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Complete works available for download |
Allemande l'Agréable
Davitt Moroney (harpsichord)
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Almaygne
Christopher Kite (virginals)
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An Irish Toy
Christopher Kite (virginals)
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Canciones de clarines
His Majestys Sagbutts & Cornetts
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Concerto in F major 'No 4b'
The Brandenburg Consort, Roy Goodman (conductor)
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Corrant
Christopher Kite (virginals)
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Courante
Davitt Moroney (harpsichord)
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Frogges Galliard
Christopher Kite (virginals)
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Gloria, laus, et honor
A Capella Portuguesa, Owen Rees (conductor)
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Glory of ye North
Christopher Kite (virginals)
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Hark! how all the welkin rings
Psalmody, The Parley of Instruments, Peter Holman (conductor)
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Hush! my dear, lie still and slumber
Philippa Hyde (soprano), The Parley of Instruments, Peter Holman (conductor)
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Jamaica, or The Jovial Broom Man, or a Kent Soldier's exact relation of all his travels in Every Nation, his famous acts are all Shown Here as in this Story doth appear
The City Waites
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Let an anthem of praise
Psalmody, The Parley of Instruments, Peter Holman (conductor)
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Lost is my liberty
Anthony Rooley (lute)
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Maske
Christopher Kite (virginals)
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My Robin is to the greenwood gone
The Parley of Instruments, Peter Holman (conductor)
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Nanns Maske
Christopher Kite (virginals)
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Popular Tunes from The Wigthorpe Manuscript
The Parley of Instruments
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Rejoice in the Lord alway
St Paul's Cathedral Choir, John Scott (conductor)
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See the chariot at hand
Joseph Cornwell (tenor), Paul O'Dette (lute), Stephen Stubbs (English theorbo)
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Sonata in D 'con concertino'
The Parley of Instruments
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The Black Man
The City Waites, Lucie Skeaping (director)
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The Bloody Battle at Billingsgate 'The Orange – Hit and Miss'
The City Waites, Lucie Skeaping (director), Douglas Wootton (tenor), Lucie Skeaping (soprano), Catherine Bott (soprano)
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The blushing rose
Catherine Bott (soprano), Julia Gooding (soprano), The Parley of Instruments, Peter Holman (conductor)
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The Building of St Paul's
Christopher Kite (virginals)
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The Last of the Queenes Maskes
Elizabeth Kenny (lute)
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The Merry Wooing of Robin and Joan 'Sellengers Round'
The City Waites, Lucie Skeaping (director), Douglas Wootton (tenor), Thomas Padden (baritone), Lucie Skeaping (soprano)
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The Milk Maid
Christopher Kite (virginals)
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The Miller of Dee
The City Waites
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The New Nightingale
Christopher Kite (virginals)
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The Noble Man
The Parley of Instruments, Peter Holman (conductor)
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The Saint Turned Sinner, or The Dissenting Parson's Text Under the Quaker's Petticoats
The City Waites
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Verse in G minor 'Voluntary'
Timothy Roberts (organ/regal)
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Veni Emmanuel
Westminster Cathedral Choir, James O'Donnell (conductor), Iain Simcock (organ)
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O ye little flock
Charles Jenkins (treble), Edward Taylor (treble), Dominic Hughes (countertenor), Peter De Blois (tenor), Ely Cathedral Choir, Paul Trepte (conductor), The Parley of Instruments, Peter Holman (conductor)
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¡A, de la región de luces!
Ex Cathedra, Jeffrey Skidmore (conductor)
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¡A, del cielo!
Ex Cathedra, Jeffrey Skidmore (conductor)
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¡A, del tiempo!
Ex Cathedra, Jeffrey Skidmore (conductor)
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¡Fuego de amor!
Ex Cathedra, Jeffrey Skidmore (conductor)
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Dime, amor
Ex Cathedra, Jeffrey Skidmore (conductor)
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Dios de amor
Ex Cathedra, Jeffrey Skidmore (conductor)
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En el muy gran Padre Ignacio
Ex Cathedra, Jeffrey Skidmore (conductor)
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Silencio
Ex Cathedra, Jeffrey Skidmore (conductor)
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Auf, lasst uns den Herren loben
Robin Blaze (countertenor), The Parley of Instruments
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Christmas Oratorio, BWV248
Orchestra of the Age of Enlightenment, Stephen Layton (conductor)
November 2013 Release
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Gott soll allein mein Herze haben, BWV169
James Bowman (countertenor), The King's Consort, Robert King (conductor)
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Ich habe genug, BWV82
David Thomas (bass), The Taverner Players, Andrew Parrott (conductor)
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Immortal Bach
Holst Singers, Stephen Layton (conductor)
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Weichet nur, betrübte Schatten 'Wedding Cantata', BWV202
Emma Kirkby (soprano), The Taverner Players, Andrew Parrott (conductor)
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Give me my lute
Robin Blaze (countertenor), Elizabeth Kenny (lute)
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Ah, heav'n! What is't I hear?
Michael Chance (countertenor), James Bowman (countertenor), The King's Consort, Robert King (conductor)
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Fairest work of happy nature
John Mark Ainsley (tenor), Paula Chateauneuf (theorbo)
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Flavia grown old
John Mark Ainsley (tenor), Timothy Roberts (harpsichord/spinet/virginals)
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Help, Father Abraham! 'A Dialogue betwixt Dives and Abraham'
Red Byrd, The Parley of Instruments, John Potter (tenor), Richard Wistreich (bass)
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Lovely Selena, innocent and free
John Mark Ainsley (tenor), Timothy Roberts (harpsichord/spinet/virginals), Paula Chateauneuf (guitar)
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Lovely Selena, innocent and free
Robin Blaze (countertenor), Elizabeth Kenny (lute)
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O mighty God, who sit'st on high
John Mark Ainsley (tenor), Paula Chateauneuf (theorbo), Timothy Roberts (organ/regal)
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O turn not those fine eyes away
John Mark Ainsley (tenor), Timothy Roberts (harpsichord/spinet/virginals)
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Of all the torments, all the cares
John Mark Ainsley (tenor), Paula Chateauneuf (theorbo), Timothy Roberts (organ/regal)
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Oh! that mine eyes would melt into a flood
John Mark Ainsley (tenor), Paula Chateauneuf (theorbo), Timothy Roberts (organ/regal)
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Poor Celadon, he sighs in vain 'Loving above himself'
Red Byrd, The Parley of Instruments, Charles Daniels (tenor)
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Sabina has a thousand charms
John Mark Ainsley (tenor), Timothy Roberts (harpsichord/spinet/virginals)
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Sing, ye muses 'Epilogue'
Red Byrd, The Parley of Instruments, Suzie Le Blanc (soprano), Geraldine McGreevy (soprano), Charles Daniels (tenor), John Potter (tenor), Richard Wistreich (bass)
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Stay, gentle Echo, dear nymph, stay 'A Dialogue between Philander and the Echo'
Red Byrd, The Parley of Instruments, John Potter (tenor), Charles Daniels (tenor)
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A boy was born, Op 3
Corydon Singers, Westminster Cathedral Choristers, Matthew Best (conductor)
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A boy was born, Op 3
Holst Singers, Stephen Layton (conductor)
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Fair, if you expect admiring
Robin Blaze (countertenor), Elizabeth Kenny (lute)
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Bel tempo per me se n'andò
Glenda Simpson (mezzo-soprano), The London Early Music Group, James Tyler (conductor)
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Il mio core è un mar di pianti
Paul Elliott (tenor), Andrew King (tenor), The London Early Music Group, James Tyler (conductor)
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Come, come along for a dance and a song
Ruth Holton (soprano), Charles Daniels (tenor), Simon Birchall (bass), The Parley of Instruments Choir, The Parley of Instruments Baroque Orchestra, Roy Goodman (conductor)
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Ungrateful cruel maid from Clotilda
Mark Caudle (viol)
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In darkness let me dwell
Michael Chance (countertenor), David Cordier (countertenor), Tragicomedia
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Viola da gamba Sonata in D major, Op 5 No 11
Richard Boothby (viola da gamba), Richard Campbell (cello), Robert Woolley (harpsichord)
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Violin Sonata in G major, Op 5 No 6
Mark Caudle (viol), Susanna Pell (viol), Elizabeth Kenny (lute), Peter Holman (chamber organ)
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A Hymn on Divine Musick
Ian Bostridge (tenor), Graham Johnson (piano)
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He whose desires are still abroad
Emma Kirkby (soprano), Anthony Rooley (lute)
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Behold a wonder here
Robin Blaze (countertenor), Elizabeth Kenny (lute)
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Flow not so fast, ye fountains
Emma Kirkby (soprano), Anthony Rooley (lute)
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In darkness let me dwell
Mark Padmore (tenor), Elizabeth Kenny (lute)
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In darkness let me dwell
The Camerata of London
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In darkness let me dwell
Robin Blaze (countertenor), Elizabeth Kenny (lute)
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Time stands still
Emma Kirkby (soprano), Anthony Rooley (lute)
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Time stands still with gazing on her face
Robin Blaze (countertenor), Elizabeth Kenny (lute)
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Go, passions, to the cruel fair
Emma Kirkby (soprano), Anthony Rooley (lute)
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Since first I saw your face
James Bowman (countertenor), David Miller (lute)
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Glorious and powerful God
Winchester Cathedral Choir, David Hill (conductor), Robin Blaze (countertenor), Stephen Varcoe (baritone), Stephen Farr (organ)
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Great king of gods
Winchester Cathedral Choir, David Hill (conductor), Stephen Farr (organ), Donald Sweeney (bass), Nicholas Pepin (countertenor), Thomas King (countertenor)
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Great king of gods
Westminster Abbey Choir, James O'Donnell (conductor)
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O all true faithful hearts
Westminster Abbey Choir, James O'Donnell (conductor)
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Thou God of wisdom
Winchester Cathedral Choir, David Hill (conductor), Stephen Farr (organ), Jack Standen (treble), Benjamin Walton (treble)
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Toccata – Soccorrete, luci avare
Glenda Simpson (mezzo-soprano), The Camerata of London
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A mirarvi io son intento
Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
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Conservate, raddoppiate
Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
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Fronda leggiera e mobile
Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
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Hymning seraphs wake the morning
Patrick McCarthy (tenor), Timothy Roberts (fortepiano)
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Nò, di voi non vo' fidarmi
Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
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Parnasso in Festa, HWV73
The King's Consort, Matthew Halls (conductor)
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Se tu non lasci amore
Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
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Sono liete, fortunate
Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
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Tanti strali al sen mi scocchi
Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
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Troppo cruda
Gillian Fisher (soprano), James Bowman (countertenor), The King's Consort
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Damon and Clora
Invocation, Julia Gooding (soprano), Christopher Purves (bass)
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Enchanting harmonist
Invocation, Julia Gooding (soprano), Christopher Purves (bass)
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Ode to the memory of Italian virtuosi
Invocation, Julia Gooding (soprano), Ana-María Rincón (soprano), Charles Daniels (tenor), Christopher Purves (bass)
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The lyre
Invocation, Rufus Müller (tenor)
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Give to God our thankful songs
Claire Tomlin (soprano), Timothy Kenworthy-Brown (countertenor), Patrick McCarthy (tenor), Psalmody, The Parley of Instruments, Peter Holman (conductor)
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Schlage doch, gewünschte Stunde
Robin Blaze (countertenor), The Parley of Instruments
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Could he whom my dissembled rigour grieves, Op 3 No 3
Invocation, Rufus Müller (tenor), Charles Daniels (tenor), Christopher Purves (bass)
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Love in thine eyes for ever plays, Op 13 No 7
Invocation, Julia Gooding (soprano), Ana-María Rincón (soprano)
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The day that saw thy beauty rise
Rufus Müller (tenor), Timothy Roberts (harpsichord/spinet/virginals)
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Time has not thinn'd my flowing hair
Emma Kirkby (soprano), Rufus Müller (tenor), Frances Kelly (harp)
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The Cheaters Cheated
The City Waites, Lucie Skeaping (director)
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As shepherds watched their fleecy care
Psalmody, The Parley of Instruments, Peter Holman (conductor)
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Vom Himmel hoch, da komm ich her
The King's Consort, Robert King (conductor)
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Was mein Gott will, das gescheh allzeit
The King's Consort, Robert King (conductor)
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Wenn mein Stündlein vorhanden ist
The King's Consort, Robert King (conductor)
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O Jesu, du mein Leben
Robin Blaze (countertenor), The Parley of Instruments
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A Despairing Lover
Andrew King (tenor), Anthony Rooley (lute)
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A Tale out of Anacreon
Robin Blaze (countertenor), Elizabeth Kenny (theorbo)
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Hark, shepherd swains
The Consort of Musicke, Anthony Rooley (director)
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Oh sweet woods, the delight of solitariness
Robin Blaze (countertenor), Elizabeth Kenny (theorbo)
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Sing fair Clorinda
The Consort of Musicke, Anthony Rooley (director)
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Sweet Echo, sweetest nymph that liv'st unseen
Rebecca Outram (soprano), Elizabeth Kenny (theorbo)
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The Mournful Lovers
Emma Kirkby (soprano), Anthony Rooley (lute)
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Thee and thy wondrous deeds
The Consort of Musicke, Anthony Rooley (director)
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A Dreame
Robert Macdonald (bass), Elizabeth Kenny (theorbo)
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A Dreame
Richard Wistreich (bass), Anthony Rooley (lute)
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Oh, let me still and silent lie
Robin Blaze (countertenor), Elizabeth Kenny (theorbo)
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Oh, my Clarissa, thou cruel fair
Robin Blaze (countertenor), Elizabeth Kenny (theorbo), William Carter (guitar), Frances Kelly (harp)
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Persuasions not to Love
Robin Blaze (countertenor), Elizabeth Kenny (lute)
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The cats, as other creatures do
Catherine Bott (soprano), Julia Gooding (soprano), Stephen Varcoe (baritone), The Parley of Instruments, Peter Holman (conductor)
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When man for sin thy judgment feels
Robin Blaze (countertenor), Elizabeth Kenny (theorbo)
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Ah! what avails the sprightly morn of life
Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
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Alas, from the day my poor heart
Invocation, Julia Gooding (soprano)
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Fly to my aid, O mighty Love
Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
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He who could first two gentle hearts unbind
Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
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In thousand thoughts of love and thee
Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
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The lark sings high in the cornfield
Emma Kirkby (soprano), Timothy Roberts (harpsichord/spinet/virginals)
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Think not, my love, when secret grief
Emma Kirkby (soprano), Frances Kelly (harp)
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Ye sportive loves, that round me wait
Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
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To heal the wound a bee had made
Invocation, Rufus Müller (tenor)
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The delights of the bottle
Robin Blaze (countertenor), Elizabeth Kenny (lute)
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Se vittorie si belle
Paul Elliott (tenor), Andrew King (tenor), The London Early Music Group, James Tyler (conductor)
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Toccata – Perle care
Glenda Simpson (mezzo-soprano), The Camerata of London
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Credimi pur che t'amo
Elena Cecchi Fedi (soprano), Auser Musici, Carlo Ipata (conductor)
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Or che d'orrido Verno
Elena Cecchi Fedi (soprano), Auser Musici, Carlo Ipata (conductor)
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Or sì m'avveggio, oh Amore
Elena Cecchi Fedi (soprano), Auser Musici, Carlo Ipata (conductor)
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Chansons gaillardes, FP42
Ashley Riches (bass), Graham Johnson (piano)
October 2013 Release
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Fly, bold rebellion, Z324
The King's Consort, Robert King (conductor)
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Hark how all the wild musicians sing, Z542
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
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Hark, Damon, hark, Z541
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
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Hosanna to the highest, Z187
Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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How pleasant is this flowery plain and grove!, Z543
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
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I spy Celia, Z499
Ian Bostridge (tenor), Richard Jackson (baritone), Graham Johnson (piano)
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I take no pleasure in the sun's bright beams, Z388
Ian Bostridge (tenor), Graham Johnson (piano)
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Lost is my quiet for ever, Z502
Susan Gritton (soprano), Sarah Walker (mezzo-soprano), Graham Johnson (piano)
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Mad Bess, Z370
Sarah Walker (mezzo-soprano), Graham Johnson (piano)
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Mad Bess, Z370
Martyn Hill (tenor), Andrew Ball (piano)
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Oh! what a scene does entertain my sight, Z506
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
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Saul and the witch at Endor, Z134
Sarah Walker (mezzo-soprano), John Mark Ainsley (tenor), Simon Keenlyside (baritone), Graham Johnson (piano)
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Sleep, Adam, and take thy rest, Z195
Susan Gritton (soprano), The King's Consort, Robert King (conductor)
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Soft notes and gently raised 'A Serenading Song', Z510
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
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The fatal hour comes on apace, Z421
James Bowman (countertenor), The King's Consort, Robert King (conductor)
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The fatal hour comes on apace, Z421
Susan Gritton (soprano), The King's Consort
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The fatal hour comes on apace, Z421
Martyn Hill (tenor), Craig Ogden (guitar)
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We reap all the pleasures, Z547
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
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What can we poor females do?, Z518
Susan Gritton (soprano), Sarah Walker (mezzo-soprano), Graham Johnson (piano)
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Ye tuneful Muses, Z344
The King's Consort, Robert King (conductor)
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Poi che mancò speranza
Paul Elliott (tenor), Andrew King (tenor), The London Early Music Group, James Tyler (conductor)
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¡Salga el torillo hosquillo!
Ex Cathedra, Jeffrey Skidmore (conductor)
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¡Salga el torillo hosquillo! 'Guadalupe Juegete'
Ex Cathedra, Jeffrey Skidmore (conductor)
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Correa nel seno amato
The Purcell Quartet, Lynne Dawson (soprano)
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Infirmata vulnerata
James Bowman (countertenor), The King's Consort, Robert King (conductor)
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O di Betlemme altera
The King's Consort, Robert King (conductor)
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Su le sponde del Tebro
The King's Consort, Robert King (conductor)
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Christus, der ist mein Leben
Carolyn Sampson (soprano), Rebecca Outram (soprano), Robin Blaze (countertenor), James Gilchrist (tenor), Peter Harvey (bass), The King's Consort, Robert King (conductor)
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Amor, non dormir più
Glenda Simpson (mezzo-soprano), The Camerata of London
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Amore è bandito
Glenda Simpson (mezzo-soprano), The Camerata of London
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Gite, o giorni dolenti
Glenda Simpson (mezzo-soprano), The Camerata of London
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Non mi dite
Glenda Simpson (mezzo-soprano), The Camerata of London
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Questa è la nuova
Glenda Simpson (mezzo-soprano), The Camerata of London
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Rissolvetevi pensieri
Glenda Simpson (mezzo-soprano), The Camerata of London
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Voglio morire
Glenda Simpson (mezzo-soprano), The Camerata of London
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Alphabetical listing of all musical works |
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¡A, de la región de luces! (Araujo)
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¡A, del cielo! (Araujo)
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¡A, del tiempo! (Araujo)
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¡Fuego de amor! (Araujo)
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¡Salga el torillo hosquillo! (Salazar)
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¡Salga el torillo hosquillo! 'Guadalupe Juegete' (Salazar/Araujo)
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A boy was born, Op 3 (Britten)
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A Despairing Lover (Lawes)
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A Dreame (Lawes)
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A Hymn on Divine Musick (Croft/Britten)
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A mirarvi io son intento (Handel)
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A Tale out of Anacreon (Lawes)
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Ah! what avails the sprightly morn of life (Linley Sr.)
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Ah, heav'n! What is't I hear? (Blow)
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Alas, from the day my poor heart (Linley Sr.)
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Alcina, HWV34 (Handel)
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Allemande l'Agréable (Anon)
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Almaygne (Anon)
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Amor, non dormir più (Strozzi)
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Amore è bandito (Strozzi)
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An Irish Toy (Anon)
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As shepherds watched their fleecy care (Key)
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Auf, lasst uns den Herren loben (Bach)
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Behold a wonder here (Dowland)
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Bel tempo per me se n'andò (Carissimi)
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Canciones de clarines (Anon/Roberts)
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Chansons gaillardes, FP42 (Poulenc)
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Christmas Oratorio 'Christmas Oratorio', BWV248 (Bach)
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Christmas Oratorio, BWV248 (Bach)
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Christus, der ist mein Leben (Schelle)
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Come, come along for a dance and a song (Clarke)
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Concerto in F major 'No 4b' (Anon)
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Conservate, raddoppiate (Handel)
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Corrant (Anon)
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Correa nel seno amato (Scarlatti)
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Corydon and Miranda (Boyce)
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Could he whom my dissembled rigour grieves, Op 3 No 3 (Jackson)
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Courante (Anon)
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Credimi pur che t'amo (Porpora)
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Damon and Clora (Harington)
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Davidis pugna et victoria (Scarlatti)
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Dime, amor (Araujo)
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Dios de amor (Araujo)
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En el muy gran Padre Ignacio (Araujo)
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Enchanting harmonist (Harington)
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Fair, if you expect admiring (Campion)
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Fairest work of happy nature (Blow)
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Flavia grown old (Blow)
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Flow not so fast, ye fountains (Dowland)
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Fly to my aid, O mighty Love (Linley Sr.)
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Fly, bold rebellion, Z324 (Purcell)
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Frogges Galliard (Anon)
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Fronda leggiera e mobile (Handel)
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Già lusingato appieno (Scarlatti)
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Gite, o giorni dolenti (Strozzi)
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Give me my lute (Banister)
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Give to God our thankful songs (Haydn/Gardiner)
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Gloria, laus, et honor (Anon/Almeida)
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Glorious and powerful God (Gibbons)
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Glory of ye North (Anon)
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Go, passions, to the cruel fair (Ford)
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Gott soll allein mein Herze haben, BWV169 (Bach)
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Great king of gods (Gibbons)
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Hark how all the wild musicians sing, Z542 (Purcell)
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Hark! how all the welkin rings (Anon/Butts)
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Hark, Damon, hark, Z541 (Purcell)
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Hark, shepherd swains (Lawes)
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He who could first two gentle hearts unbind (Linley Sr.)
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He whose desires are still abroad (Danyel)
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Help, Father Abraham! 'A Dialogue betwixt Dives and Abraham' (Blow)
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Hosanna to the highest, Z187 (Purcell)
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How pleasant is this flowery plain and grove!, Z543 (Purcell)
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Hush! my dear, lie still and slumber (Anon/Butts)
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Hymning seraphs wake the morning (Handel/Taylor)
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I spy Celia, Z499 (Purcell/Britten)
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I take no pleasure in the sun's bright beams, Z388 (Purcell/Britten)
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Ich habe genug, BWV82 (Bach)
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Il mio core è un mar di pianti (Carissimi)
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Immortal Bach (Bach/Nystedt)
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In darkness let me dwell (Coprario)
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In darkness let me dwell (Dowland)
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In thousand thoughts of love and thee (Linley Sr.)
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Infirmata vulnerata (Scarlatti)
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Jamaica, or The Jovial Broom Man, or a Kent Soldier's exact relation of all his travels in Every Nation, his famous acts are all Shown Here as in this Story doth appear (Anon)
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Let an anthem of praise (Anon/Ashworth)
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Lost is my liberty (Anon)
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Lost is my quiet for ever, Z502 (Purcell/Britten)
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Love in thine eyes for ever plays, Op 13 No 7 (Jackson)
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Lovely Selena, innocent and free (Blow)
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Mad Bess, Z370 (Purcell/Britten)
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Mad Bess, Z370 (Purcell/Tippett/Bergmann)
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Maske (Anon)
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My Robin is to the greenwood gone (Anon)
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Nanns Maske (Anon)
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Nò, di voi non vo' fidarmi (Handel)
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Non mi dite (Strozzi)
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O all true faithful hearts (Gibbons)
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O di Betlemme altera (Scarlatti)
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O Jesu, du mein Leben (Krieger)
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O mighty God, who sit'st on high (Blow)
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O turn not those fine eyes away (Blow)
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O ye little flock (Amner)
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Ode to the memory of Italian virtuosi (Harington)
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Odo di mesto intorno (Clerk)
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Of all the torments, all the cares (Blow)
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Oh sweet woods, the delight of solitariness (Lawes)
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Oh! that mine eyes would melt into a flood (Blow)
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Oh! what a scene does entertain my sight, Z506 (Purcell)
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Oh, let me still and silent lie (Lawes)
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Oh, my Clarissa, thou cruel fair (Lawes)
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Or che d'orrido Verno (Porpora)
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Or sì m'avveggio, oh Amore (Porpora)
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Parnasso in Festa, HWV73 (Handel)
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Persuasions not to Love (Lawes)
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Poi che mancò speranza (Rossi)
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Poor Celadon, he sighs in vain 'Loving above himself' (Blow)
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Popular Tunes from The Wigthorpe Manuscript (Anon)
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Questa è la nuova (Strozzi)
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Rejoice in the Lord alway (Anon)
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Rissolvetevi pensieri (Strozzi)
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Sabina has a thousand charms (Blow)
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Saul and the witch at Endor, Z134 (Purcell/Britten)
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Schlage doch, gewünschte Stunde (Hoffmann)
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Se tu non lasci amore (Handel)
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Se vittorie si belle (Monteverdi)
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See the chariot at hand (Anon)
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Silencio (Araujo)
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Since first I saw your face (Ford)
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Sing fair Clorinda (Lawes)
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Sing, ye muses 'Epilogue' (Blow)
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Sleep, Adam, and take thy rest, Z195 (Purcell)
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Soft notes and gently raised 'A Serenading Song', Z510 (Purcell)
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Sonata in D 'con concertino' (Anon)
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Sono liete, fortunate (Handel)
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Stay, gentle Echo, dear nymph, stay 'A Dialogue between Philander and the Echo' (Blow)
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Su le sponde del Tebro (Scarlatti)
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Sweet Echo, sweetest nymph that liv'st unseen (Lawes)
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Tanti strali al sen mi scocchi (Handel)
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The Black Man (Anon)
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The Bloody Battle at Billingsgate 'The Orange – Hit and Miss' (Anon)
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The blushing rose (Anon)
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The Building of St Paul's (Anon)
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The cats, as other creatures do (Lawes)
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The Cheaters Cheated (Jordan)
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The day that saw thy beauty rise (Jackson)
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The delights of the bottle (Locke)
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The fatal hour comes on apace, Z421 (Purcell)
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The fatal hour comes on apace, Z421 (Purcell/Tippett/Bergmann)
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The lark sings high in the cornfield (Linley Sr.)
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The Last of the Queenes Maskes (Anon)
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The lyre (Harington)
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The Merry Wooing of Robin and Joan 'Sellengers Round' (Anon)
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The Milk Maid (Anon)
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The Miller of Dee (Anon)
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The Mournful Lovers (Lawes)
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The New Nightingale (Anon)
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The Noble Man (Anon/Schop)
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The Saint Turned Sinner, or The Dissenting Parson's Text Under the Quaker's Petticoats (Anon)
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Thee and thy wondrous deeds (Lawes)
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Think not, my love, when secret grief (Linley Sr.)
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Thou God of wisdom (Gibbons)
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Time has not thinn'd my flowing hair (Jackson)
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Time stands still (Dowland)
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Time stands still with gazing on her face (Dowland)
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To heal the wound a bee had made (Linley Jr.)
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Toccata – Perle care (Piccinini/Strozzi)
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Toccata – Soccorrete, luci avare (Granata/Strozzi)
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Troppo cruda (Handel)
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Ungrateful cruel maid from Clotilda (Conti/Anon)
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Veni Emmanuel (Anon/Helmore/O'Donnell)
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Verse in G minor 'Voluntary' (Anon)
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Viola da gamba Sonata in D major, Op 5 No 11 (Corelli/Anon)
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Violin Sonata in G major, Op 5 No 6 (Corelli/Anon)
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Voglio morire (Strozzi)
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Vom Himmel hoch, da komm ich her (Knüpfer)
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Was mein Gott will, das gescheh allzeit (Knüpfer)
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We reap all the pleasures, Z547 (Purcell)
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Weichet nur, betrübte Schatten 'Wedding Cantata', BWV202 (Bach)
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Wenn mein Stündlein vorhanden ist (Knüpfer)
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What can we poor females do?, Z518 (Purcell/Britten)
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When man for sin thy judgment feels (Lawes)
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Wie schön leuchtet der Morgenstern, BWV1 (Bach)
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Wir danken dir, Gott, wir danken dir, BWV29 (Bach)
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Ye sportive loves, that round me wait (Linley Sr.)
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Ye tuneful Muses, Z344 (Purcell)
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