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Hyperion Records

Artist Hyperion Records
Müller, Rufus (tenor)  

Rufus Müller (tenor)

The English-German tenor, Rufus Müller was born in Kent, England and was a choral scholar at New College, Oxford. He is at present studying in New York with Thomas LoMonaco.

Rufus Müller made his debut as Bastien in Mozart’s Bastien un Bastienne at the Kent Opera in 1984 and received the first prize at the English Song Award in Brighton during the following year. In 1999 he was a prize winner in the Oratorio Society of New York Singing Competition. Rufus Müller has worked with many leading conductors and his performances in song recitals and oratorios have taken him to numerous European countries and to Puerto Rico, the USA and Japan.

He is Assistant Professor of Music at Bard College, New York.

Owen/White Management, Top Floor, 59 Lansdowne Place Hove, East Sussex BN3 1FL

Tel: +44 1273 727127 Fax: +44 1273 328128 email info@owenwhitemanagement.com

Albums
'Benda: Cephalus and Aurora' (CDA66649)
'Enchanting Harmonist' (CDA66698)
'O tuneful voice' (CDA66497)
'Purcell: Odes, Vol. 3 – Fly, bold rebellion' (CDA66412)
'Purcell: The Complete Odes & Welcome Songs' (CDS44031/8)
'The Marriage of Heaven and Hell' (CDH55273)
'The Romantic Music' (CDA66740)
'Ward: Sweet Philomel & other madrigals' (CDA66256)
Complete works available for download
ANONYMOUS
De la virge Katerine/Quant froidure/Agmina milicie/AGMINA with Gothic Voices, Christopher Page (conductor)
En non Dieu/Quant voi la rose/NOBIS with Gothic Voices, Christopher Page (conductor)
Festa januaria with Gothic Voices, Christopher Page (conductor)
Je m'en vois/Tels a mout/OMNES with Gothic Voices, Christopher Page (conductor)
Mout souvent/Mout ai esté en dolour/MULIERUM with Gothic Voices, Christopher Page (conductor)
Par un matinet/Hé, sire!/Hé, bergier!/EIUS with Gothic Voices, Christopher Page (conductor)
Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS with Gothic Voices, Christopher Page (conductor)
Quant voi l'alouete/Diex! je ne m'en partiré ja/NEUMA with Gothic Voices, Christopher Page (conductor)
Super te Ierusalem/Sed fulsit virginitas/PRIMUS TENOR/DOMINUS with Gothic Voices, Christopher Page (conductor)
Trois sereurs/Trois sereurs/Trois sereurs/PERLUSTRAVIT with Gothic Voices, Christopher Page (conductor)
SAMUEL ARNOLD  (1740-1802)
Elegy with Frances Kelly (harp)
THOMAS ATTWOOD  (1765-1838)
The Soldier's Dream with Invocation, Timothy Roberts (conductor), Frances Kelly (harp)
GEORG BENDA  (1722-1795)
Du, klein Blondine, bezauberst ja schon! with Timothy Roberts (fortepiano)
Ein trunkner Dichter leerte with Timothy Roberts (fortepiano)
Faulheit, itzo will ich dir with Timothy Roberts (fortepiano)
Ich liebte nur Ismenen with Timothy Roberts (fortepiano)
Lieber Amor, leihe mir with Timothy Roberts (fortepiano)
Mir Armen, den des Fiebers Kraft with Timothy Roberts (fortepiano)
Philint ist still, und flieht die Schönen with Timothy Roberts (fortepiano)
Philint stand jüngst vor Babets Thür with Timothy Roberts (fortepiano)
Venus, wenn du willst mich rühren with Timothy Roberts (fortepiano)
Von nun an, o Liebe, verlaß' ich dein Reich with Timothy Roberts (fortepiano)
WILLIAM BENSON EARLE  (1740-1796)
Go, rose! my Chloe's bosom grace with Invocation, Julia Gooding (soprano), Charles Daniels (tenor), Christopher Purves (bass)
HENRY HARINGTON  (1727-1816)
The lyre with Invocation
JOSEPH HAYDN  (1732-1809)
Sailor's song, Hob XXVIa:31 with Timothy Roberts (fortepiano)
She never told her love, Hob XXVIa:34 with Timothy Roberts (fortepiano)
JAMES HOOK  (1746-1827)
The emigrant with Frances Kelly (harp)
WILLIAM JACKSON  (1730-1803)
Could he whom my dissembled rigour grieves, Op 3 No 3 with Invocation, Charles Daniels (tenor), Christopher Purves (bass)
The day that saw thy beauty rise with Timothy Roberts (harpsichord/spinet/virginals)
Time has not thinn'd my flowing hair with Emma Kirkby (soprano), Frances Kelly (harp)
Where the bee sucks, Op 11 No 6 with Invocation, Julia Gooding (soprano), Ana-María Rincón (soprano), Christopher Purves (bass)
THOMAS LINLEY  (1733-1795)
Awake, my lyre with Invocation
THOMAS LINLEY  (1756-1778)
To heal the wound a bee had made with Invocation
GEORGE FREDERICK PINTO  (1785-1806)
A shepherd lov'd a nymph so fair with Timothy Roberts (fortepiano)
From thee, Eliza, I must go with Timothy Roberts (fortepiano)
HENRY PURCELL  (1659-1695)
Celebrate this Festival, Z321 with The King's Consort, Robert King (conductor)
Fly, bold rebellion, Z324 with The King's Consort, Robert King (conductor)
Sound the trumpet, beat the drum, Z335 with The King's Consort, Robert King (conductor)
JOHANN PETER SALOMON  (1745-1815)
Go, lovely rose with Timothy Roberts (fortepiano)
O tuneful voice with Timothy Roberts (fortepiano)
WILLIAM SHIELD  (1748-1829)
Ye balmy breezes, gently blow with Frances Kelly (harp)
JOHN WARD  (1571-1638)
Come, sable night with The Consort of Musicke
Cruel unkind with The Consort of Musicke
Die not, fond man with The Consort of Musicke
Hope of my heart with The Consort of Musicke
I have entreated with The Consort of Musicke
If heaven's just wrath with The Consort of Musicke
If the deep sighs with The Consort of Musicke
My breast I'll set with The Consort of Musicke
Oft have I tender'd with The Consort of Musicke
Out from the vale with The Consort of Musicke
Retire, my troubled soul with The Consort of Musicke
SAMUEL WEBBE  (c1770-1843)
Love wakes and weeps with Invocation, Timothy Roberts (conductor), Timothy Roberts (fortepiano)
Alphabetical listing of all musical works
A shepherd lov'd a nymph so fair (Pinto)
Awake, my lyre (Linley Sr.)
Celebrate this Festival, Z321 (Purcell)
Come, sable night (Ward)
Could he whom my dissembled rigour grieves, Op 3 No 3 (Jackson)
Cruel unkind (Ward)
De la virge Katerine/Quant froidure/Agmina milicie/AGMINA (Anon)
Die not, fond man (Ward)
Du, klein Blondine, bezauberst ja schon! (Benda)
Ein trunkner Dichter leerte (Benda)
Elegy (Arnold)
En non Dieu/Quant voi la rose/NOBIS (Anon)
Faulheit, itzo will ich dir (Benda)
Festa januaria (Anon)
Fly, bold rebellion, Z324 (Purcell)
From thee, Eliza, I must go (Pinto)
Go, lovely rose (Salomon)
Go, rose! my Chloe's bosom grace (Earle)
Hope of my heart (Ward)
I have entreated (Ward)
Ich liebte nur Ismenen (Benda)
If heaven's just wrath (Ward)
If the deep sighs (Ward)
Je m'en vois/Tels a mout/OMNES (Anon)
Lieber Amor, leihe mir (Benda)
Love wakes and weeps (Webbe Jr.)
Mir Armen, den des Fiebers Kraft (Benda)
Mout souvent/Mout ai esté en dolour/MULIERUM (Anon)
My breast I'll set (Ward)
O tuneful voice (Salomon)
Oft have I tender'd (Ward)
Out from the vale (Ward)
Par un matinet/Hé, sire!/Hé, bergier!/EIUS (Anon)
Philint ist still, und flieht die Schönen (Benda)
Philint stand jüngst vor Babets Thür (Benda)
Plus bele que flors / Quant revient / L'autrier jouer / FLOS FILIUS EIUS (Anon)
Quant voi l'alouete/Diex! je ne m'en partiré ja/NEUMA (Anon)
Retire, my troubled soul (Ward)
Sailor's song, Hob XXVIa:31 (Haydn)
She never told her love, Hob XXVIa:34 (Haydn)
Sound the trumpet, beat the drum, Z335 (Purcell)
Super te Ierusalem/Sed fulsit virginitas/PRIMUS TENOR/DOMINUS (Anon)
The day that saw thy beauty rise (Jackson)
The emigrant (Hook)
The lyre (Harington)
The Soldier's Dream (Attwood)
Time has not thinn'd my flowing hair (Jackson)
To heal the wound a bee had made (Linley Jr.)
Trois sereurs/Trois sereurs/Trois sereurs/PERLUSTRAVIT (Anon)
Venus, wenn du willst mich rühren (Benda)
Von nun an, o Liebe, verlaß' ich dein Reich (Benda)
Where the bee sucks, Op 11 No 6 (Jackson)
Ye balmy breezes, gently blow (Shield)
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