Hyperion Records

Anonymous - Baroque

country: Unknown

Albums
'Handel: Arias' (CDA67979)
Handel: Arias
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'A Bach Album' (CDA67247)
A Bach Album
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'A Musicall Dreame' (CDA66335)
A Musicall Dreame
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'Adeste fideles' (CDA66668)
Adeste fideles
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'Advent at St Paul's' (CDH55463)
Advent at St Paul's
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'Amner: Cathedral Music' (CDA66768)
Amner: Cathedral Music
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'An Englishman Abroad' (CDA66435)
An Englishman Abroad
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'Bach: Cantatas Nos 54, 169 & 170' (CDH55312)
Bach: Cantatas Nos 54, 169 & 170
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'Bach: Christmas Oratorio' (CDA68031/2)
Bach: Christmas Oratorio
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'Bach: The Four Orchestral Suites' (CDD22002)
Bach: The Four Orchestral Suites
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'Bach: Wedding Cantata & Hunt Cantata' (CDD22041)
Bach: Wedding Cantata & Hunt Cantata
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'Blow & Purcell: Countertenor duets' (CDH55447)
Blow & Purcell: Countertenor duets
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'Blow: Awake my lyre' (CDA66658)
Blow: Awake my lyre
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'Blow: Fairest Work of happy Nature' (CDA66646)
Blow: Fairest Work of happy Nature
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'Boyce: Peleus and Thetis & other theatre music' (CDA66935)
Boyce: Peleus and Thetis & other theatre music
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'Britten: A Boy was Born & other choral works' (CDH55307)
Britten: A Boy was Born & other choral works
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'Britten: Christ's Nativity & other choral works' (CDA66825)
Britten: Christ's Nativity & other choral works
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'Britten: Complete Purcell Realizations' (CDD22058)
Britten: Complete Purcell Realizations
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'Britten: The Red Cockatoo & other songs' (CDA66823)
Britten: The Red Cockatoo & other songs
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'Clerk: The Lion of Scotland' (CDA67007)
Clerk: The Lion of Scotland
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'Corelli: La Folia & other works' (CDH55240)
Corelli: La Folia & other works
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'Couperin: Livre de Tablature de Clavescin' (CDA67164)
Couperin: Livre de Tablature de Clavescin
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'Dowland: Awake, sweet love' (CDH55241)
Dowland: Awake, sweet love
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'Enchanting Harmonist' (CDA66698)
Enchanting Harmonist
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'English Lute Songs' (CDH55249)
English Lute Songs
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'English Virginal Music of the 17th Century' (CDA66067)
English Virginal Music of the 17th Century
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'Essential Purcell' (KING2)
Essential Purcell
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'Favourite Baroque Classics' (CDH55020)
Favourite Baroque Classics
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'Fire burning in snow' (CDA67600)
Fire burning in snow
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'Fire burning in snow – Baroque Music from Latin America' (SACDA67600)
Fire burning in snow – Baroque Music from Latin America
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'German 17th-Century Church Music' (CDH55230)
German 17th-Century Church Music
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'Gibbons: Anthems' (CDH55228)
Gibbons: Anthems
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'Handel: Heroic Arias' (CDH55370)
Handel: Heroic Arias
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'Handel: Italian Duets' (CDA66440)
Handel: Italian Duets
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'Handel: Opera Arias' (CDS44271/3)
Handel: Opera Arias
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'Handel: Opera Arias and Overtures, Vol. 2' (CDA67128)
Handel: Opera Arias and Overtures, Vol. 2
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'Handel: Parnasso in Festa' (CDA67701/2)
Handel: Parnasso in Festa
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'Handel: Six Concerti Grossi Op 3' (CDH55075)
Handel: Six Concerti Grossi Op 3
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'Hark! hark! the lark' (CDA66836)
Hark! hark! the lark
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'Hasse & Scarlatti: Salve regina, Cantatas & Motets' (CDH55354)
Hasse & Scarlatti: Salve regina, Cantatas & Motets
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'Haydn and his English Friends' (CDA67150)
Haydn and his English Friends
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'His Majestys Sagbutts and Cornetts Grand Tour' (CDH55344)
His Majestys Sagbutts and Cornetts Grand Tour
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'Holy Week at the Chapel of the Dukes of Braganza' (CDA66867)
Holy Week at the Chapel of the Dukes of Braganza
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'How the world wags – Social Music for a 17th-century Englishman' (CDH55013)
How the world wags – Social Music for a 17th-century Englishman
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'Ikon, Vol. 1' (CDA66928)
Ikon, Vol. 1
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'Knüpfer: Sacred Music' (CDH55393)
Knüpfer: Sacred Music
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'Lawes & Lawes: Songs' (CDA67589)
Lawes & Lawes: Songs
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'Lawes: Sitting by the streams' (CDA66135)
Lawes: Sitting by the streams
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'Moon, sun & all things' (CDA67524)
Moon, sun & all things
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'Music from the reign of King James I' (CDA67858)
Music from the reign of King James I
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'Musique of Violenze' (CDA66929)
Musique of Violenze
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'O tuneful voice' (CDA66497)
O tuneful voice
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'Odes on the death of Henry Purcell' (CDA66578)
Odes on the death of Henry Purcell
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'Porpora: Or sì m’avveggio, oh Amore' (CDA67621)
Porpora: Or sì m’avveggio, oh Amore
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'Poulenc: The Complete Songs' (CDA68021/4)
Poulenc: The Complete Songs
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'Purcell & Blow: Countertenor duets' (CDH55447)
Purcell & Blow: Countertenor duets
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'Purcell: Hark how the wild musicians sing' (CDA66750)
Purcell: Hark how the wild musicians sing
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'Purcell: Mr Henry Purcell's Most Admirable Composures' (CDH55303)
Purcell: Mr Henry Purcell's Most Admirable Composures
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'Purcell: Odes, Vol. 3 – Fly, bold rebellion' (CDA66412)
Purcell: Odes, Vol. 3 – Fly, bold rebellion
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'Purcell: Odes, Vol. 4 – Ye tuneful Muses' (CDA66456)
Purcell: Odes, Vol. 4 – Ye tuneful Muses
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'Purcell: Secular solo songs, Vol. 3' (CDA66730)
Purcell: Secular solo songs, Vol. 3
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'Purcell: The Complete Anthems and Services, Vol. 3' (CDA66623)
Purcell: The Complete Anthems and Services, Vol. 3
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'Purcell: The Complete Anthems and Services, Vol. 4' (CDA66644)
Purcell: The Complete Anthems and Services, Vol. 4
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'Purcell: The Complete Odes & Welcome Songs' (CDS44031/8)
Purcell: The Complete Odes & Welcome Songs
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'Purcell: The Complete Sacred Music' (CDS44141/51)
Purcell: The Complete Sacred Music
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'Purcell: The complete secular solo songs' (CDS44161/3)
Purcell: The complete secular solo songs
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'Purcell's London' (CDA66108)
Purcell's London
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'Scarlatti & Hasse: Salve regina, Cantatas & Motets' (CDH55354)
Scarlatti & Hasse: Salve regina, Cantatas & Motets
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'Scarlatti: Davidis pugna et victoria' (CDA67714)
Scarlatti: Davidis pugna et victoria
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'Scarlatti: La Folia & other works' (CDH55233)
Scarlatti: La Folia & other works
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'Schelle: Sacred Music' (CDH55373)
Schelle: Sacred Music
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'Strozzi: Songs' (CDA66303)
Strozzi: Songs
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'The Emma Kirkby Collection' (CDA66227)
The Emma Kirkby Collection
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'The English Stage Jig' (CDA67754)
The English Stage Jig
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'The James Bowman Collection' (KING3)
The James Bowman Collection
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'The Noble Bass Viol' (CDA67088)
The Noble Bass Viol
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'Time stands still' (CDH55462)
Time stands still
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'Tippett: Songs' (CDA66749)
Tippett: Songs
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'While shepherds watched' (CDH55325)
While shepherds watched
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'Essential Bach' (KING5)
Essential Bach
KING5  Super-budget price sampler — Deleted  
'The King's Consort Baroque Collection' (KING4)
The King's Consort Baroque Collection
KING4  Super-budget price sampler — Deleted   Download currently discounted
'17th-Century Bel Canto' (CDA66153)
17th-Century Bel Canto
CDA66153  Rights no longer controlled by Hyperion  
On other labels
'Bach: Easter & Ascension Oratorios' (CKD373)
Bach: Easter & Ascension Oratorios
CKD373  Download only   Studio Master FLAC & ALAC downloads available
'Bach: St John Passion' (CKD419)
Bach: St John Passion
CKD419  Download only   Studio Master FLAC & ALAC downloads available
'Herbert: Songs' (CKD335)
Herbert: Songs
CKD335  Download only  
'The Proud Bassoon' (CKD435)
The Proud Bassoon
CKD435  Download only   Studio Master FLAC & ALAC downloads available
'Vivaldi: L'Amore per Elvira' (CKD281)
Vivaldi: L'Amore per Elvira
CKD281  Download only  
Alphabetical listing of all musical works
¡A, de la región de luces! (Araujo)
¡A, del cielo! (Araujo)
¡A, del tiempo! (Araujo)
¡Fuego de amor! (Araujo)
¡Salga el torillo hosquillo! (Salazar)
¡Salga el torillo hosquillo! 'Guadalupe Juegete' (Salazar/Araujo)
A boy was born, Op 3 (Britten)
A chi spera, o luci amate  Movement 4 of Troppo cruda (Handel)
A Despairing Lover (Lawes)
A Dreame (Lawes)
A Hymn on Divine Musick (Croft/Britten)
A mirarvi io son intento (Handel)
A Tale out of Anacreon (Lawes)
Ah nò, mia cara Elvira  No 3, Recitativo of Tremori al braccio, RV799 (Vivaldi)
Ah! Ruggiero crudel, tu non mi amasti! (Alcina)  Act 3 Scene 13, Aria of Alcina, HWV34 (Handel)
Ah! what avails the sprightly morn of life (Linley Sr.)
Ah, heav'n! What is't I hear? (Blow)
Alas, from the day my poor heart (Linley Sr.)
Alcina, HWV34 (Handel)
Alleluia: Gelobet sei Gott  Movement 3 of Vom Himmel hoch, da komm ich her (Knüpfer)
Allemande l'Agréable (Anon)
Almaygne (Anon)
Altra volta incatenarmi  Movement 2 of Nò, di voi non vo' fidarmi (Handel)
Amor, non dormir più (Strozzi)
Amore è bandito (Strozzi)
An Irish Toy (Anon)
Argeers  Part 8 of The Cheaters Cheated (Jordan)
Ariodante, HWV33 (Handel)
As shepherds watched their fleecy care (Key)
As ye came from Walsingham (Thumpkin/Gentleman 2/Gentleman 1)  First line to Walsingham, Part 4 of The Black Man (Anon)
At dead low ebb of night  First line to A Tale out of Anacreon (Lawes)
Au dieu d’Amour une pucelle  First line to L'offrande, No 6 of Chansons gaillardes, FP42 (Poulenc)
Auf, lasst uns den Herren loben (Bach)
Avec une si belle main  First line to Sérénade, No 8 of Chansons gaillardes, FP42 (Poulenc)
Be welcome then, great Sir, to constant vows  Movement 7 of Fly, bold rebellion, Z324 (Purcell)
Bel tempo per me se n'andò (Carissimi)
Black do I cry, will you any of me buy? (The Black Man/Thumpkin)  First line to The Gelding of the Devil, Part 9 of The Black Man (Anon)
Blessing (Anon)
Canciones de clarines (Anon/Roberts)
Cavalilly Man  Part 9 of The Cheaters Cheated (Jordan)
Chanson à boire  No 2 of Chansons gaillardes, FP42 (Poulenc)
Chansons gaillardes, FP42 (Poulenc)
Ch'ave overcome my voes (Wat/Company)  First line to Upon a Summers Day, Part 10 of The Cheaters Cheated (Jordan)
Christmas Oratorio 'Christmas Oratorio', BWV248 (Bach)
Christmas Oratorio, BWV248 (Bach)
Christus, der ist mein Leben (Schelle)
Collect (Anon)
Come buy a brush for all your cloathes (Brush/Thumpkin)  First line to Greys Inn Mask, Part 7 of The Black Man (Anon)
Come sweetheart, look not sadly (Gentleman 2/Susan/Gentleman 1)  First line to Prithee love turn to me, Part 3 of The Black Man (Anon)
Come, come along for a dance and a song (Clarke)
Come, sad Turtle, mateless moaning  First line to The Mournful Lovers (Lawes)
Con l'ali di costanza (Ariodante)  Act 1 Scene 8, Aria from Ariodante, HWV33 (Handel)
Concerto in F major 'No 4b' (Anon)
Conservate, raddoppiate (Handel)
Contentatevi, o fidi pensieri  Movement 3, Sinfonia – Aria of Su le sponde del Tebro (Scarlatti)
Corrant (Anon)
Correa nel seno amato (Scarlatti)
Corydon and Miranda (Boyce)
Could he whom my dissembled rigour grieves, Op 3 No 3 (Jackson)
Couplets bachiques  No 5 of Chansons gaillardes, FP42 (Poulenc)
Courante (Anon)
Credimi pur che t'amo (Porpora)
Crudeltà nè lontananza  Movement 2 of Sono liete, fortunate (Handel)
Cur, quaeso, crudelis es factus?  Movement 4, Aria of Infirmata vulnerata (Scarlatti)
Dal ben seno d'una stella  Movement 3, Aria of O di Betlemme altera (Scarlatti)
Damon and Clora (Harington)
Davidis pugna et victoria (Scarlatti)
Dime, amor (Araujo)
Dios de amor (Araujo)
Dopo notte (Ariodante)  Act 3 Scene 9, Aria from Ariodante, HWV33 (Handel)
Dunque annoda pur, ben mio  Movement 3 of Tanti strali al sen mi scocchi (Handel)
E vibrando in un baleno  Movement 3 of A mirarvi io son intento (Handel)
E vivo ancora? E senza il ferro?  First line to Scherza infida! (Ariodante), Act 2 Scene 3, Aria from Ariodante, HWV33 (Handel)
Easter Oratorio, BWV249 (Bach)
Ehre sei dir, Gott, gesungen  Part 5 No 1, Chorus of Christmas Oratorio 'Christmas Oratorio', BWV248 (Bach)
Elvira, anima mia  No 1, Recitativo of Elvira, anima mia, RV654 (Vivaldi)
Elvira, anima mia, RV654 (Vivaldi)
En el muy gran Padre Ignacio (Araujo)
Enchanting harmonist (Harington)
Fair, if you expect admiring (Campion)
Fairest work of happy nature (Blow)
Farewell Despairing Hopes, I'll love no more  First line to A Despairing Lover (Lawes)
Flavia grown old (Blow)
Flow not so fast, ye fountains (Dowland)
Fly to my aid, O mighty Love (Linley Sr.)
Fly, bold rebellion, Z324 (Purcell)
Frogges Galliard (Anon)
From silent shades and the Elysian groves  First line to Mad Bess, Z370 (Purcell/Britten)
From silent shades and the Elysian groves  First line to Mad Bess, Z370 (Purcell/Tippett/Bergmann)
Fronda leggiera e mobile (Handel)
Già lusingato appieno (Scarlatti)
Gite, o giorni dolenti (Strozzi)
Give me my lute (Banister)
Give to God our thankful songs (Haydn/Gardiner)
Gloria, laus, et honor (Anon/Almeida)
Glorious and powerful God (Gibbons)
Glory of ye North (Anon)
Go, passions, to the cruel fair (Ford)
Good morrow fellow Filcher (Nim/Filcher)  First line to The Friar and the Nun, Part 1 of The Cheaters Cheated (Jordan)
Gott ist mein Trost, mein' Zuversicht  Movement 2 of Was mein Gott will, das gescheh allzeit (Knüpfer)
Gott soll allein mein Herze haben, BWV169 (Bach)
Great king of gods (Gibbons)
Greys Inn Mask  Part 7 of The Black Man (Anon)
Grim King of the Ghosts  Part 10 of The Black Man (Anon)
Hark how all the wild musicians sing, Z542 (Purcell)
Hark! how all the welkin rings (Anon/Butts)
Hark, Damon, hark, Z541 (Purcell)
Hark, shepherd swains (Lawes)
He that will not love  First line to Persuasions not to Love (Lawes)
He who could first two gentle hearts unbind (Linley Sr.)
He whose desires are still abroad (Danyel)
Heartsease  Part 8 of The Black Man (Anon)
Help, Father Abraham! 'A Dialogue betwixt Dives and Abraham' (Blow)
Herod  Variation 2 of A boy was born, Op 3 (Britten)
Hosanna to the highest, Z187 (Purcell)
How pleasant is this flowery plain and grove!, Z543 (Purcell)
Hush! my dear, lie still and slumber (Anon/Butts)
Hymning seraphs wake the morning (Handel/Taylor)
I can dance and I can sing (Moll Medlar/Wat)  First line to Stingo – Half Hanekin, Part 6 of The Cheaters Cheated (Jordan)
I laid me down upon a pillow soft  First line to A Dreame (Lawes)
I spy Celia, Z499 (Purcell/Britten)
I take no pleasure in the sun's bright beams, Z388 (Purcell/Britten)
Ich bin ein Glied an deinem Leib  Movement 2 of Wenn mein Stündlein vorhanden ist (Knüpfer)
Ich habe genug, BWV82 (Bach)
Il faut s’aimer toujours  First line to La belle jeunesse, No 7 of Chansons gaillardes, FP42 (Poulenc)
Il mio core è un mar di pianti (Carissimi)
Immortal Bach (Bach/Nystedt)
In darkness let me dwell (Coprario)
In guilty night, and hid in false disguise  First line to Saul and the witch at Endor, Z134 (Purcell/Britten)
In this same plight, sir, thus disquis'd (Gentleman 1/Thumpkin/Gentleman 2)  First line to Prince Rupert's March, Part 6 of The Black Man (Anon)
In thousand thoughts of love and thee (Linley Sr.)
Infelici miei lumi  Movement 5, Largo of Su le sponde del Tebro (Scarlatti)
Infiammate, saettate  Movement 3 of Troppo cruda (Handel)
Infirmata vulnerata (Scarlatti)
Invocation aux Parques  No 4 of Chansons gaillardes, FP42 (Poulenc)
Jack a Lent  Part 4 of The Cheaters Cheated (Jordan)
Jamaica, or The Jovial Broom Man, or a Kent Soldier's exact relation of all his travels in Every Nation, his famous acts are all Shown Here as in this Story doth appear (Anon)
Jauchzet, frohlocket, auf, preiset die Tage  Part 1 No 1, Chorus of Christmas Oratorio, BWV248 (Bach)
Je jure, tant que je vivrai  First line to Invocation aux Parques, No 4 of Chansons gaillardes, FP42 (Poulenc)
Je suis tant que dure le jour  First line to Couplets bachiques, No 5 of Chansons gaillardes, FP42 (Poulenc)
Jesu, as thou art our saviour  Variation 3 of A boy was born, Op 3 (Britten)
Jog On  Part 5 of The Black Man (Anon)
Jog on, jog on, my pretty Susan (Thumpkin/Susan/Gentleman 1/Gentleman 2)  First line to Jog On, Part 5 of The Black Man (Anon)
Komm, süsser Tod!  First line to Immortal Bach (Bach/Nystedt)
Kommt, lasst uns gehen in die Stadt  Movement 2 of Vom Himmel hoch, da komm ich her (Knüpfer)
La belle jeunesse  No 7 of Chansons gaillardes, FP42 (Poulenc)
La Furstemberg  No 2 of Les Gentils Airs, ou Airs connus ajustés en duo, pour basson seul accompagné d'un clavecin (Anon)
La maîtresse volage  No 1 of Chansons gaillardes, FP42 (Poulenc)
L'autor d'ogni mio bene  Movement 5, Aria of O di Betlemme altera (Scarlatti)
Les Gentils Airs, ou Airs connus ajustés en duo, pour basson seul accompagné d'un clavecin (Anon)
Les rois d’Égypte et de Syrie  First line to Chanson à boire, No 2 of Chansons gaillardes, FP42 (Poulenc)
Les sauvages  No 1 of Les Gentils Airs, ou Airs connus ajustés en duo, pour basson seul accompagné d'un clavecin (Anon)
Let an anthem of praise (Anon/Ashworth)
L'offrande  No 6 of Chansons gaillardes, FP42 (Poulenc)
Lost is my liberty (Anon)
Lost is my quiet for ever, Z502 (Purcell/Britten)
Love in thine eyes for ever plays, Op 13 No 7 (Jackson)
Lovely Selena, innocent and free (Blow)
Lullay, Jesu  Variation 1 of A boy was born, Op 3 (Britten)
Ma la speme lusinghiera  Movement 2 of Troppo cruda (Handel)
Ma l'amor per mio tormento  Movement 2 of A mirarvi io son intento (Handel)
Ma maîtresse est volage  First line to La maîtresse volage, No 1 of Chansons gaillardes, FP42 (Poulenc)
Ma se l'alma sempre geme  Movement 2 of Tanti strali al sen mi scocchi (Handel)
Mad Bess, Z370 (Purcell/Britten)
Mad Bess, Z370 (Purcell/Tippett/Bergmann)
Madrigal  No 3 of Chansons gaillardes, FP42 (Poulenc)
Man, forbear this place (Thumpkin/The Black Man)  First line to Grim King of the Ghosts, Part 10 of The Black Man (Anon)
Maske (Anon)
Mi lusinga il dolce affetto (Ruggiero)  Act 2 Scene 3, Aria from Alcina, HWV34 (Handel)
Mine own dear mother, sing lullay!  First line to Lullay, Jesu, Variation 1 of A boy was born, Op 3 (Britten)
My Robin is to the Greenwood gone  No 2 of Popular Tunes from The Wigthorpe Manuscript (Anon)
My Robin is to the greenwood gone (Anon)
Nanns Maske (Anon)
Nò, di voi non vo' fidarmi (Handel)
Noch eins, Herr, will ich bitten dich  Movement 3 of Was mein Gott will, das gescheh allzeit (Knüpfer)
Nodi voi, che gli stringeste  Movement 2 of Conservate, raddoppiate (Handel)
Non mi dite (Strozzi)
Now farawel Lungeon, iche may zing (Wat/Filcher/Nim/Moll Medlar/Baby)  First line to Cavalilly Man, Part 9 of The Cheaters Cheated (Jordan)
O all true faithful hearts (Gibbons)
O come, O come, Emmanuel  First line to Veni Emmanuel (Anon/Helmore/O'Donnell)
O di Betlemme altera (Scarlatti)
O Jesu, du mein Leben (Krieger)
O Lamm Gottes, unschuldig (Anon)
O mighty God, who sit'st on high (Blow)
O turn not those fine eyes away (Blow)
O woe is me (Thumpkin)  First line to Heartsease, Part 8 of The Black Man (Anon)
O ye little flock (Amner)
Ode to the memory of Italian virtuosi (Harington)
Odo di mesto intorno (Clerk)
Of all the torments, all the cares (Blow)
Oh sweet woods, the delight of solitariness (Lawes)
Oh wo, wo, wo, what zhall chee do? (Wat/Baby)  First line to The Gelding of the Devil, Part 7 of The Cheaters Cheated (Jordan)
Oh! that mine eyes would melt into a flood (Blow)
Oh! what a scene does entertain my sight, Z506 (Purcell)
Oh, let me still and silent lie (Lawes)
Oh, my Clarissa, thou cruel fair (Lawes)
On a time (Herbert)
Or che d'orrido Verno (Porpora)
Or sì m'avveggio, oh Amore (Porpora)
Our sentinel keeps well his standing (Gentleman 1/The Black Man/Gentleman 2/Thumpkin)  First line to Peg a Ramsey, Part 11 of The Black Man (Anon)
Our Taunton den is a dungeon (Wat)  First line to Upon a Summers Day – Kemp's Jig, Part 2 of The Cheaters Cheated (Jordan)
Parnasso in Festa, HWV73 (Handel)
Partirò, ma vedrai quanto  No 2, Aria of Elvira, anima mia, RV654 (Vivaldi)
Passo al rogo fatal  No 3, Recitativo of Elvira, anima mia, RV654 (Vivaldi)
Peg a Ramsey  Part 11 of The Black Man (Anon)
Persuasions not to Love (Lawes)
Poi che mancò speranza (Rossi)
Poor Celadon, he sighs in vain 'Loving above himself' (Blow)
Popular Tunes from The Wigthorpe Manuscript (Anon)
Prince Rupert's March  Part 6 of The Black Man (Anon)
Prithee love turn to me  Part 3 of The Black Man (Anon)
Pupille vaghe  No 4, Aria of Elvira, anima mia, RV654 (Vivaldi)
Quando chiami dolce, e cara  No 2, Aria of Tremori al braccio, RV799 (Vivaldi)
Quando non ho più core  Movement 2 of Se tu non lasci amore (Handel)
Quello che senti, ò bella  No 4, Aria of Tremori al braccio, RV799 (Vivaldi)
Questa è la nuova (Strozzi)
Quick let us share (Filcher/Nim)  First line to Jack a Lent, Part 4 of The Cheaters Cheated (Jordan)
Quoth John to Joan  Part 1 of The Black Man (Anon)
Rejoice in the Lord alway (Anon)
Response to Blessing (Anon)
Responsory (Anon)
Rissolvetevi pensieri (Strozzi)
Room for a lad that's come from seas  First line to Jamaica, or The Jovial Broom Man, or a Kent Soldier's exact relation of all his travels in Every Nation, his famous acts are all Shown Here as in this Story doth appear (Anon)
Sabina has a thousand charms (Blow)
Saggio quel cor che libero  Movement 2 of Fronda leggiera e mobile (Handel)
Saul and the witch at Endor, Z134 (Purcell/Britten)
Scherza infida! (Ariodante)  Act 2 Scene 3, Aria from Ariodante, HWV33 (Handel)
Schlage doch, gewünschte Stunde (Hoffmann)
Se tu non lasci amore (Handel)
Se vittorie si belle (Monteverdi)
See the chariot at hand (Anon)
Sei lob und Preis mit Ehren  Movement 7 of Wir danken dir, Gott, wir danken dir, BWV29 (Bach)
Semper gratus desiderabilis  Movement 6, Aria of Infirmata vulnerata (Scarlatti)
Sérénade  No 8 of Chansons gaillardes, FP42 (Poulenc)
Silencio (Araujo)
Since first I saw your face (Ford)
Sinfonia  Movement 1 of Wir danken dir, Gott, wir danken dir, BWV29 (Bach)
Sing fair Clorinda (Lawes)
Sing, ye muses 'Epilogue' (Blow)
Sleep, Adam, and take thy rest, Z195 (Purcell)
So per prova i vostri inganni  Movement 3 of Nò, di voi non vo' fidarmi (Handel)
Soft notes and gently raised 'A Serenading Song', Z510 (Purcell)
Soldiers fight and Hectors rant on (Moll Medlar)  First line to The Carman's Whistle, Part 5 of The Cheaters Cheated (Jordan)
Sonata in D 'con concertino' (Anon)
Sono liete, fortunate (Handel)
Stà nell'Ircana (Ruggiero)  Act 3 Scene 3, Aria from Alcina, HWV34 (Handel)
Stay, gentle Echo, dear nymph, stay 'A Dialogue between Philander and the Echo' (Blow)
Stingo – Half Hanekin  Part 6 of The Cheaters Cheated (Jordan)
Stirb in mir  No 5, Aria of Gott soll allein mein Herze haben, BWV169 (Bach)
Strawberry leaves  No 4 of Popular Tunes from The Wigthorpe Manuscript (Anon)
Su le sponde del Tebro (Scarlatti)
Sweet Echo, sweetest nymph that liv'st unseen (Lawes)
Sweet Susan, remember the words I have said (Thumpkin/Susan)  First line to Quoth John to Joan, Part 1 of The Black Man (Anon)
Tambourin  No 3 of Les Gentils Airs, ou Airs connus ajustés en duo, pour basson seul accompagné d'un clavecin (Anon)
Tanti strali al sen mi scocchi (Handel)
The Black Man (Anon)
The Bloody Battle at Billingsgate 'The Orange – Hit and Miss' (Anon)
The blushing rose (Anon)
The Building of St Paul's (Anon)
The Carman's Whistle  Part 5 of The Cheaters Cheated (Jordan)
The cats, as other creatures do (Lawes)
The Cheaters Cheated (Jordan)
The day that saw thy beauty rise (Jackson)
The delights of the bottle (Locke)
The fatal hour comes on apace, Z421 (Purcell)
The fatal hour comes on apace, Z421 (Purcell/Tippett/Bergmann)
The Friar and the Nun  Part 1 of The Cheaters Cheated (Jordan)
The Gelding of the Devil  Part 9 of The Black Man (Anon)
The Gelding of the Devil  Part 7 of The Cheaters Cheated (Jordan)
The Indian Queen  Part 2 of The Black Man (Anon)
The lark sings high in the cornfield (Linley Sr.)
The Last of the Queenes Maskes (Anon)
The lyre (Harington)
The Merry Wooing of Robin and Joan 'Sellengers Round' (Anon)
The Milk Maid (Anon)
The Miller of Dee (Anon)
The Mournful Lovers (Lawes)
The New Nightingale (Anon)
The Noble Man (Anon/Schop)
The rainbow never knew (Filcher/Nim/Wat)  First line to The Friar and the Nun, Part 3 of The Cheaters Cheated (Jordan)
The Saint Turned Sinner, or The Dissenting Parson's Text Under the Quaker's Petticoats (Anon)
The three kings  Variation 4 of A boy was born, Op 3 (Britten)
Thee and thy wondrous deeds (Lawes)
There was a jolly miller once  First line to The Miller of Dee (Anon)
Think not, my love, when secret grief (Linley Sr.)
Thou God of wisdom (Gibbons)
Tickle my toe  No 3 of Popular Tunes from The Wigthorpe Manuscript (Anon)
Time has not thinn'd my flowing hair (Jackson)
Time stands still (Dowland)
To heal the wound a bee had made (Linley Jr.)
Toccata – Perle care (Piccinini/Strozzi)
Toccata – Soccorrete, luci avare (Granata/Strozzi)
Tocco la prima sorte a voi, pastori  Movement 7, Aria of O di Betlemme altera (Scarlatti)
Tralascia pur di piangere, povero afflitto cor  Movement 8, Aria of Su le sponde del Tebro (Scarlatti)
Tremori al braccio  No 1, Recitative of Tremori al braccio, RV799 (Vivaldi)
Tremori al braccio, RV799 (Vivaldi)
Troppo cruda (Handel)
Ungrateful cruel maid from Clotilda (Conti/Anon)
Upon a Summers Day  Part 10 of The Cheaters Cheated (Jordan)
Upon a Summers Day – Kemp's Jig  Part 2 of The Cheaters Cheated (Jordan)
Veni Emmanuel (Anon/Helmore/O'Donnell)
Verdi prati (Ruggiero)  Act 2 Scene 12, Aria from Alcina, HWV34 (Handel)
Verse in G minor 'Voluntary' (Anon)
Viola da gamba Sonata in D major, Op 5 No 11 (Corelli/Anon)
Violin Sonata in G major, Op 5 No 6 (Corelli/Anon)
Voglio morire (Strozzi)
Vom Himmel hoch, da komm ich her (Knüpfer)
Vous êtes belle comme un ange  First line to Madrigal, No 3 of Chansons gaillardes, FP42 (Poulenc)
Vulnera percute, transfige cor  Movement 3, Aria of Infirmata vulnerata (Scarlatti)
Walsingham  Part 4 of The Black Man (Anon)
Was mein Gott will, das gescheh allzeit (Knüpfer)
We reap all the pleasures, Z547 (Purcell)
We shall ne're have lucky minuit (Filcher/Nim)  First line to Argeers, Part 8 of The Cheaters Cheated (Jordan)
Weichet nur, betrübte Schatten 'Wedding Cantata', BWV202 (Bach)
Wenn mein Stündlein vorhanden ist (Knüpfer)
What art thou? From what causes dost thou spring?  First line to A Hymn on Divine Musick (Croft/Britten)
What can we poor females do?, Z518 (Purcell/Britten)
When man for sin thy judgment feels (Lawes)
Why Flavia, why so wanton still?  First line to Flavia grown old (Blow)
Wie schön leuchtet der Morgenstern, BWV1 (Bach)
Wir danken dir, Gott, wir danken dir, BWV29 (Bach)
With him he brings the partner of his throne  Movement 7 of Ye tuneful Muses, Z344 (Purcell)
Wolsey's Wild  No 1 of Popular Tunes from The Wigthorpe Manuscript (Anon)
Y'are well overtaken—wither, sir, so fast? (Gentleman 1/Thumpkin/Gentleman 2)  First line to The Indian Queen, Part 2 of The Black Man (Anon)
Ye sportive loves, that round me wait (Linley Sr.)
Ye tuneful Muses, Z344 (Purcell)
You friends to reformation  First line to The Saint Turned Sinner, or The Dissenting Parson's Text Under the Quaker's Petticoats (Anon)
Zwar ist solche Herzensstube  Part 5 No 11, Chorale of Christmas Oratorio 'Christmas Oratorio', BWV248 (Bach)
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