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Hyperion Records

GAW21055 - Beethoven: Songs
Faust and Magaretha. after Ary Scheffer (1795-1858)
Sotheby’s Picture Library
GAW21055

Recording details: September 1998
Tonstudio Teije van Geest, Sandhausen, Germany
Produced by Teije van Geest
Engineered by Teije van Geest
Release date: September 2003
Total duration: 69 minutes 10 seconds

GRAMOPHONE AWARD WINNER
PREIS DER DEUTSCHEN SCHALLPLATTENKRITIK

'Stephan Genz has one of the most beautiful voices around today, used with such authority and imagination that I have found myself playing his Beethoven recital over and over again. I have never heard these songs sung more beautifully. An instant classic' (Gramophone)

'This disc, immaculately recorded, should win many new friends for Beethoven's songs' (The Daily Telegraph)

'Perfectly sung' (The Independent)

'A voice of warm, velvety beauty. A disc to have one reassessing Beethoven as song-writer' (The Guardian)

'As good as any anthology of Beethoven songs on CD' (Classic CD)

'Strongly recommended' (Hi-Fi News)

Songs
Stephan Genz (baritone), Roger Vignoles (piano) Last few CD copies remaining   Download currently discounted

While Beethoven remains the single most influential figure in the history of Western music, his songs have always been somewhat sidelined. He saw music as a world of infinite possibilities, largely unencumbered by textual concerns, but when issues about which he felt strongly enough to express them through a sung text did occur the results were remarkable. At the large end of the scale we have the Ninth Symphony finale, Fidelio, and the Missa Solemnis. And then there are some eighty fascinating Lieder.

This charming recital of many rarely-performed songs includes the monumental An die ferne Geliebte cycle, and the six Gellert settings.

Although many of Beethoven's own settings are essentially strophic in nature, his songs mark the first moves towards the 'through-composed' form later perfected by Schubert—the inherent simplicity of the strophic model was far too limited in scope for someone of Beethoven's profound musical intelligence. The supreme effort of producing these songs seems to have come from an elemental desire to express his innermost feelings—there is little surviving evidence of any formal performances of Beethoven's songs during his own lifetime.

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