67858)
Music from the reign of King James I
'Musique of Violenze' (CDA66929)
Musique of Violenze
'O tuneful voice' (CDA66497)
O tuneful voice
'Odes on the death of Henry Purcell' (CDA66578)
Odes on the death of Henry Purcell
'Porpora: Or sì m’avveggio, oh Amore' (CDA67621)
Porpora: Or sì m’avveggio, oh Amore
'Poulenc: The Complete Songs' (CDA68021/4)
Poulenc: The Complete Songs
MP3 £23.99FLAC £23.99ALAC £23.99Buy by post £30.00 CDA68021/4  4CDs for the price of 3  
'Purcell & Blow: Countertenor duets' (CDH55447)
Purcell & Blow: Countertenor duets
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55447  Helios (Hyperion's budget label)  
'Purcell: Hark how the wild musicians sing' (CDA66750)
Purcell: Hark how the wild musicians sing
'Purcell: Mr Henry Purcell's Most Admirable Composures' (CDH55303)
Purcell: Mr Henry Purcell's Most Admirable Composures
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'Purcell: Odes, Vol. 3 – Fly, bold rebellion' (CDA66412)
Purcell: Odes, Vol. 3 – Fly, bold rebellion
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £13.99 (ARCHIVE SERVICE) CDA66412  Archive Service; also available on CDS44031/8  
'Purcell: Odes, Vol. 4 – Ye tuneful Muses' (CDA66456)
Purcell: Odes, Vol. 4 – Ye tuneful Muses
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'Purcell: Secular solo songs, Vol. 3' (CDA66730)
Purcell: Secular solo songs, Vol. 3
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'Purcell: The Complete Anthems and Services, Vol. 3' (CDA66623)
Purcell: The Complete Anthems and Services, Vol. 3
MP3 £6.00FLAC £6.00ALAC £6.00Buy by post £13.99 (ARCHIVE SERVICE) CDA66623  Archive Service; also available on CDS44141/51   Download currently discounted
'Purcell: The Complete Anthems and Services, Vol. 4' (CDA66644)
Purcell: The Complete Anthems and Services, Vol. 4
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £13.99 (ARCHIVE SERVICE) CDA66644  Archive Service; also available on CDS44141/51  
'Purcell: The Complete Odes & Welcome Songs' (CDS44031/8)
Purcell: The Complete Odes & Welcome Songs
MP3 £35.00FLAC £35.00ALAC £35.00Buy by post £38.50 CDS44031/8  8CDs Boxed set (at a special price)  
'Purcell: The Complete Sacred Music' (CDS44141/51)
Purcell: The Complete Sacred Music
MP3 £35.00FLAC £35.00ALAC £35.00Buy by post £40.00 CDS44141/51  11CDs Boxed set (at a special price)  
'Purcell: The complete secular solo songs' (CDS44161/3)
Purcell: The complete secular solo songs
MP3 £15.00FLAC £15.00ALAC £15.00Buy by post £16.50 CDS44161/3  3CDs Boxed set (at a special price)  
'Purcell's London' (CDA66108)
Purcell's London
'Scarlatti & Hasse: Salve regina, Cantatas & Motets' (CDH55354)
Scarlatti & Hasse: Salve regina, Cantatas & Motets
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55354  Helios (Hyperion's budget label)  
'Scarlatti: Davidis pugna et victoria' (CDA67714)
Scarlatti: Davidis pugna et victoria
'Scarlatti: La Folia & other works' (CDH55233)
Scarlatti: La Folia & other works
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'Schelle: Sacred Music' (CDH55373)
Schelle: Sacred Music
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'Strozzi: Songs' (CDA66303)
Strozzi: Songs
'The Emma Kirkby Collection' (CDA66227)
The Emma Kirkby Collection
Buy by post £10.50 This album is not yet available for download CDA66227 
'The English Stage Jig' (CDA67754)
The English Stage Jig
'The James Bowman Collection' (KING3)
The James Bowman Collection
Buy by post £13.99 (ARCHIVE SERVICE) This album is not yet available for download KING3  Super-budget price sampler — Archive Service  
'The Noble Bass Viol' (CDA67088)
The Noble Bass Viol
'Time stands still' (CDH55462)
Time stands still
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55462  Helios (Hyperion's budget label)  
'Tippett: Songs' (CDA66749)
Tippett: Songs
'While shepherds watched' (CDH55325)
While shepherds watched
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £13.99 (ARCHIVE SERVICE) CDH55325  Helios (Hyperion's budget label) — Archive Service  
'Essential Bach' (KING5)
Essential Bach
This album is not yet available for download KING5  Super-budget price sampler — Deleted  
'The King's Consort Baroque Collection' (KING4)
The King's Consort Baroque Collection
MP3 £3.40FLAC £3.40ALAC £3.40 KING4  Super-budget price sampler — Deleted   Download currently discounted
'17th-Century Bel Canto' (CDA66153)
17th-Century Bel Canto
CDA66153  Rights no longer controlled by Hyperion  
On other labels
'Bach: Easter & Ascension Oratorios' (CKD373)
Bach: Easter & Ascension Oratorios
MP3 £8.00FLAC £10.00ALAC £10.00 Studio Master: FLAC 24-bit 96 kHz £18.00ALAC 24-bit 96 kHz £18.00 CKD373  Download only   Studio Master FLAC & ALAC downloads available
'Bach: St John Passion' (CKD419)
Bach: St John Passion
MP3 £8.00FLAC £10.00ALAC £10.00 Studio Master: FLAC 24-bit 96 kHz £18.00ALAC 24-bit 96 kHz £18.00 CKD419  Download only   Studio Master FLAC & ALAC downloads available
'Herbert: Songs' (CKD335)
Herbert: Songs
MP3 £8.00FLAC £10.00ALAC £10.00 CKD335  Download only  
'The Proud Bassoon' (CKD435)
The Proud Bassoon
MP3 £8.00FLAC £10.00ALAC £10.00 Studio Master: FLAC 24-bit 96 kHz £18.00ALAC 24-bit 96 kHz £18.00 CKD435  Download only   Studio Master FLAC & ALAC downloads available
'Vivaldi: L'Amore per Elvira' (CKD281)
Vivaldi: L'Amore per Elvira
MP3 £8.00FLAC £10.00ALAC £10.00 CKD281  Download only  
Complete works available for download
Allemande l'Agréable Davitt Moroney (harpsichord)
Almaygne Christopher Kite (virginals)
An Irish Toy Christopher Kite (virginals)
Blessing Glasgow University Chapel Choir, James Grossmith (conductor)
Canciones de clarines His Majestys Sagbutts & Cornetts
Collect Glasgow University Chapel Choir, James Grossmith (conductor)
Concerto in F major 'No 4b' The Brandenburg Consort, Roy Goodman (conductor)
Corrant Christopher Kite (virginals)
Courante Davitt Moroney (harpsichord)
Frogges Galliard Christopher Kite (virginals)
Gloria, laus, et honor A Capella Portuguesa, Owen Rees (conductor)
Glory of ye North Christopher Kite (virginals)
Hark! how all the welkin rings Psalmody, The Parley of Instruments, Peter Holman (conductor)
Hush! my dear, lie still and slumber Philippa Hyde (soprano), The Parley of Instruments, Peter Holman (conductor)
Jamaica, or The Jovial Broom Man, or a Kent Soldier's exact relation of all his travels in Every Nation, his famous acts are all Shown Here as in this Story doth appear The City Waites
Les Gentils Airs, ou Airs connus ajustés en duo, pour basson seul accompagné d'un clavecin Peter Whelan (bassoon), Ensemble Marsyas
Let an anthem of praise Psalmody, The Parley of Instruments, Peter Holman (conductor)
Lost is my liberty Anthony Rooley (lute)
Maske Christopher Kite (virginals)
My Robin is to the greenwood gone The Parley of Instruments, Peter Holman (conductor)
Nanns Maske Christopher Kite (virginals)
O Lamm Gottes, unschuldig Dunedin Consort, Glasgow University Chapel Choir, John Butt (conductor), James Grossmith (conductor)
Popular Tunes from The Wigthorpe Manuscript The Parley of Instruments
Rejoice in the Lord alway St Paul's Cathedral Choir, John Scott (conductor)
Response to Blessing Glasgow University Chapel Choir, James Grossmith (conductor)
Responsory Glasgow University Chapel Choir, James Grossmith (conductor)
See the chariot at hand Joseph Cornwell (tenor), Paul O'Dette (lute), Stephen Stubbs (English theorbo)
Sonata in D 'con concertino' The Parley of Instruments
The Black Man The City Waites, Lucie Skeaping (director)
The Bloody Battle at Billingsgate 'The Orange – Hit and Miss' The City Waites, Lucie Skeaping (director), Douglas Wootton (tenor), Lucie Skeaping (soprano), Catherine Bott (soprano)
The blushing rose Catherine Bott (soprano), Julia Gooding (soprano), The Parley of Instruments, Peter Holman (conductor)
The Building of St Paul's Christopher Kite (virginals)
The Last of the Queenes Maskes Elizabeth Kenny (lute)
The Merry Wooing of Robin and Joan 'Sellengers Round' The City Waites, Lucie Skeaping (director), Douglas Wootton (tenor), Thomas Padden (baritone), Lucie Skeaping (soprano)
The Milk Maid Christopher Kite (virginals)
The Miller of Dee The City Waites
The New Nightingale Christopher Kite (virginals)
The Noble Man The Parley of Instruments, Peter Holman (conductor)
The Saint Turned Sinner, or The Dissenting Parson's Text Under the Quaker's Petticoats The City Waites
Verse in G minor 'Voluntary' Timothy Roberts (organ/regal)
ANONYMOUS - RENAISSANCE
Veni Emmanuel Westminster Cathedral Choir, James O'Donnell (conductor), Iain Simcock (organ)
JOHN AMNER  (1579-1641)
O ye little flock Charles Jenkins (treble), Edward Taylor (treble), Dominic Hughes (countertenor), Peter De Blois (tenor), Ely Cathedral Choir, Paul Trepte (conductor), The Parley of Instruments, Peter Holman (conductor)
JUAN DE ARAUJO  (1648-1712)
¡A, de la región de luces! Ex Cathedra, Jeffrey Skidmore (conductor)
¡A, del cielo! Ex Cathedra, Jeffrey Skidmore (conductor)
¡A, del tiempo! Ex Cathedra, Jeffrey Skidmore (conductor)
¡Fuego de amor! Ex Cathedra, Jeffrey Skidmore (conductor)
Dime, amor Ex Cathedra, Jeffrey Skidmore (conductor)
Dios de amor Ex Cathedra, Jeffrey Skidmore (conductor)
En el muy gran Padre Ignacio Ex Cathedra, Jeffrey Skidmore (conductor)
Silencio Ex Cathedra, Jeffrey Skidmore (conductor)
JOHANN MICHAEL BACH  (1648-1694)
Auf, lasst uns den Herren loben Robin Blaze (countertenor), The Parley of Instruments
JOHANN SEBASTIAN BACH  (1685-1750)
Christmas Oratorio, BWV248 Orchestra of the Age of Enlightenment, Stephen Layton (conductor)
Easter Oratorio, BWV249 Retrospect Ensemble, Matthew Halls (conductor)
Gott soll allein mein Herze haben, BWV169 James Bowman (countertenor), The King's Consort, Robert King (conductor)
Ich habe genug, BWV82 David Thomas (bass), The Taverner Players, Andrew Parrott (conductor)
Immortal Bach Holst Singers, Stephen Layton (conductor)
Weichet nur, betrübte Schatten 'Wedding Cantata', BWV202 Emma Kirkby (soprano), The Taverner Players, Andrew Parrott (conductor)
JOHN BANISTER  (c1625-1679)
Give me my lute Robin Blaze (countertenor), Elizabeth Kenny (lute)
JOHN BLOW  (1649-1708)
Ah, heav'n! What is't I hear? Michael Chance (countertenor), James Bowman (countertenor), The King's Consort, Robert King (conductor)
Fairest work of happy nature John Mark Ainsley (tenor), Paula Chateauneuf (theorbo)
Flavia grown old John Mark Ainsley (tenor), Timothy Roberts (harpsichord/spinet/virginals)
Help, Father Abraham! 'A Dialogue betwixt Dives and Abraham' Red Byrd, The Parley of Instruments, John Potter (tenor), Richard Wistreich (bass)
Lovely Selena, innocent and free John Mark Ainsley (tenor), Timothy Roberts (harpsichord/spinet/virginals), Paula Chateauneuf (guitar)
Lovely Selena, innocent and free Robin Blaze (countertenor), Elizabeth Kenny (lute)
O mighty God, who sit'st on high John Mark Ainsley (tenor), Paula Chateauneuf (theorbo), Timothy Roberts (organ/regal)
O turn not those fine eyes away John Mark Ainsley (tenor), Timothy Roberts (harpsichord/spinet/virginals)
Of all the torments, all the cares John Mark Ainsley (tenor), Paula Chateauneuf (theorbo), Timothy Roberts (organ/regal)
Oh! that mine eyes would melt into a flood John Mark Ainsley (tenor), Paula Chateauneuf (theorbo), Timothy Roberts (organ/regal)
Poor Celadon, he sighs in vain 'Loving above himself' Red Byrd, The Parley of Instruments, Charles Daniels (tenor)
Sabina has a thousand charms John Mark Ainsley (tenor), Timothy Roberts (harpsichord/spinet/virginals)
Sing, ye muses 'Epilogue' Red Byrd, The Parley of Instruments, Suzie Le Blanc (soprano), Geraldine McGreevy (soprano), Charles Daniels (tenor), John Potter (tenor), Richard Wistreich (bass)
Stay, gentle Echo, dear nymph, stay 'A Dialogue between Philander and the Echo' Red Byrd, The Parley of Instruments, John Potter (tenor), Charles Daniels (tenor)
BENJAMIN BRITTEN  (1913-1976)
A boy was born, Op 3 Corydon Singers, Westminster Cathedral Choristers, Matthew Best (conductor)
A boy was born, Op 3 Holst Singers, Stephen Layton (conductor)
THOMAS CAMPION  (1567-1620)
Fair, if you expect admiring Robin Blaze (countertenor), Elizabeth Kenny (lute)
GIACOMO CARISSIMI  (1605-1674)
Bel tempo per me se n'andò Glenda Simpson (mezzo-soprano), The London Early Music Group, James Tyler (conductor)
Il mio core è un mar di pianti Paul Elliott (tenor), Andrew King (tenor), The London Early Music Group, James Tyler (conductor)
JEREMIAH CLARKE  (1670-1707)
Come, come along for a dance and a song Ruth Holton (soprano), Charles Daniels (tenor), Simon Birchall (bass), The Parley of Instruments Choir, The Parley of Instruments Baroque Orchestra, Roy Goodman (conductor)
FRANCESCO CONTI  (1681-1732)
Ungrateful cruel maid from Clotilda Mark Caudle (viol)
JOHN COPRARIO  (c1570-1626)
In darkness let me dwell Michael Chance (countertenor), David Cordier (countertenor), Tragicomedia
ARCANGELO CORELLI  (1653-1713)
Viola da gamba Sonata in D major, Op 5 No 11 Richard Boothby (viola da gamba), Richard Campbell (cello), Robert Woolley (harpsichord)
Violin Sonata in G major, Op 5 No 6 Mark Caudle (viol), Susanna Pell (viol), Elizabeth Kenny (lute), Peter Holman (chamber organ)
WILLIAM CROFT  (1678-1727)
A Hymn on Divine Musick Ian Bostridge (tenor), Graham Johnson (piano)
JOHN DANYEL  (1564-1626)
He whose desires are still abroad Emma Kirkby (soprano), Anthony Rooley (lute)
JOHN DOWLAND  (1563-1626)
Flow not so fast, ye fountains Emma Kirkby (soprano), Anthony Rooley (lute)
Time stands still Emma Kirkby (soprano), Anthony Rooley (lute)
THOMAS FORD  (d1648)
Go, passions, to the cruel fair Emma Kirkby (soprano), Anthony Rooley (lute)
Since first I saw your face James Bowman (countertenor), David Miller (lute)
ORLANDO GIBBONS  (1583-1625)
Glorious and powerful God Winchester Cathedral Choir, David Hill (conductor), Robin Blaze (countertenor), Stephen Varcoe (baritone), Stephen Farr (organ)
Great king of gods Winchester Cathedral Choir, David Hill (conductor), Stephen Farr (organ), Donald Sweeney (bass), Nicholas Pepin (countertenor), Thomas King (countertenor)
Great king of gods Westminster Abbey Choir, James O'Donnell (conductor)
O all true faithful hearts Westminster Abbey Choir, James O'Donnell (conductor)
Thou God of wisdom Winchester Cathedral Choir, David Hill (conductor), Stephen Farr (organ), Jack Standen (treble), Benjamin Walton (treble)
GIOVANNI BATTISTA GRANATA  (dc1684)
Toccata – Soccorrete, luci avare Glenda Simpson (mezzo-soprano), The Camerata of London
GEORGE FRIDERIC HANDEL  (1685-1759)
A mirarvi io son intento Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
Conservate, raddoppiate Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
Fronda leggiera e mobile Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
Hymning seraphs wake the morning Patrick McCarthy (tenor), Timothy Roberts (fortepiano)
Nò, di voi non vo' fidarmi Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
Parnasso in Festa, HWV73 The King's Consort, Matthew Halls (conductor)
Se tu non lasci amore Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
Sono liete, fortunate Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
Tanti strali al sen mi scocchi Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
Troppo cruda Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
HENRY HARINGTON  (1727-1816)
Damon and Clora Invocation, Julia Gooding (soprano), Christopher Purves (bass)
Enchanting harmonist Invocation, Julia Gooding (soprano), Christopher Purves (bass)
Ode to the memory of Italian virtuosi Invocation, Julia Gooding (soprano), Ana-María Rincón (soprano), Charles Daniels (tenor), Christopher Purves (bass)
The lyre Invocation, Rufus Müller (tenor)
JOSEPH HAYDN  (1732-1809)
Give to God our thankful songs Claire Tomlin (soprano), Timothy Kenworthy-Brown (countertenor), Patrick McCarthy (tenor), Psalmody, The Parley of Instruments, Peter Holman (conductor)
MURIEL HERBERT  (1897-1984)
On a time James Gilchrist (tenor), David Owen Norris (piano)
MELCHIOR HOFFMANN  (c1679-1715)
Schlage doch, gewünschte Stunde Robin Blaze (countertenor), The Parley of Instruments
WILLIAM JACKSON  (1730-1803)
Could he whom my dissembled rigour grieves, Op 3 No 3 Invocation, Rufus Müller (tenor), Charles Daniels (tenor), Christopher Purves (bass)
Love in thine eyes for ever plays, Op 13 No 7 Invocation, Julia Gooding (soprano), Ana-María Rincón (soprano)
The day that saw thy beauty rise Rufus Müller (tenor), Timothy Roberts (harpsichord/spinet/virginals)
Time has not thinn'd my flowing hair Emma Kirkby (soprano), Rufus Müller (tenor), Frances Kelly (harp)
THOMAS JORDAN  (c1614-1685)
The Cheaters Cheated The City Waites, Lucie Skeaping (director)
JOSEPH KEY  (d1784)
As shepherds watched their fleecy care Psalmody, The Parley of Instruments, Peter Holman (conductor)
SEBASTIAN KNÜPFER  (1633-1676)
Vom Himmel hoch, da komm ich her The King's Consort, Robert King (conductor)
Was mein Gott will, das gescheh allzeit The King's Consort, Robert King (conductor)
Wenn mein Stündlein vorhanden ist The King's Consort, Robert King (conductor)
JOHANN PHILIPP KRIEGER  (1649-1725)
O Jesu, du mein Leben Robin Blaze (countertenor), The Parley of Instruments
HENRY LAWES  (1596-1662)
A Despairing Lover Andrew King (tenor), Anthony Rooley (lute)
A Tale out of Anacreon Robin Blaze (countertenor), Elizabeth Kenny (theorbo)
Hark, shepherd swains The Consort of Musicke, Anthony Rooley (director)
Oh sweet woods, the delight of solitariness Robin Blaze (countertenor), Elizabeth Kenny (theorbo)
Sing fair Clorinda The Consort of Musicke, Anthony Rooley (director)
Sweet Echo, sweetest nymph that liv'st unseen Rebecca Outram (soprano), Elizabeth Kenny (theorbo)
The Mournful Lovers Emma Kirkby (soprano), Anthony Rooley (lute)
Thee and thy wondrous deeds The Consort of Musicke, Anthony Rooley (director)
WILLIAM LAWES  (1602-1645)
A Dreame Robert Macdonald (bass), Elizabeth Kenny (theorbo)
A Dreame Richard Wistreich (bass), Anthony Rooley (lute)
Oh, let me still and silent lie Robin Blaze (countertenor), Elizabeth Kenny (theorbo)
Oh, my Clarissa, thou cruel fair Robin Blaze (countertenor), Elizabeth Kenny (theorbo), William Carter (guitar), Frances Kelly (harp)
Persuasions not to Love Robin Blaze (countertenor), Elizabeth Kenny (lute)
The cats, as other creatures do Catherine Bott (soprano), Julia Gooding (soprano), Stephen Varcoe (baritone), The Parley of Instruments, Peter Holman (conductor)
When man for sin thy judgment feels Robin Blaze (countertenor), Elizabeth Kenny (theorbo)
THOMAS LINLEY  (1733-1795)
Ah! what avails the sprightly morn of life Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
Alas, from the day my poor heart Invocation, Julia Gooding (soprano)
Fly to my aid, O mighty Love Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
He who could first two gentle hearts unbind Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
In thousand thoughts of love and thee Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
The lark sings high in the cornfield Emma Kirkby (soprano), Timothy Roberts (harpsichord/spinet/virginals)
Think not, my love, when secret grief Emma Kirkby (soprano), Frances Kelly (harp)
Ye sportive loves, that round me wait Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
THOMAS LINLEY  (1756-1778)
To heal the wound a bee had made Invocation, Rufus Müller (tenor)
MATTHEW LOCKE  (c1621/3-1677)
The delights of the bottle Robin Blaze (countertenor), Elizabeth Kenny (lute)
CLAUDIO MONTEVERDI  (1567-1643)
Se vittorie si belle Paul Elliott (tenor), Andrew King (tenor), The London Early Music Group, James Tyler (conductor)
ALESSANDRO PICCININI  (1566-c1638)
Toccata – Perle care Glenda Simpson (mezzo-soprano), The Camerata of London
NICOLA PORPORA  (1686-1768)
Credimi pur che t'amo Elena Cecchi Fedi (soprano), Auser Musici, Carlo Ipata (conductor)
Or che d'orrido Verno Elena Cecchi Fedi (soprano), Auser Musici, Carlo Ipata (conductor)
Or sì m'avveggio, oh Amore Elena Cecchi Fedi (soprano), Auser Musici, Carlo Ipata (conductor)
FRANCIS POULENC  (1899-1963)
Chansons gaillardes, FP42 Ashley Riches (bass), Graham Johnson (piano)
HENRY PURCELL  (1659-1695)
Fly, bold rebellion, Z324 The King's Consort, Robert King (conductor)
Hark how all the wild musicians sing, Z542 Red Byrd, The Parley of Instruments, Peter Holman (conductor)
Hark, Damon, hark, Z541 Red Byrd, The Parley of Instruments, Peter Holman (conductor)
Hosanna to the highest, Z187 Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
How pleasant is this flowery plain and grove!, Z543 Red Byrd, The Parley of Instruments, Peter Holman (conductor)
I spy Celia, Z499 Ian Bostridge (tenor), Richard Jackson (baritone), Graham Johnson (piano)
I take no pleasure in the sun's bright beams, Z388 Ian Bostridge (tenor), Graham Johnson (piano)
Lost is my quiet for ever, Z502 Susan Gritton (soprano), Sarah Walker (mezzo-soprano), Graham Johnson (piano)
Mad Bess, Z370 Sarah Walker (mezzo-soprano), Graham Johnson (piano)
Mad Bess, Z370 Martyn Hill (tenor), Andrew Ball (piano)
Oh! what a scene does entertain my sight, Z506 Red Byrd, The Parley of Instruments, Peter Holman (conductor)
Saul and the witch at Endor, Z134 Sarah Walker (mezzo-soprano), John Mark Ainsley (tenor), Simon Keenlyside (baritone), Graham Johnson (piano)
Sleep, Adam, and take thy rest, Z195 Susan Gritton (soprano), The King's Consort, Robert King (conductor)
Soft notes and gently raised 'A Serenading Song', Z510 Red Byrd, The Parley of Instruments, Peter Holman (conductor)
The fatal hour comes on apace, Z421 James Bowman (countertenor), The King's Consort, Robert King (conductor)
The fatal hour comes on apace, Z421 Susan Gritton (soprano), The King's Consort
The fatal hour comes on apace, Z421 Martyn Hill (tenor), Craig Ogden (guitar)
We reap all the pleasures, Z547 Red Byrd, The Parley of Instruments, Peter Holman (conductor)
What can we poor females do?, Z518 Susan Gritton (soprano), Sarah Walker (mezzo-soprano), Graham Johnson (piano)
Ye tuneful Muses, Z344 The King's Consort, Robert King (conductor)
LUIGI ROSSI  (c1597-1653)
Poi che mancò speranza Paul Elliott (tenor), Andrew King (tenor), The London Early Music Group, James Tyler (conductor)
DIEGO JOSÉ DE SALAZAR  (c1660-1709)
¡Salga el torillo hosquillo! Ex Cathedra, Jeffrey Skidmore (conductor)
¡Salga el torillo hosquillo! 'Guadalupe Juegete' Ex Cathedra, Jeffrey Skidmore (conductor)
ALESSANDRO SCARLATTI  (1660-1725)
Correa nel seno amato The Purcell Quartet, Lynne Dawson (soprano)
Infirmata vulnerata James Bowman (countertenor), The King's Consort, Robert King (conductor)
O di Betlemme altera The King's Consort, Robert King (conductor)
Su le sponde del Tebro The King's Consort, Robert King (conductor)
JOHANN SCHELLE  (1648-1701)
Christus, der ist mein Leben Carolyn Sampson (soprano), Rebecca Outram (soprano), Robin Blaze (countertenor), James Gilchrist (tenor), Peter Harvey (bass), The King's Consort, Robert King (conductor)
BARBARA STROZZI  (1619-c1664)
Amor, non dormir più Glenda Simpson (mezzo-soprano), The Camerata of London
Amore è bandito Glenda Simpson (mezzo-soprano), The Camerata of London
Gite, o giorni dolenti Glenda Simpson (mezzo-soprano), The Camerata of London
Non mi dite Glenda Simpson (mezzo-soprano), The Camerata of London
Questa è la nuova Glenda Simpson (mezzo-soprano), The Camerata of London
Rissolvetevi pensieri Glenda Simpson (mezzo-soprano), The Camerata of London
Voglio morire Glenda Simpson (mezzo-soprano), The Camerata of London
ANTONIO VIVALDI  (1678-1741)
Elvira, anima mia, RV654 Mhairi Lawson (soprano), La Serenissima
Tremori al braccio, RV799 Mhairi Lawson (soprano), La Serenissima
Alphabetical listing of all musical works
¡A, de la región de luces! (Araujo)
¡A, del cielo! (Araujo)
¡A, del tiempo! (Araujo)
¡Fuego de amor! (Araujo)
¡Salga el torillo hosquillo! (Salazar)
¡Salga el torillo hosquillo! 'Guadalupe Juegete' (Salazar/Araujo)
A boy was born, Op 3 (Britten)
A chi spera, o luci amate  Movement 4 of Troppo cruda (Handel)
A Despairing Lover (Lawes)
A Dreame (Lawes)
A Hymn on Divine Musick (Croft/Britten)
A mirarvi io son intento (Handel)
A Tale out of Anacreon (Lawes)
Ah nò, mia cara Elvira  No 3, Recitativo of Tremori al braccio, RV799 (Vivaldi)
Ah! Ruggiero crudel, tu non mi amasti! (Alcina)  Act 3 Scene 13, Aria of Alcina, HWV34 (Handel)
Ah! what avails the sprightly morn of life (Linley Sr.)
Ah, heav'n! What is't I hear? (Blow)
Alas, from the day my poor heart (Linley Sr.)
Alcina, HWV34 (Handel)
Alleluia: Gelobet sei Gott  Movement 3 of Vom Himmel hoch, da komm ich her (Knüpfer)
Allemande l'Agréable (Anon)
Almaygne (Anon)
Altra volta incatenarmi  Movement 2 of Nò, di voi non vo' fidarmi (Handel)
Amor, non dormir più (Strozzi)
Amore è bandito (Strozzi)
An Irish Toy (Anon)
Argeers  Part 8 of The Cheaters Cheated (Jordan)
Ariodante, HWV33 (Handel)
As shepherds watched their fleecy care (Key)
As ye came from Walsingham (Thumpkin/Gentleman 2/Gentleman 1)  First line to Walsingham, Part 4 of The Black Man (Anon)
At dead low ebb of night  First line to A Tale out of Anacreon (Lawes)
Au dieu d’Amour une pucelle  First line to L'offrande, No 6 of Chansons gaillardes, FP42 (Poulenc)
Auf, lasst uns den Herren loben (Bach)
Avec une si belle main  First line to Sérénade, No 8 of Chansons gaillardes, FP42 (Poulenc)
Be welcome then, great Sir, to constant vows  Movement 7 of Fly, bold rebellion, Z324 (Purcell)
Bel tempo per me se n'andò (Carissimi)
Black do I cry, will you any of me buy? (The Black Man/Thumpkin)  First line to The Gelding of the Devil, Part 9 of The Black Man (Anon)
Blessing (Anon)
Canciones de clarines (Anon/Roberts)
Cavalilly Man  Part 9 of The Cheaters Cheated (Jordan)
Chanson à boire  No 2 of Chansons gaillardes, FP42 (Poulenc)
Chansons gaillardes, FP42 (Poulenc)
Ch'ave overcome my voes (Wat/Company)  First line to Upon a Summers Day, Part 10 of The Cheaters Cheated (Jordan)
Christmas Oratorio 'Christmas Oratorio', BWV248 (Bach)
Christmas Oratorio, BWV248 (Bach)
Christus, der ist mein Leben (Schelle)
Collect (Anon)
Come buy a brush for all your cloathes (Brush/Thumpkin)  First line to Greys Inn Mask, Part 7 of The Black Man (Anon)
Come sweetheart, look not sadly (Gentleman 2/Susan/Gentleman 1)  First line to Prithee love turn to me, Part 3 of The Black Man (Anon)
Come, come along for a dance and a song (Clarke)
Come, sad Turtle, mateless moaning  First line to The Mournful Lovers (Lawes)
Con l'ali di costanza (Ariodante)  Act 1 Scene 8, Aria from Ariodante, HWV33 (Handel)
Concerto in F major 'No 4b' (Anon)
Conservate, raddoppiate (Handel)
Contentatevi, o fidi pensieri  Movement 3, Sinfonia – Aria of Su le sponde del Tebro (Scarlatti)
Corrant (Anon)
Correa nel seno amato (Scarlatti)
Corydon and Miranda (Boyce)
Could he whom my dissembled rigour grieves, Op 3 No 3 (Jackson)
Couplets bachiques  No 5 of Chansons gaillardes, FP42 (Poulenc)
Courante (Anon)
Credimi pur che t'amo (Porpora)
Crudeltà nè lontananza  Movement 2 of Sono liete, fortunate (Handel)
Cur, quaeso, crudelis es factus?  Movement 4, Aria of Infirmata vulnerata (Scarlatti)
Dal ben seno d'una stella  Movement 3, Aria of O di Betlemme altera (Scarlatti)
Damon and Clora (Harington)
Davidis pugna et victoria (Scarlatti)
Dime, amor (Araujo)
Dios de amor (Araujo)
Dopo notte (Ariodante)  Act 3 Scene 9, Aria from Ariodante, HWV33 (Handel)
Dunque annoda pur, ben mio  Movement 3 of Tanti strali al sen mi scocchi (Handel)
E vibrando in un baleno  Movement 3 of A mirarvi io son intento (Handel)
E vivo ancora? E senza il ferro?  First line to Scherza infida! (Ariodante), Act 2 Scene 3, Aria from Ariodante, HWV33 (Handel)
Easter Oratorio, BWV249 (Bach)
Ehre sei dir, Gott, gesungen  Part 5 No 1, Chorus of Christmas Oratorio 'Christmas Oratorio', BWV248 (Bach)
Elvira, anima mia  No 1, Recitativo of Elvira, anima mia, RV654 (Vivaldi)
Elvira, anima mia, RV654 (Vivaldi)
En el muy gran Padre Ignacio (Araujo)
Enchanting harmonist (Harington)
Fair, if you expect admiring (Campion)
Fairest work of happy nature (Blow)
Farewell Despairing Hopes, I'll love no more  First line to A Despairing Lover (Lawes)
Flavia grown old (Blow)
Flow not so fast, ye fountains (Dowland)
Fly to my aid, O mighty Love (Linley Sr.)
Fly, bold rebellion, Z324 (Purcell)
Frogges Galliard (Anon)
From silent shades and the Elysian groves  First line to Mad Bess, Z370 (Purcell/Britten)
From silent shades and the Elysian groves  First line to Mad Bess, Z370 (Purcell/Tippett/Bergmann)
Fronda leggiera e mobile (Handel)
Già lusingato appieno (Scarlatti)
Gite, o giorni dolenti (Strozzi)
Give me my lute (Banister)
Give to God our thankful songs (Haydn/Gardiner)
Gloria, laus, et honor (Anon/Almeida)
Glorious and powerful God (Gibbons)
Glory of ye North (Anon)
Go, passions, to the cruel fair (Ford)
Good morrow fellow Filcher (Nim/Filcher)  First line to The Friar and the Nun, Part 1 of The Cheaters Cheated (Jordan)
Gott ist mein Trost, mein' Zuversicht  Movement 2 of Was mein Gott will, das gescheh allzeit (Knüpfer)
Gott soll allein mein Herze haben, BWV169 (Bach)
Great king of gods (Gibbons)
Greys Inn Mask  Part 7 of The Black Man (Anon)
Grim King of the Ghosts  Part 10 of The Black Man (Anon)
Hark how all the wild musicians sing, Z542 (Purcell)
Hark! how all the welkin rings (Anon/Butts)
Hark, Damon, hark, Z541 (Purcell)
Hark, shepherd swains (Lawes)
He that will not love  First line to Persuasions not to Love (Lawes)
He who could first two gentle hearts unbind (Linley Sr.)
He whose desires are still abroad (Danyel)
Heartsease  Part 8 of The Black Man (Anon)
Help, Father Abraham! 'A Dialogue betwixt Dives and Abraham' (Blow)
Herod  Variation 2 of A boy was born, Op 3 (Britten)
Hosanna to the highest, Z187 (Purcell)
How pleasant is this flowery plain and grove!, Z543 (Purcell)
Hush! my dear, lie still and slumber (Anon/Butts)
Hymning seraphs wake the morning (Handel/Taylor)
I can dance and I can sing (Moll Medlar/Wat)  First line to Stingo – Half Hanekin, Part 6 of The Cheaters Cheated (Jordan)
I laid me down upon a pillow soft  First line to A Dreame (Lawes)
I spy Celia, Z499 (Purcell/Britten)
I take no pleasure in the sun's bright beams, Z388 (Purcell/Britten)
Ich bin ein Glied an deinem Leib  Movement 2 of Wenn mein Stündlein vorhanden ist (Knüpfer)
Ich habe genug, BWV82 (Bach)
Il faut s’aimer toujours  First line to La belle jeunesse, No 7 of Chansons gaillardes, FP42 (Poulenc)
Il mio core è un mar di pianti (Carissimi)
Immortal Bach (Bach/Nystedt)
In darkness let me dwell (Coprario)
In guilty night, and hid in false disguise  First line to Saul and the witch at Endor, Z134 (Purcell/Britten)
In this same plight, sir, thus disquis'd (Gentleman 1/Thumpkin/Gentleman 2)  First line to Prince Rupert's March, Part 6 of The Black Man (Anon)
In thousand thoughts of love and thee (Linley Sr.)
Infelici miei lumi  Movement 5, Largo of Su le sponde del Tebro (Scarlatti)
Infiammate, saettate  Movement 3 of Troppo cruda (Handel)
Infirmata vulnerata (Scarlatti)
Invocation aux Parques  No 4 of Chansons gaillardes, FP42 (Poulenc)
Jack a Lent  Part 4 of The Cheaters Cheated (Jordan)
Jamaica, or The Jovial Broom Man, or a Kent Soldier's exact relation of all his travels in Every Nation, his famous acts are all Shown Here as in this Story doth appear (Anon)
Jauchzet, frohlocket, auf, preiset die Tage  Part 1 No 1, Chorus of Christmas Oratorio, BWV248 (Bach)
Je jure, tant que je vivrai  First line to Invocation aux Parques, No 4 of Chansons gaillardes, FP42 (Poulenc)
Je suis tant que dure le jour  First line to Couplets bachiques, No 5 of Chansons gaillardes, FP42 (Poulenc)
Jesu, as thou art our saviour  Variation 3 of A boy was born, Op 3 (Britten)
Jog On  Part 5 of The Black Man (Anon)
Jog on, jog on, my pretty Susan (Thumpkin/Susan/Gentleman 1/Gentleman 2)  First line to Jog On, Part 5 of The Black Man (Anon)
Komm, süsser Tod!  First line to Immortal Bach (Bach/Nystedt)
Kommt, lasst uns gehen in die Stadt  Movement 2 of Vom Himmel hoch, da komm ich her (Knüpfer)
La belle jeunesse  No 7 of Chansons gaillardes, FP42 (Poulenc)
La Furstemberg  No 2 of Les Gentils Airs, ou Airs connus ajustés en duo, pour basson seul accompagné d'un clavecin (Anon)
La maîtresse volage  No 1 of Chansons gaillardes, FP42 (Poulenc)
L'autor d'ogni mio bene  Movement 5, Aria of O di Betlemme altera (Scarlatti)
Les Gentils Airs, ou Airs connus ajustés en duo, pour basson seul accompagné d'un clavecin (Anon)
Les rois d’Égypte et de Syrie  First line to Chanson à boire, No 2 of Chansons gaillardes, FP42 (Poulenc)
Les sauvages  No 1 of Les Gentils Airs, ou Airs connus ajustés en duo, pour basson seul accompagné d'un clavecin (Anon)
Let an anthem of praise (Anon/Ashworth)
L'offrande  No 6 of Chansons gaillardes, FP42 (Poulenc)
Lost is my liberty (Anon)
Lost is my quiet for ever, Z502 (Purcell/Britten)
Love in thine eyes for ever plays, Op 13 No 7 (Jackson)
Lovely Selena, innocent and free (Blow)
Lullay, Jesu  Variation 1 of A boy was born, Op 3 (Britten)
Ma la speme lusinghiera  Movement 2 of Troppo cruda (Handel)
Ma l'amor per mio tormento  Movement 2 of A mirarvi io son intento (Handel)
Ma maîtresse est volage  First line to La maîtresse volage, No 1 of Chansons gaillardes, FP42 (Poulenc)
Ma se l'alma sempre geme  Movement 2 of Tanti strali al sen mi scocchi (Handel)
Mad Bess, Z370 (Purcell/Britten)
Mad Bess, Z370 (Purcell/Tippett/Bergmann)
Madrigal  No 3 of Chansons gaillardes, FP42 (Poulenc)
Man, forbear this place (Thumpkin/The Black Man)  First line to Grim King of the Ghosts, Part 10 of The Black Man (Anon)
Maske (Anon)
Mi lusinga il dolce affetto (Ruggiero)  Act 2 Scene 3, Aria from Alcina, HWV34 (Handel)
Mine own dear mother, sing lullay!  First line to Lullay, Jesu, Variation 1 of A boy was born, Op 3 (Britten)
My Robin is to the Greenwood gone  No 2 of Popular Tunes from The Wigthorpe Manuscript (Anon)
My Robin is to the greenwood gone (Anon)
Nanns Maske (Anon)
Nò, di voi non vo' fidarmi (Handel)
Noch eins, Herr, will ich bitten dich  Movement 3 of Was mein Gott will, das gescheh allzeit (Knüpfer)
Nodi voi, che gli stringeste  Movement 2 of Conservate, raddoppiate (Handel)
Non mi dite (Strozzi)
Now farawel Lungeon, iche may zing (Wat/Filcher/Nim/Moll Medlar/Baby)  First line to Cavalilly Man, Part 9 of The Cheaters Cheated (Jordan)
O all true faithful hearts (Gibbons)
O come, O come, Emmanuel  First line to Veni Emmanuel (Anon/Helmore/O'Donnell)
O di Betlemme altera (Scarlatti)
O Jesu, du mein Leben (Krieger)
O Lamm Gottes, unschuldig (Anon)
O mighty God, who sit'st on high (Blow)
O turn not those fine eyes away (Blow)
O woe is me (Thumpkin)  First line to Heartsease, Part 8 of The Black Man (Anon)
O ye little flock (Amner)
Ode to the memory of Italian virtuosi (Harington)
Odo di mesto intorno (Clerk)
Of all the torments, all the cares (Blow)
Oh sweet woods, the delight of solitariness (Lawes)
Oh wo, wo, wo, what zhall chee do? (Wat/Baby)  First line to The Gelding of the Devil, Part 7 of The Cheaters Cheated (Jordan)
Oh! that mine eyes would melt into a flood (Blow)
Oh! what a scene does entertain my sight, Z506 (Purcell)
Oh, let me still and silent lie (Lawes)
Oh, my Clarissa, thou cruel fair (Lawes)
On a time (Herbert)
Or che d'orrido Verno (Porpora)
Or sì m'avveggio, oh Amore (Porpora)
Our sentinel keeps well his standing (Gentleman 1/The Black Man/Gentleman 2/Thumpkin)  First line to Peg a Ramsey, Part 11 of The Black Man (Anon)
Our Taunton den is a dungeon (Wat)  First line to Upon a Summers Day – Kemp's Jig, Part 2 of The Cheaters Cheated (Jordan)
Parnasso in Festa, HWV73 (Handel)
Partirò, ma vedrai quanto  No 2, Aria of Elvira, anima mia, RV654 (Vivaldi)
Passo al rogo fatal  No 3, Recitativo of Elvira, anima mia, RV654 (Vivaldi)
Peg a Ramsey  Part 11 of The Black Man (Anon)
Persuasions not to Love (Lawes)
Poi che mancò speranza (Rossi)
Poor Celadon, he sighs in vain 'Loving above himself' (Blow)
Popular Tunes from The Wigthorpe Manuscript (Anon)
Prince Rupert's March  Part 6 of The Black Man (Anon)
Prithee love turn to me  Part 3 of The Black Man (Anon)
Pupille vaghe  No 4, Aria of Elvira, anima mia, RV654 (Vivaldi)
Quando chiami dolce, e cara  No 2, Aria of Tremori al braccio, RV799 (Vivaldi)
Quando non ho più core  Movement 2 of Se tu non lasci amore (Handel)
Quello che senti, ò bella  No 4, Aria of Tremori al braccio, RV799 (Vivaldi)
Questa è la nuova (Strozzi)
Quick let us share (Filcher/Nim)  First line to Jack a Lent, Part 4 of The Cheaters Cheated (Jordan)
Quoth John to Joan  Part 1 of The Black Man (Anon)
Rejoice in the Lord alway (Anon)
Response to Blessing (Anon)
Responsory (Anon)
Rissolvetevi pensieri (Strozzi)
Room for a lad that's come from seas  First line to Jamaica, or The Jovial Broom Man, or a Kent Soldier's exact relation of all his travels in Every Nation, his famous acts are all Shown Here as in this Story doth appear (Anon)
Sabina has a thousand charms (Blow)
Saggio quel cor che libero  Movement 2 of Fronda leggiera e mobile (Handel)
Saul and the witch at Endor, Z134 (Purcell/Britten)
Scherza infida! (Ariodante)  Act 2 Scene 3, Aria from Ariodante, HWV33 (Handel)
Schlage doch, gewünschte Stunde (Hoffmann)
Se tu non lasci amore (Handel)
Se vittorie si belle (Monteverdi)
See the chariot at hand (Anon)
Sei lob und Preis mit Ehren  Movement 7 of Wir danken dir, Gott, wir danken dir, BWV29 (Bach)
Semper gratus desiderabilis  Movement 6, Aria of Infirmata vulnerata (Scarlatti)
Sérénade  No 8 of Chansons gaillardes, FP42 (Poulenc)
Silencio (Araujo)
Since first I saw your face (Ford)
Sinfonia  Movement 1 of Wir danken dir, Gott, wir danken dir, BWV29 (Bach)
Sing fair Clorinda (Lawes)
Sing, ye muses 'Epilogue' (Blow)
Sleep, Adam, and take thy rest, Z195 (Purcell)
So per prova i vostri inganni  Movement 3 of Nò, di voi non vo' fidarmi (Handel)
Soft notes and gently raised 'A Serenading Song', Z510 (Purcell)
Soldiers fight and Hectors rant on (Moll Medlar)  First line to The Carman's Whistle, Part 5 of The Cheaters Cheated (Jordan)
Sonata in D 'con concertino' (Anon)
Sono liete, fortunate (Handel)
Stà nell'Ircana (Ruggiero)  Act 3 Scene 3, Aria from Alcina, HWV34 (Handel)
Stay, gentle Echo, dear nymph, stay 'A Dialogue between Philander and the Echo' (Blow)
Stingo – Half Hanekin  Part 6 of The Cheaters Cheated (Jordan)
Stirb in mir  No 5, Aria of Gott soll allein mein Herze haben, BWV169 (Bach)
Strawberry leaves  No 4 of Popular Tunes from The Wigthorpe Manuscript (Anon)
Su le sponde del Tebro (Scarlatti)
Sweet Echo, sweetest nymph that liv'st unseen (Lawes)
Sweet Susan, remember the words I have said (Thumpkin/Susan)  First line to Quoth John to Joan, Part 1 of The Black Man (Anon)
Tambourin  No 3 of Les Gentils Airs, ou Airs connus ajustés en duo, pour basson seul accompagné d'un clavecin (Anon)
Tanti strali al sen mi scocchi (Handel)
The Black Man (Anon)
The Bloody Battle at Billingsgate 'The Orange – Hit and Miss' (Anon)
The blushing rose (Anon)
The Building of St Paul's (Anon)
The Carman's Whistle  Part 5 of The Cheaters Cheated (Jordan)
The cats, as other creatures do (Lawes)
The Cheaters Cheated (Jordan)
The day that saw thy beauty rise (Jackson)
The delights of the bottle (Locke)
The fatal hour comes on apace, Z421 (Purcell)
The fatal hour comes on apace, Z421 (Purcell/Tippett/Bergmann)
The Friar and the Nun  Part 1 of The Cheaters Cheated (Jordan)
The Gelding of the Devil  Part 9 of The Black Man (Anon)
The Gelding of the Devil  Part 7 of The Cheaters Cheated (Jordan)
The Indian Queen  Part 2 of The Black Man (Anon)
The lark sings high in the cornfield (Linley Sr.)
The Last of the Queenes Maskes (Anon)
The lyre (Harington)
The Merry Wooing of Robin and Joan 'Sellengers Round' (Anon)
The Milk Maid (Anon)
The Miller of Dee (Anon)
The Mournful Lovers (Lawes)
The New Nightingale (Anon)
The Noble Man (Anon/Schop)
The rainbow never knew (Filcher/Nim/Wat)  First line to The Friar and the Nun, Part 3 of The Cheaters Cheated (Jordan)
The Saint Turned Sinner, or The Dissenting Parson's Text Under the Quaker's Petticoats (Anon)
The three kings  Variation 4 of A boy was born, Op 3 (Britten)
Thee and thy wondrous deeds (Lawes)
There was a jolly miller once  First line to The Miller of Dee (Anon)
Think not, my love, when secret grief (Linley Sr.)
Thou God of wisdom (Gibbons)
Tickle my toe  No 3 of Popular Tunes from The Wigthorpe Manuscript (Anon)
Time has not thinn'd my flowing hair (Jackson)
Time stands still (Dowland)
To heal the wound a bee had made (Linley Jr.)
Toccata – Perle care (Piccinini/Strozzi)
Toccata – Soccorrete, luci avare (Granata/Strozzi)
Tocco la prima sorte a voi, pastori  Movement 7, Aria of O di Betlemme altera (Scarlatti)
Tralascia pur di piangere, povero afflitto cor  Movement 8, Aria of Su le sponde del Tebro (Scarlatti)
Tremori al braccio  No 1, Recitative of Tremori al braccio, RV799 (Vivaldi)
Tremori al braccio, RV799 (Vivaldi)
Troppo cruda (Handel)
Ungrateful cruel maid from Clotilda (Conti/Anon)
Upon a Summers Day  Part 10 of The Cheaters Cheated (Jordan)
Upon a Summers Day – Kemp's Jig  Part 2 of The Cheaters Cheated (Jordan)
Veni Emmanuel (Anon/Helmore/O'Donnell)
Verdi prati (Ruggiero)  Act 2 Scene 12, Aria from Alcina, HWV34 (Handel)
Verse in G minor 'Voluntary' (Anon)
Viola da gamba Sonata in D major, Op 5 No 11 (Corelli/Anon)
Violin Sonata in G major, Op 5 No 6 (Corelli/Anon)
Voglio morire (Strozzi)
Vom Himmel hoch, da komm ich her (Knüpfer)
Vous êtes belle comme un ange  First line to Madrigal, No 3 of Chansons gaillardes, FP42 (Poulenc)
Vulnera percute, transfige cor  Movement 3, Aria of Infirmata vulnerata (Scarlatti)
Walsingham  Part 4 of The Black Man (Anon)
Was mein Gott will, das gescheh allzeit (Knüpfer)
We reap all the pleasures, Z547 (Purcell)
We shall ne're have lucky minuit (Filcher/Nim)  First line to Argeers, Part 8 of The Cheaters Cheated (Jordan)
Weichet nur, betrübte Schatten 'Wedding Cantata', BWV202 (Bach)
Wenn mein Stündlein vorhanden ist (Knüpfer)
What art thou? From what causes dost thou spring?  First line to A Hymn on Divine Musick (Croft/Britten)
What can we poor females do?, Z518 (Purcell/Britten)
When man for sin thy judgment feels (Lawes)
Why Flavia, why so wanton still?  First line to Flavia grown old (Blow)
Wie schön leuchtet der Morgenstern, BWV1 (Bach)
Wir danken dir, Gott, wir danken dir, BWV29 (Bach)
With him he brings the partner of his throne  Movement 7 of Ye tuneful Muses, Z344 (Purcell)
Wolsey's Wild  No 1 of Popular Tunes from The Wigthorpe Manuscript (Anon)
Y'are well overtaken—wither, sir, so fast? (Gentleman 1/Thumpkin/Gentleman 2)  First line to The Indian Queen, Part 2 of The Black Man (Anon)
Ye sportive loves, that round me wait (Linley Sr.)
Ye tuneful Muses, Z344 (Purcell)
You friends to reformation  First line to The Saint Turned Sinner, or The Dissenting Parson's Text Under the Quaker's Petticoats (Anon)
Zwar ist solche Herzensstube  Part 5 No 11, Chorale of Christmas Oratorio 'Christmas Oratorio', BWV248 (Bach)
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