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Complete works available for download |
A maiden most gentle
Westminster Cathedral Choir, James O'Donnell (conductor), Iain Simcock (organ)
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A solis ortus
Leigh Nixon (tenor)
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A vous douce debonnaire
Rogers Covey-Crump (tenor)
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Ab ora summa nuncius
Gothic Voices, Christopher Page (conductor)
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Abide, I hope
Gothic Voices, Christopher Page (conductor)
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Ad cantus letitie
Gothic Voices, Christopher Page (conductor)
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Ad honorem salvatoris
Rogers Covey-Crump (tenor)
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Ad honorem salvatoris
Gothic Voices, Christopher Page (conductor)
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Adulari nesciens
Catherine King (soprano)
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Aeterna Christi munera
Westminster Cathedral Choir, James O'Donnell (conductor)
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Agnus Dei: Qui pius est factus
Gothic Voices, Christopher Page (conductor)
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Alleluia. Assumpta est Maria in caelum
Westminster Cathedral Lay Clerks, Matthew Martin (conductor)
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Amor mi fa cantar a la Francesca
Gothic Voices, Christopher Page (conductor)
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Amors m'art con fuoc am flama
Gothic Voices, Christopher Page (conductor), Margaret Philpot (alto), Robert White (bagpipes)
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Angelus ad virginem
St Paul's Cathedral Choir, John Scott (conductor)
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Anglia, planctus itera
Gothic Voices, Christopher Page (conductor), Margaret Philpot (alto)
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Archangeli Michaelis interventione
The Sixteen, Harry Christophers (conductor)
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Argumenta faluntur fisice
Catherine King (soprano)
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Artium dignitas
John Potter (tenor), Christopher O'Gorman (tenor)
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Assumpta est Maria
Westminster Cathedral Lay Clerks, Matthew Martin (conductor)
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Avant hier en un vert pre
Sinfonye, Stevie Wishart (conductor)
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Ave Maria
Gothic Voices, Christopher Page (conductor)
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Ave Maria, virgo virginum
Sinfonye, Stevie Wishart (conductor)
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Ave maris stella
Donald Greig (baritone)
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Ave parens/Ad gratie/AVE MARIA
Gothic Voices, Christopher Page (conductor)
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Avrai je ja de ma dame confort?
Gothic Voices, Christopher Page (conductor)
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Ay las! quant je pans
Gothic Voices, Christopher Page (conductor)
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Beata nobis gaudia
Paul Agnew (tenor)
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Beate virginis
John Potter (tenor), Christopher O'Gorman (tenor)
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Bele Doette
Duo Trobairitz
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Bele Doette as fenestres se siet
Sinfonye, Stevie Wishart (conductor)
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Benedicamus Domino: Spiritus almi
Gothic Voices, Christopher Page (conductor)
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Bona domna, un conseil vos deman
Sinfonye, Stevie Wishart (conductor)
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Cantu miro
Gothic Voices, Christopher Page (conductor)
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C'est desoz l'olive en mi les prez
Sinfonye, Stevie Wishart (conductor)
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C'est la gieus en mi les prez
Sinfonye, Stevie Wishart (conductor)
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Christe, qui lux es
Leigh Nixon (tenor)
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Combien que j'aye
Rogers Covey-Crump (tenor), Andrew Lawrence-King (harp), Christopher Page (harp)
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Combien que j'aye
Andrew Lawrence-King (harp)
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Confort d'amours
Gothic Voices, Christopher Page (conductor)
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Congaudet hodie celestis curia
Gothic Voices, Christopher Page (conductor)
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Constantia
Andrew Lawrence-King (harp)
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Converte nos, Deus
A Capella Portuguesa, Owen Rees (conductor)
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Copiose caritatis
Gothic Voices, Christopher Page (conductor)
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Credo
Gothic Voices, Christopher Page (conductor)
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Credo quod redemptor meus vivit
Westminster Cathedral Choir, David Hill (conductor)
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Crucifigat omnes
Julian Podger (tenor)
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Dansse Real
Duo Trobairitz
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De ce que fol pense
Andrew Lawrence-King (harp)
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De la virge Katerine/Quant froidure/Agmina milicie/AGMINA
Gothic Voices, Christopher Page (conductor)
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Deduc, Syon, uberrimas
Gothic Voices, Christopher Page (conductor)
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Degentis vita / Cum vix artidici / Tenor / Contratenor
Gothic Voices, Christopher Page (conductor)
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Deus creator omnium
Leigh Nixon (tenor)
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Diastematica
Catherine King (soprano)
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Divino maduit
Gothic Voices, Christopher Page (conductor)
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Doleo super te
Stephen Charlesworth (baritone)
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Dominus vobiscum – In illo tempore
Westminster Cathedral Lay Clerks, Matthew Martin (conductor)
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Dominus vobiscum – Mensae caelestis participes effecti
Westminster Cathedral Lay Clerks, Matthew Martin (conductor)
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Domna, pos vos ay chausida
Sinfonye
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Donna pos vos ay chausida
Gothic Voices, Christopher Page (conductor), Emma Kirkby (soprano), Christopher Page (lute)
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Dulcia dona redemptoris
Gothic Voices, Christopher Page (conductor)
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Ecce mundi gaudium
Sinfonye, Stevie Wishart (conductor)
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Ecce torpet probitas
Stephen Charlesworth (baritone)
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Ego sum resurrectio et vita – Benedictus Dominus, Deus Israel
Westminster Cathedral Choir, David Hill (conductor)
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En cest mois de May
Gothic Voices, Christopher Page (conductor)
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En esperant
Gothic Voices, Christopher Page (conductor)
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En la maison Dedalus
Gothic Voices, Christopher Page (conductor)
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En ma forest
Duo Trobairitz
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En non Dieu/Quant voi la rose/NOBIS
Gothic Voices, Christopher Page (conductor)
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En un vergier
Duo Trobairitz
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Estampie I
Pavlo Beznosiuk (fiddle)
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Estampie II
Pavlo Beznosiuk (fiddle)
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Estampie III
Pavlo Beznosiuk (fiddle)
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Estampie on 'Vide miser et iudica'
Sinfonye, Stevie Wishart (conductor)
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Estampie Royal 'No 1'
Duo Trobairitz
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Estampie Royal 'No 3'
Duo Trobairitz
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Estampie Royal 'No 3'
Sinfonye
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Estampie Royal 'No 4'
Duo Trobairitz
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Estampie Royal 'No 4'
Sinfonye
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Estampie Royal 'No 4'
Pavlo Beznosiuk (fiddle)
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Estampie Royal 'No 6'
Sinfonye
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Estampie Royal 'No 7'
Pavlo Beznosiuk (fiddle)
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Estampie Royal 'No 8'
Pavlo Beznosiuk (fiddle)
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Et une chambre cointe et grant/ET GAUDEBIT
Sinfonye, Stevie Wishart (conductor)
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Etas auri reditur
Gothic Voices, Christopher Page (conductor)
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Ex te lux oritur o dulcis Scocia
Paul Hillier (baritone), Stephen Stubbs (medieval lute), Lena-Liis Kiesel (portative organ)
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Exultavit cor in Domino
Gothic Voices, Christopher Page (conductor)
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Exultemus et letemur
Gothic Voices, Christopher Page (conductor)
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Festa januaria
Gothic Voices, Christopher Page (conductor)
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Fist on, dame
Gothic Voices, Christopher Page (conductor)
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Flos floriger
Gothic Voices, Christopher Page (conductor)
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Flos in monte cernitur
Gothic Voices, Christopher Page (conductor)
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Gabriel fram evene king
Sinfonye, Stevie Wishart (conductor)
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Gabriel fram evene king. Untexted realization
Sinfonye, Stevie Wishart (conductor)
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Gabriel's message
Westminster Cathedral Choir, James O'Donnell (conductor)
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Gaude Maria virgo
Steven Harrold (tenor)
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Gaudeamus omnes
Westminster Cathedral Lay Clerks, Matthew Martin (conductor)
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Generosa Jesse plantula
Gothic Voices, Christopher Page (conductor)
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Genitus divinitus
John Potter (tenor), Christopher O'Gorman (tenor)
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Gospel 'In illo tempore'
Gothic Voices, Christopher Page (conductor), Leigh Nixon (tenor)
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Hac in anni ianua
Gothic Voices, Christopher Page (conductor)
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Hac in die Gedeonis
Gothic Voices, Christopher Page (conductor)
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Hec dies quam fecit Dominus
Gothic Voices, Christopher Page (conductor)
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Heu quo progreditur
John Potter (tenor), Christopher O'Gorman (tenor)
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Il me convient guerpir
Gothic Voices, Christopher Page (conductor)
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In dulci iubilo
Westminster Abbey Choir, James O'Donnell (conductor), William Fairbairn (treble), Cameron Roberts (treble), Daniel Parr (treble), Mark Dobell (tenor)
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In dulci iubilo
Westminster Cathedral Choir, James O'Donnell (conductor)
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In hoc ortus occidente
Catherine King (soprano)
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In natali novi regis
Gothic Voices, Christopher Page (conductor)
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In occasu sideris
Gothic Voices, Christopher Page (conductor)
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In Rama sonat gemitus
Leigh Nixon (tenor)
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In salvatoris / Ce fu en tres douz tens / In veritate / VERITATEM
Gothic Voices, Christopher Page (conductor)
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Incomprehensibilia firme / Praeter rerum ordinem
The Binchois Consort, Andrew Kirkman (conductor)
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Inter usitata/Inter tot et tales/TENOR
Gothic Voices, Christopher Page (conductor)
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Invocantes Dominum / Psalm 'Deus, qui venerunt'
Gothic Voices, Christopher Page (conductor)
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Ista dies celebrari
John Potter (tenor), Christopher O'Gorman (tenor)
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Iube, Domine, benedicere
A Capella Portuguesa, Owen Rees (conductor)
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Je la remire, la belle
Gothic Voices, Christopher Page (conductor)
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Je languis d'amere mort
Gothic Voices, Christopher Page (conductor)
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Je m'en vois/Tels a mout/OMNES
Gothic Voices, Christopher Page (conductor)
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Je ne chant pas/Talens m'est pris/APTATUR/OMNES
Gothic Voices, Christopher Page (conductor)
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Je ne puis / Par un matin / Le premier jor / IUSTUS
Gothic Voices, Christopher Page (conductor)
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Je vueil vivre au plaisir d'amours
Gothic Voices, Christopher Page (conductor)
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Jerusalem accipitur
Gothic Voices, Christopher Page (conductor)
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Jerusalem! grant damage me fais
Gothic Voices, Christopher Page (conductor), Catherine King (soprano)
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Jesu fili virginis
Gothic Voices, Christopher Page (conductor)
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Jesu fili/Jesu lumen/JESU FILI VIRGINIS
Gothic Voices, Christopher Page (conductor)
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Jesu salvator
Leigh Nixon (tenor)
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Jesu, fili virginis
Gothic Voices, Christopher Page (conductor)
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Jour a jour la vie
Gothic Voices, Christopher Page (conductor)
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Joys Seven
Westminster Abbey Choir, James O'Donnell (conductor), Benedict Kearns (treble), Robert Quinney (organ)
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La grant biauté
Gothic Voices, Christopher Page (conductor)
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La jus desouz l'olive
Sinfonye, Stevie Wishart (conductor)
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Latex silice
Gothic Voices, Christopher Page (conductor)
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Lauda Sion salvatorem
Winchester Cathedral Choir, David Hill (conductor), William Kendall (tenor)
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Laus detur multipharia
Gothic Voices, Christopher Page (conductor)
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Le gay playsir
Andrew Lawrence-King (harp)
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Le grant pleyser
Andrew Lawrence-King (harp)
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Le ior
Andrew Lawrence-King (harp)
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Le ior 'Faenza codex'
Andrew Lawrence-King (harp)
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Lectio libri Sapientiae
Westminster Cathedral Lay Clerks, Matthew Martin (conductor)
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Letetur celi curia
Gothic Voices, Christopher Page (conductor)
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Li debonnaires Dieus
Sinfonye, Stevie Wishart (conductor)
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Licet eger cum egrotis
Charles Daniels (tenor)
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Lolay, lolay. Als I lay on Yoleis night
Sinfonye, Stevie Wishart (conductor)
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Luget Rachel iterum
Gothic Voices, Christopher Page (conductor)
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Lullay, lullay
Gothic Voices, Christopher Page (conductor), Margaret Philpot (alto)
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Luto carens et latere
Gothic Voices, Christopher Page (conductor)
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Magno gaudens gaudio
Catherine King (soprano)
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Main s'est levee Aëlis/NE
Sinfonye, Stevie Wishart (conductor)
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Mais qu'il vous viengne a plaisance
Gothic Voices, Christopher Page (conductor)
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Marticius qui fu
Gothic Voices, Christopher Page (conductor)
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Mater ora filium
Gothic Voices, Christopher Page (conductor)
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Miri it is – Estampie
Sinfonye, Stevie Wishart (conductor)
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Missa Caput
Gothic Voices, Christopher Page (conductor)
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Missa Quem malignus spiritus
The Binchois Consort, Andrew Kirkman (conductor)
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Missa Veterem hominem
Gothic Voices, Christopher Page (conductor)
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Missus Gabriel de celis
Gothic Voices, Christopher Page (conductor)
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Mout souvent/Mout ai esté en dolour/MULIERUM
Gothic Voices, Christopher Page (conductor)
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Mundus vergens
Gothic Voices, Christopher Page (conductor)
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Musicorum collegio/In templo Dei/TENOR
Gothic Voices, Christopher Page (conductor)
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N'a pas long temps que trouvay Zephirus
Rogers Covey-Crump (tenor), Imogen Barford (medieval harp)
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Non na el so amante
Andrew Lawrence-King (harp)
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Novus miles sequitur
Gothic Voices, Christopher Page (conductor)
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Nowell, nowell: In Bethlem
The Sixteen, Harry Christophers (conductor)
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O levis aurula!
Gothic Voices, Christopher Page (conductor)
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O pulcherrima mulierum / Girum caeli circuivi
The Binchois Consort, Andrew Kirkman (conductor)
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O regina seculi/Reparatrix Maria
Gothic Voices, Christopher Page (conductor)
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O sponsa Dei electa
Gothic Voices, Christopher Page (conductor)
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Omnis terra/Habenti dabitur/TENOR
Gothic Voices, Christopher Page (conductor)
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Optimam partem elegit sibi Maria
Westminster Cathedral Lay Clerks, Matthew Martin (conductor)
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Pange lingua
Gothic Voices, Christopher Page (conductor)
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Pange lingua gloriosi
Winchester Cathedral Choir, David Hill (conductor)
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Pange lingua gloriosi
Leigh Nixon (tenor)
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Pange lingua 'The story of the Salve regina'
Gothic Voices, Christopher Page (conductor)
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Pange melos lacrimosum
Gothic Voices, Christopher Page (conductor)
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Par un matinet/Hé, sire!/Hé, bergier!/EIUS
Gothic Voices, Christopher Page (conductor)
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Pascha nostrum
Gothic Voices, Christopher Page (conductor)
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Per omnia saecula – Pater noster
Westminster Cathedral Lay Clerks, Matthew Martin (conductor)
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Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS
Gothic Voices, Christopher Page (conductor)
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Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS
Gothic Voices, Christopher Page (conductor)
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Por coi me bait me maris
Sinfonye, Stevie Wishart (conductor)
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Por coi me bait me maris?
Duo Trobairitz
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Porta salutis
John Potter (tenor), Christopher O'Gorman (tenor)
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Pour vous servir
Gothic Voices, Christopher Page (conductor)
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Procedenti puero
Sinfonye, Stevie Wishart (conductor)
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Procedenti puero
Sinfonye, Stevie Wishart (conductor)
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Psalm 133 'Ecce nunc benedicite', with antiphon
A Capella Portuguesa, Owen Rees (conductor)
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Puis qu'autrement ne puis avoir
Gothic Voices, Christopher Page (conductor)
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Puis que l'aloe ne fine
Rogers Covey-Crump (tenor), Andrew Lawrence-King (harp), Christopher Page (harp)
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Pura, placens/Parfundement plure/TENOR
Gothic Voices, Christopher Page (conductor)
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Purgator criminum
Gothic Voices, Christopher Page (conductor), Leigh Nixon (tenor)
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Quando i oselli canta
Gothic Voices, Christopher Page (conductor)
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Quant la douce jouvencelle
Gothic Voices, Christopher Page (conductor)
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Quant voi la fleur nouvele
Gothic Voices, Christopher Page (conductor), Margaret Philpot (alto), Robert White (bagpipes)
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Quant voi l'alouete/Diex! je ne m'en partiré ja/NEUMA
Gothic Voices, Christopher Page (conductor)
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Quant voi le douz tans / En mai / [Immo]LATUS
Gothic Voices, Christopher Page (conductor)
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Qui servare puberem [monophonic]
Christopher O'Gorman (tenor)
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Qui servare puberem [three-part]
John Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)
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Qui servare puberem [two-part, measured]
John Potter (tenor), Christopher O'Gorman (tenor)
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Qui servare puberem [two-part, unmeasured]
John Potter (tenor), Christopher O'Gorman (tenor)
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Quiconques veut d'amors joïr
Gothic Voices, Christopher Page (conductor)
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Quo vadis, quo progrederis?
John Potter (tenor)
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Quod promisit ab eterno
John Potter (tenor), Christopher O'Gorman (tenor)
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Regis cuius potentia
Gothic Voices, Christopher Page (conductor)
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Relegentur ab area
John Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)
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Renouveler me feïst
Gothic Voices, Christopher Page (conductor)
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Rerum Deus conditor
Charles Daniels (tenor)
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Resonet, intonet
Gothic Voices, Christopher Page (conductor)
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Salva nos, stella maris
Sinfonye, Stevie Wishart (conductor)
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Salvator mundi
A Capella Portuguesa, Owen Rees (conductor)
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Salvator mundi
Leigh Nixon (tenor)
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Salve regina
Henry's Eight
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Salve regina
Gothic Voices, Christopher Page (conductor)
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Salve regina
Gothic Voices, Christopher Page (conductor)
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Salve, virgo virginum
Sinfonye, Stevie Wishart (conductor)
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Sancta Maria virgo
Gothic Voices, Christopher Page (conductor)
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Sanctus
Gothic Voices, Christopher Page (conductor)
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Singularis laudis digna
Gothic Voices, Christopher Page (conductor)
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Singularis laudis digna
Gothic Voices, Christopher Page (conductor)
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Soit tart, tempre, main ou soir
Gothic Voices, Christopher Page (conductor)
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Sol sub nube latuit
Gothic Voices, Christopher Page (conductor)
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Sospitati dat egrotos
Gothic Voices, Christopher Page (conductor)
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Soufrés, maris
Sinfonye, Stevie Wishart (conductor)
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Stella maris illustrans omnia
Gothic Voices, Christopher Page (conductor)
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Stella serena
John Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)
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Stephani sollempnia
John Potter (tenor), Christopher O'Gorman (tenor), Rogers Covey-Crump (tenor)
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Summum regem honoremus
Gothic Voices, Christopher Page (conductor)
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Super te Ierusalem/Sed fulsit virginitas/PRIMUS TENOR/DOMINUS
Gothic Voices, Christopher Page (conductor)
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Te Deum
Gothic Voices, Christopher Page (conductor)
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The Agincourt Carol
Gothic Voices, Christopher Page (conductor)
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Ther is no rose of swych vertu
Sinfonye, Stevie Wishart (conductor)
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Ther is no rose of swych vertu. Instrumental realization
Sinfonye, Stevie Wishart (conductor)
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Ther is no rose of swych virtu
Gothic Voices, Christopher Page (conductor)
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To many a well
Gothic Voices, Christopher Page (conductor)
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Tout leis en mi les prez/DOMINUS
Sinfonye, Stevie Wishart (conductor)
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Toute seule, passerai
Sinfonye, Stevie Wishart (conductor)
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Trois sereurs/Trois sereurs/Trois sereurs/PERLUSTRAVIT
Gothic Voices, Christopher Page (conductor)
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Tronus regis instauratur
Charles Daniels (tenor)
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Tu autem in nobis
A Capella Portuguesa, Owen Rees (conductor)
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Untitled instrument piece
Sinfonye, Stevie Wishart (conductor)
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Ut iam cesset calamitas
Sinfonye, Stevie Wishart (conductor)
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Ut non ponam
John Potter (tenor), Christopher O'Gorman (tenor)
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Vacillantis trutine
Leigh Nixon (tenor)
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Venit dilectus meus
Gothic Voices, Christopher Page (conductor)
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Ver pacis apperit
Gothic Voices, Christopher Page (conductor)
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Verbum patris umanatur O O
Gothic Voices, Christopher Page (conductor)
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Veri vitis germine
Gothic Voices, Christopher Page (conductor)
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Vetus abit littera
Gothic Voices, Christopher Page (conductor)
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Vexilla regis prodeunt
A Capella Portuguesa, Owen Rees (conductor)
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Vexilla regni prodeunt
Gothic Voices, Christopher Page (conductor)
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Virgo mater salvatoris
Stephen Charlesworth (baritone)
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Virgo plena gratie / Virgo plena gratie / [VIR]GO
Gothic Voices, Christopher Page (conductor)
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Worldës Blis
Paul Hillier (baritone), Stephen Stubbs (medieval lute), Lena-Liis Kiesel (portative organ)
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Dominus vobiscum – Famulorum tuorum, quaesumus Domine
Westminster Cathedral Lay Clerks, Matthew Martin (conductor)
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Astio non morì mai
Gothic Voices, Christopher Page (conductor)
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Per la ver'onestà
Gothic Voices, Christopher Page (conductor)
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Hermit Songs, Op 29
Gerald Finley (baritone), Julius Drake (piano)
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Corpus Christi Carol
Wells Cathedral Choir, Matthew Owens (conductor), Jonathan Vaughn (organ)
NEW
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God be in my head
Wells Cathedral Choir, Matthew Owens (conductor), Jonathan Vaughn (organ)
NEW
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L'amours dont sui espris
Gothic Voices, Christopher Page (conductor), Margaret Philpot (alto)
|
|
Ma joie me semont
Gothic Voices, Christopher Page (conductor), Rogers Covey-Crump (tenor)
|
|
|
Canticle II 'Abraham and Isaac', Op 51
Anthony Rolfe Johnson (tenor), Michael Chance (countertenor), Roger Vignoles (piano)
|
|
|
En Katerina solennia / Virginalis concio / SPONSUS AMAT SPONSUM
Gothic Voices, Christopher Page (conductor)
|
|
|
Li nouviauz tanz
Gothic Voices, Christopher Page (conductor), John Mark Ainsley (tenor)
|
|
|
I sing of a mayden
Wells Cathedral Choir, Matthew Owens (conductor), Jonathan Vaughn (organ)
|
|
Lovely tear of lovely eye
Wells Cathedral Choir, Matthew Owens (conductor), Jonathan Vaughn (organ), Alfie Johnson (tubular bell)
|
|
|
God be in my head
Wells Cathedral Choir, Malcolm Archer (conductor), Rupert Gough (organ)
|
|
|
Ecce beatam lucem
Wells Cathedral Choir, Matthew Owens (conductor), Jonathan Vaughn (organ)
|
|
I am the day
Wells Cathedral Choir, Matthew Owens (conductor)
|
|
|
Je requier a tous amoureux
Gothic Voices, Christopher Page (conductor)
|
|
Magnanime gentis
The Binchois Consort, Andrew Kirkman (conductor)
|
|
Ne je ne dors
Gothic Voices, Christopher Page (conductor)
|
|
O proles Hispaniae / O sidus Hispaniae
The Binchois Consort, Andrew Kirkman (conductor)
|
|
Quel fronte signorille in paradiso
Gothic Voices, Christopher Page (conductor)
|
|
Se la face ay pale
The Binchois Consort, Andrew Kirkman (conductor)
|
|
|
A la douçour de la bele seson
Gothic Voices, Christopher Page (conductor), Margaret Philpot (alto)
|
|
|
Quando la stella
Gothic Voices, Christopher Page (conductor)
|
|
|
Va t'ent souspir
Gothic Voices, Christopher Page (conductor)
|
|
|
La luz de vuestros ojos
A Capella Portuguesa, Owen Rees (conductor)
|
|
|
I sing of a maiden
Westminster Cathedral Choir, James O'Donnell (conductor), Iain Simcock (organ)
|
|
|
Je demande ma bienvenue
Gothic Voices
|
|
|
Lullay my liking, H129
Holst Singers, Stephen Layton (conductor)
|
|
|
Jerusalem se plaint et li pais
Gothic Voices, Christopher Page (conductor), Catherine King (soprano)
|
|
|
Salve regina 2
Polyphony, Stephen Layton (conductor)
|
|
Thomas, Jewel of Canterbury
The State Choir Latvija, Maris Sirmais (conductor)
|
|
|
En ce gracieux tamps joli
Gothic Voices, Christopher Page (conductor)
|
|
|
Descendi in ortum meum
Gothic Voices, Christopher Page (conductor)
|
|
|
Laudes organi
Westminster Cathedral Choir, James O'Donnell (conductor)
|
|
|
Ochi dolenti mie
Gothic Voices, Christopher Page (conductor)
|
|
Per seguir la sperança
Gothic Voices, Christopher Page (conductor)
|
|
|
Plaindre m'estuet
Gothic Voices, Christopher Page (conductor)
|
|
|
Las, que me demanderoye
Gothic Voices, Christopher Page (conductor)
|
|
|
Ay mi! dame de valour
Leigh Nixon (tenor)
|
|
C'est force, faire le weil
Gothic Voices, Christopher Page (conductor), Andrew Tusa (tenor)
|
|
Comment qu'a moy lonteinne
Gothic Voices, Christopher Page (conductor), Margaret Philpot (alto)
|
|
Le Lai de la Fonteinne
The Hilliard Ensemble
|
|
Ma fin est mon commencement
The Hilliard Ensemble
|
|
Tant doucement me sens emprisonnes
Gothic Voices, Christopher Page (conductor)
|
|
|
Adam lay ybounden
Westminster Cathedral Choir, Martin Baker (conductor)
|
|
|
A babe is born, Op 55
Wells Cathedral Choir, Matthew Owens (conductor), Jonathan Vaughn (organ)
|
|
Ave Rex, Op 45
Westminster Abbey Choir, James O'Donnell (conductor), Robert Quinney (organ)
|
|
In excelsis gloria
Wells Cathedral Choir, Matthew Owens (conductor)
|
|
|
Belle sans per
Gothic Voices, Christopher Page (conductor)
|
|
|
Corpus Christi Carol
Schola Cantorum of Oxford, Lois Gallagher (soprano), Emily Bradshaw (soprano), Simon Jones (piano), Mark Shepherd (conductor)
|
|
Our Lady's song
Schola Cantorum of Oxford, Mark Shepherd (conductor)
|
|
Swete Jesu
Schola Cantorum of Oxford, Mark Shepherd (conductor)
|
|
|
De ce que fol pense
Gothic Voices, Christopher Page (conductor)
|
|
|
Sofrir m'estuet et plus non puis durer
Gothic Voices, Christopher Page (conductor)
|
|
|
Welcome, Yule!
Westminster Cathedral Choir, James O'Donnell (conductor)
|
|
|
In caelestibus regnis
Michael Chance (countertenor), The King's Consort, Robert King (conductor)
|
|
|
Presul nostri temporis
Gothic Voices, Christopher Page (conductor)
|
|
|
Alma polis religio / Axe poli cum artica / Tenor / Contratenor
Gothic Voices, Christopher Page (conductor)
|
|
|
Lullay my liking
Quintin Beer (treble), Richard Wilberforce (countertenor), Lester Lardenoye (countertenor), St John's College Choir Cambridge, David Hill (conductor)
|
|
|
Plaisance, or tost
Gothic Voices, Christopher Page (conductor)
|
|
|
God be in my head
St Paul's Cathedral Choir, John Scott (conductor)
|
|
|
A Gaelic blessing
Polyphony, Bournemouth Sinfonietta, Stephen Layton (conductor)
|
|
God be in my head
Polyphony, Stephen Layton (conductor)
|
|
God be in my head
St Paul's Cathedral Choir, John Scott (conductor)
|
|
Requiem
Polyphony, Bournemouth Sinfonietta, Stephen Layton (conductor)
|
|
|
Joieux de cuer en seumellant estoye
Gothic Voices, Christopher Page (conductor)
|
|
|
Je voel servir plus c'onques mais
Gothic Voices, Christopher Page (conductor)
|
|
|
Missa Gaudeamus
Westminster Cathedral Lay Clerks, Matthew Martin (conductor)
|
|
|
Gratissima virginis/Vos qui admiramini/Gaude gloriosa/Contratenor
Gothic Voices, Christopher Page (conductor)
|
|
|
Corpus Christi
Bryony Lang (soprano), Mark Dobell (tenor), Laudibus, Michael Brewer (conductor)
|
|
Jillian of Berry
John Mark Ainsley (tenor), Roger Vignoles (piano)
|
|
My lady is a pretty one
John Mark Ainsley (tenor), The Nash Ensemble
|
|
My little sweet darling
John Mark Ainsley (tenor), The Nash Ensemble
|
|
Robin Goodfellow
John Mark Ainsley (tenor), Roger Vignoles (piano)
|
|
The Fairest May
John Mark Ainsley (tenor), The Nash Ensemble
|
|
Alphabetical listing of all musical works |
|
A babe is born, Op 55 (Mathias)
|
|
A boy was born, Op 3 (Britten)
|
|
A Gaelic blessing (Rutter)
|
|
A la douçour de la bele seson (Gace Brulé)
|
|
A maiden most gentle (Anon/Carter)
|
|
A solis ortus (Anon)
|
|
A vous douce debonnaire (Anon)
|
|
Ab ora summa nuncius (Anon)
|
|
Abide, I hope (Anon)
|
|
Ad cantus letitie (Anon)
|
|
Ad honorem salvatoris (Anon)
|
|
Adam lay ybounden (Martin)
|
|
Adulari nesciens (Anon)
|
|
Aeterna Christi munera (Anon)
|
|
Agnus Dei: Qui pius est factus (Anon)
|
|
Alleluia. Assumpta est Maria in caelum (Anon)
|
|
Alma polis religio / Axe poli cum artica / Tenor / Contratenor (Porta)
|
|
Amor mi fa cantar a la Francesca (Anon)
|
|
Amors m'art con fuoc am flama (Anon)
|
|
Angelus ad virginem (Anon/Willcocks)
|
|
Anglia, planctus itera (Anon)
|
|
Archangeli Michaelis interventione (Anon)
|
|
Argumenta faluntur fisice (Anon)
|
|
Artium dignitas (Anon)
|
|
Assumpta est Maria (Anon)
|
|
Astio non morì mai (Andreas de Florentia)
|
|
Avant hier en un vert pre (Anon)
|
|
Ave Maria (Anon)
|
|
Ave Maria, virgo virginum (Anon/Wishart)
|
|
Ave maris stella (Anon)
|
|
Ave parens/Ad gratie/AVE MARIA (Anon)
|
|
Ave Rex, Op 45 (Mathias)
|
|
Avrai je ja de ma dame confort? (Anon)
|
|
Ay las! quant je pans (Anon)
|
|
Ay mi! dame de valour (Machaut)
|
|
Beata nobis gaudia (Anon)
|
|
Beate virginis (Anon)
|
|
Bele Doette (Anon)
|
|
Bele Doette as fenestres se siet (Anon)
|
|
Belle sans per (Matteo da Perugia)
|
|
Benedicamus Domino: Spiritus almi (Anon)
|
|
Bethlehem (Boughton)
|
|
Bible Songs and Six Hymns, Op 113 (Stanford)
|
|
Bona domna, un conseil vos deman (Anon)
|
|
Canticle II 'Abraham and Isaac', Op 51 (Britten)
|
|
Cantu miro (Anon)
|
|
C'est desoz l'olive en mi les prez (Anon)
|
|
C'est force, faire le weil (Machaut)
|
|
C'est la gieus en mi les prez (Anon)
|
|
Christe, qui lux es (Anon)
|
|
Christ's Love (Burgon)
|
|
Christ's Nativity (Britten)
|
|
Combien que j'aye (Anon)
|
|
Comment qu'a moy lonteinne (Machaut)
|
|
Confort d'amours (Anon)
|
|
Congaudet hodie celestis curia (Anon)
|
|
Constantia (Anon)
|
|
Converte nos, Deus (Anon)
|
|
Copiose caritatis (Anon)
|
|
Corpus Christi (Warlock)
|
|
Corpus Christi Carol (Bingham)
|
|
Corpus Christi Carol (Maw)
|
|
Credo (Anon)
|
|
Credo quod redemptor meus vivit (Anon)
|
|
Crucifigat omnes (Anon)
|
|
Dansse Real (Anon)
|
|
De ce que fol pense (Anon)
|
|
De ce que fol pense (Molins)
|
|
De la virge Katerine/Quant froidure/Agmina milicie/AGMINA (Anon)
|
|
Deduc, Syon, uberrimas (Anon)
|
|
Degentis vita / Cum vix artidici / Tenor / Contratenor (Anon)
|
|
Descendi in ortum meum (Johannes de Lymburgia)
|
|
Deus creator omnium (Anon)
|
|
Diastematica (Anon)
|
|
Divino maduit (Anon)
|
|
Doleo super te (Anon)
|
|
Dominus vobiscum – Famulorum tuorum, quaesumus Domine (Anon)
|
|
Dominus vobiscum – In illo tempore (Anon)
|
|
Dominus vobiscum – Mensae caelestis participes effecti (Anon)
|
|
Domna, pos vos ay chausida (Anon)
|
|
Donna pos vos ay chausida (Anon)
|
|
Dulcia dona redemptoris (Anon)
|
|
Ecce beatam lucem (Dove)
|
|
Ecce mundi gaudium (Anon/Wishart)
|
|
Ecce torpet probitas (Anon)
|
|
Ego sum resurrectio et vita – Benedictus Dominus, Deus Israel (Anon)
|
|
En ce gracieux tamps joli (Jacob de Senleches)
|
|
En cest mois de May (Anon)
|
|
En esperant (Anon)
|
|
En Katerina solennia / Virginalis concio / SPONSUS AMAT SPONSUM (Byttering)
|
|
En la maison Dedalus (Anon)
|
|
En ma forest (Anon)
|
|
En non Dieu/Quant voi la rose/NOBIS (Anon)
|
|
En un vergier (Anon)
|
|
Estampie I (Anon)
|
|
Estampie II (Anon)
|
|
Estampie III (Anon)
|
|
Estampie on 'Vide miser et iudica' (Anon/Wishart)
|
|
Estampie Royal 'No 1' (Anon)
|
|
Estampie Royal 'No 3' (Anon)
|
|
Estampie Royal 'No 4' (Anon)
|
|
Estampie Royal 'No 6' (Anon)
|
|
Estampie Royal 'No 7' (Anon)
|
|
Estampie Royal 'No 8' (Anon)
|
|
Et une chambre cointe et grant/ET GAUDEBIT (Anon)
|
|
Etas auri reditur (Anon)
|
|
Ex te lux oritur o dulcis Scocia (Anon)
|
|
Exultavit cor in Domino (Anon)
|
|
Exultemus et letemur (Anon)
|
|
Festa januaria (Anon)
|
|
Fist on, dame (Anon)
|
|
Flos floriger (Anon)
|
|
Flos in monte cernitur (Anon)
|
|
Gabriel fram evene king (Anon/Wishart)
|
|
Gabriel fram evene king. Untexted realization (Anon/Wishart)
|
|
Gabriel's message (Anon/Pettman)
|
|
Gaude Maria virgo (Anon)
|
|
Gaudeamus omnes (Anon)
|
|
Generosa Jesse plantula (Anon)
|
|
Genitus divinitus (Anon)
|
|
God be in my head (Bingham)
|
|
God be in my head (Davies)
|
|
God be in my head (Radcliffe)
|
|
God be in my head (Rutter)
|
|
Gospel 'In illo tempore' (Anon)
|
|
Gratissima virginis/Vos qui admiramini/Gaude gloriosa/Contratenor (Vitry)
|
|
Hac in anni ianua (Anon)
|
|
Hac in die Gedeonis (Anon)
|
|
Hec dies quam fecit Dominus (Anon)
|
|
Hermit Songs, Op 29 (Barber)
|
|
Heu quo progreditur (Anon)
|
|
I am the day (Dove)
|
|
I sing of a maiden (Hadley)
|
|
I Sing of a Maiden That Is Makeless (Bax)
|
|
I sing of a mayden (Chilcott)
|
|
Il me convient guerpir (Anon)
|
|
In caelestibus regnis (Pergolesi)
|
|
In dulci iubilo (Anon/Pearsall)
|
|
In excelsis gloria (Mathias)
|
|
In hoc ortus occidente (Anon)
|
|
In natali novi regis (Anon)
|
|
In occasu sideris (Anon)
|
|
In Rama sonat gemitus (Anon)
|
|
In salvatoris / Ce fu en tres douz tens / In veritate / VERITATEM (Anon)
|
|
Incomprehensibilia firme / Praeter rerum ordinem (Anon)
|
|
Inter usitata/Inter tot et tales/TENOR (Anon)
|
|
Invocantes Dominum / Psalm 'Deus, qui venerunt' (Anon)
|
|
Ista dies celebrari (Anon)
|
|
Iube, Domine, benedicere (Anon)
|
|
Je demande ma bienvenue (Haucourt)
|
|
Je la remire, la belle (Anon)
|
|
Je languis d'amere mort (Anon)
|
|
Je m'en vois/Tels a mout/OMNES (Anon)
|
|
Je ne chant pas/Talens m'est pris/APTATUR/OMNES (Anon)
|
|
Je ne puis / Par un matin / Le premier jor / IUSTUS (Anon)
|
|
Je requier a tous amoureux (Dufay)
|
|
Je voel servir plus c'onques mais (Velut)
|
|
Je vueil vivre au plaisir d'amours (Anon)
|
|
Jerusalem accipitur (Anon)
|
|
Jerusalem se plaint et li pais (Huon de St Quentin)
|
|
Jerusalem! grant damage me fais (Anon)
|
|
Jesu fili virginis (Anon)
|
|
Jesu fili/Jesu lumen/JESU FILI VIRGINIS (Anon)
|
|
Jesu salvator (Anon)
|
|
Jesu, fili virginis (Anon)
|
|
Jillian of Berry (Warlock)
|
|
Joieux de cuer en seumellant estoye (Solage)
|
|
Jour a jour la vie (Anon)
|
|
Joys Seven (Anon/Cleobury)
|
|
La grant biauté (Anon)
|
|
La jus desouz l'olive (Anon)
|
|
La luz de vuestros ojos (Guerrero)
|
|
L'amours dont sui espris (Blondel de Nesle)
|
|
Las, que me demanderoye (Lebertoul)
|
|
Latex silice (Anon)
|
|
Lauda Sion salvatorem (Anon)
|
|
Laudes organi (Kodály)
|
|
Laus detur multipharia (Anon)
|
|
Le gay playsir (Anon)
|
|
Le grant pleyser (Anon)
|
|
Le ior (Anon)
|
|
Le ior 'Faenza codex' (Anon)
|
|
Le Lai de la Fonteinne (Machaut)
|
|
Lectio libri Sapientiae (Anon)
|
|
Letetur celi curia (Anon)
|
|
Li debonnaires Dieus (Anon)
|
|
Li nouviauz tanz (Chastelain de Couci)
|
|
Licet eger cum egrotis (Anon)
|
|
Lolay, lolay. Als I lay on Yoleis night (Anon/Wishart)
|
|
Lovely tear of lovely eye (Chilcott)
|
|
Luget Rachel iterum (Anon)
|
|
Lullay my liking (Pott)
|
|
Lullay my liking, H129 (Holst)
|
|
Lullay, lullay (Anon)
|
|
Luto carens et latere (Anon)
|
|
Ma fin est mon commencement (Machaut)
|
|
Ma joie me semont (Blondel de Nesle)
|
|
Magnanime gentis (Dufay)
|
|
Magno gaudens gaudio (Anon)
|
|
Main s'est levee Aëlis/NE (Anon)
|
|
Mais qu'il vous viengne a plaisance (Anon)
|
|
Marticius qui fu (Anon)
|
|
Mater ora filium (Anon)
|
|
Mater ora filium (Bax)
|
|
Miri it is – Estampie (Anon/Wishart)
|
|
Missa Caput (Anon)
|
|
Missa Gaudeamus (Victoria)
|
|
Missa Quem malignus spiritus (Anon)
|
|
Missa Veterem hominem (Anon)
|
|
Missus Gabriel de celis (Anon)
|
|
Mout souvent/Mout ai esté en dolour/MULIERUM (Anon)
|
|
Mundus vergens (Anon)
|
|
Musicorum collegio/In templo Dei/TENOR (Anon)
|
|
My lady is a pretty one (Warlock)
|
|
My little sweet darling (Warlock)
|
|
N'a pas long temps que trouvay Zephirus (Anon)
|
|
Ne je ne dors (Dufay)
|
|
Non na el so amante (Anon)
|
|
Novus miles sequitur (Anon)
|
|
Nowell, nowell: In Bethlem (Anon)
|
|
O levis aurula! (Anon)
|
|
O proles Hispaniae / O sidus Hispaniae (Dufay)
|
|
O pulcherrima mulierum / Girum caeli circuivi (Anon)
|
|
O regina seculi/Reparatrix Maria (Anon)
|
|
O sponsa Dei electa (Anon)
|
|
Ochi dolenti mie (Landini)
|
|
Of a Rose I Sing a Song (Bax)
|
|
Omnis terra/Habenti dabitur/TENOR (Anon)
|
|
Optimam partem elegit sibi Maria (Anon)
|
|
Our Lady's song (Maw)
|
|
Pange lingua (Anon)
|
|
Pange lingua gloriosi (Anon)
|
|
Pange lingua 'The story of the Salve regina' (Anon)
|
|
Pange melos lacrimosum (Anon)
|
|
Par un matinet/Hé, sire!/Hé, bergier!/EIUS (Anon)
|
|
Pascha nostrum (Anon)
|
|
Per la ver'onestà (Andreas de Florentia)
|
|
Per omnia saecula – Pater noster (Anon)
|
|
Per seguir la sperança (Landini)
|
|
Plaindre m'estuet (Lantins)
|
|
Plaisance, or tost (Pykini)
|
|
Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS (Anon)
|
|
Por coi me bait me maris (Anon)
|
|
Por coi me bait me maris? (Anon)
|
|
Porta salutis (Anon)
|
|
Pour vous servir (Anon)
|
|
Presul nostri temporis (Pérotin)
|
|
Procedenti puero (Anon/Wishart)
|
|
Psalm 133 'Ecce nunc benedicite', with antiphon (Anon)
|
|
Puis qu'autrement ne puis avoir (Anon)
|
|
Puis que l'aloe ne fine (Anon)
|
|
Pura, placens/Parfundement plure/TENOR (Anon)
|
|
Purgator criminum (Anon)
|
|
Quando i oselli canta (Anon)
|
|
Quando la stella (Giovanni da Cascia)
|
|
Quant la douce jouvencelle (Anon)
|
|
Quant voi la fleur nouvele (Anon)
|
|
Quant voi l'alouete/Diex! je ne m'en partiré ja/NEUMA (Anon)
|
|
Quant voi le douz tans / En mai / [Immo]LATUS (Anon)
|
|
Quel fronte signorille in paradiso (Dufay)
|
|
Qui servare puberem [monophonic] (Anon)
|
|
Qui servare puberem [three-part] (Anon)
|
|
Qui servare puberem [two-part, measured] (Anon)
|
|
Qui servare puberem [two-part, unmeasured] (Anon)
|
|
Quiconques veut d'amors joïr (Anon)
|
|
Quo vadis, quo progrederis? (Anon)
|
|
Quod promisit ab eterno (Anon)
|
|
Regis cuius potentia (Anon)
|
|
Relegentur ab area (Anon)
|
|
Renouveler me feïst (Anon)
|
|
Requiem (Rutter)
|
|
Rerum Deus conditor (Anon)
|
|
Resonet, intonet (Anon)
|
|
Robin Goodfellow (Warlock)
|
|
Salva nos, stella maris (Anon/Wishart)
|
|
Salvator mundi (Anon)
|
|
Salve regina (Anon)
|
|
Salve regina (Anon)
|
|
Salve regina 2 (Jackson)
|
|
Salve, virgo virginum (Anon/Wishart)
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Sancta Maria virgo (Anon)
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Sanctus (Anon)
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Se la face ay pale (Dufay)
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Sechs Gedichte und Requiem, Op 90 (Schumann)
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Singularis laudis digna (Anon)
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Sofrir m'estuet et plus non puis durer (Paolo da Firenze)
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Soit tart, tempre, main ou soir (Anon)
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Sol sub nube latuit (Anon)
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Sospitati dat egrotos (Anon)
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Soufrés, maris (Anon)
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Stella maris illustrans omnia (Anon)
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Stella serena (Anon)
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Stephani sollempnia (Anon)
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Summum regem honoremus (Anon)
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Super te Ierusalem/Sed fulsit virginitas/PRIMUS TENOR/DOMINUS (Anon)
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Swete Jesu (Maw)
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Tant doucement me sens emprisonnes (Machaut)
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Te Deum (Anon)
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The Agincourt Carol (Anon)
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The Fairest May (Warlock)
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Ther is no rose of swych vertu (Anon/Wishart)
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Ther is no rose of swych vertu. Instrumental realization (Anon/Wishart)
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Ther is no rose of swych virtu (Anon)
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This worldës joie (Bax)
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Thomas, Jewel of Canterbury (Jackson)
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Three Introits or Short Anthems (Bairstow)
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To many a well (Anon)
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Tout leis en mi les prez/DOMINUS (Anon)
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Toute seule, passerai (Anon)
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Trois sereurs/Trois sereurs/Trois sereurs/PERLUSTRAVIT (Anon)
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Tronus regis instauratur (Anon)
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Tu autem in nobis (Anon)
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Untitled instrument piece (Anon/Wishart)
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Ut iam cesset calamitas (Anon/Wishart)
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Ut non ponam (Anon)
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Va t'ent souspir (Grossin)
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Vacillantis trutine (Anon)
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Venit dilectus meus (Anon)
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Ver pacis apperit (Anon)
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Verbum patris umanatur O O (Anon)
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Veri vitis germine (Anon)
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Vetus abit littera (Anon)
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Vexilla regis prodeunt (Anon)
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Vexilla regni prodeunt (Anon)
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Virgo mater salvatoris (Anon)
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Virgo plena gratie / Virgo plena gratie / [VIR]GO (Anon)
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Welcome, Yule! (Parry)
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Worldës Blis (Anon)
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